What happens when the process for taking your film to market, securing international sales, attending festivals and ensuring an audience sees your film is disrupted by a pandemic?
Join us to hear from New Zealand feature film producers about how they navigated the new online world of markets and sales for their recent films. They will discuss how they dealt with disruptions to cinematic releases both here and abroad, the unexpected opportunities that arose along the way, and what they think will be helpful for you to know while the world adapts to this pandemic and a new normal.
Georgina Conder (co-producer of Cousins) and Vicky Pope (producer of Savage) will talk to entertainment lawyer Sarah Cull about their experiences taking Cousins and Savage to audiences in a world seriously impacted by Covid-19. Both films are now in the Top 20 Films at the NZ Box Office having earned more than $1million during their theatrical runs.
If you’re developing or producing a feature film don’t miss this opportunity to gain valuable insights into this evolving process.
Book your ticket in advance to secure your seat. When you book your ticket via Eventbrite, there’ll be an opportunity for you to guide the discussion by submitting a question ahead of time.
Wed 19 May 2021
6:30pm – 7:30pm – TALK
7:30 – 8:30pm – Cash Bar, Socialising/Networking and Pizza
Te Auaha, Tapare Iti, Level 1, 65 Dixon St, Te Aro, Wellington
After the TALK, stay and have pizza on Script to Screen, there will be a cash bar and socialising with fellow filmmakers.
$5.75 (incl. GST) for sales via EventBrite to secure your seat.
$5 cash at the door.
Script to Screen TALKS are made possible thanks to generous support from New Zealand Film Commission, a special thanks to our venue sponsors, Te Auaha.
“Nōku te whiwhi ki te mahi i runga i tēnei kaupapa whakamīharo. FilmUp was a game-changer for me and my career – the intensives allowed me to work with incredible mentors, peers and form relationships which lead to me directing on a prime-time drama and developing my feature film. I highly recommend this amazing opportunity!”
– Cian Elyse White,
FilmUp 2020 participant (mentor Louise Gough)
“FilmUp is brilliant! It’s the knowledge that someone has your back, and you aren’t doing this filmmaking thing alone. That support is invaluable especially at the beginning of a project when filmmaking often feels very solo.”
– Vanessa Wells,
FilmUp 2020 participant (Mentor Justin Pemberton)
Want to build momentum in your career and push yourself to your full potential?
The FilmUp Mentorship programme returns for its ninth year to support and empower up to eight tenacious and talented filmmakers to reach the next stage in their creative careers. If you are developing a feature film or documentary this programme could be just what you need to progress your work to the next stage.
A mentor for each filmmaker forms the cornerstone of the programme, along with six FilmUp Hub days when the participants come together for group work.
Applicants must have a feature project in development, and be able to demonstrate that their project and career are at the right stage for mentorship and wrap-around support.
Successful applicants will take part in 20 hours of mentorship with an experienced film practitioner over an eight-month period and six FilmUp hubs spread between August 2021 and February 2022. These hubs are tailored to meet the needs of the selected filmmakers and include workshops, peer discussions and round tables with industry leaders.
Participants are the driving force of a successful mentorship as they take hold of their own learning and development. This autonomy is fostered from the start of the programme when participants are actively involved in the selection of their mentor. Throughout the programme there is wrap-around support from Script to Screen.
Since its inception in 2013, FilmUp has gone from strength to strength, with a growing alumni of talented local filmmakers who have benefitted from the programme including Briar March (The Coffin Club, There Once Was An Island: Te Henua A Nnoho), Chelsea Winstanley (Jojo Rabbit, MERATA: How Mum Decolonised the Screen, What We Do in the Shadows), Florian Habicht (James & Isey, Spookers, Love Story), Gaysorn Thavat (The Justice of Bunny King), Jake Mahaffy (Free in Deed), Nic Gorman (Human Traces), Sophie Henderson (Baby Done, Fantail) and Stallone Vaiaoga-Ioasa (Take Home Pay, Three Wise Cousins). You can read about other participants and an impressive list of mentors who have helped these filmmakers take a step up in their careers here.
To apply you need to be working on a feature film or documentary. Here’s what’s required for the application:
APPLICATIONS CLOSE: Tues 18 May, 11:59pm
Make sure you read our Top Tips to make your FilmUp application shine while crafting your application.
FilmUp is made possible thanks to financial support from the New Zealand Film Commission
We’ve made some changes to the roll-out of our high-end intensive development programmes for 2021. So if you are a filmmaker planning to apply to FilmUp, Story Camp or Strength in Numbers in 2021 make sure these dates are on your radar!
All of our high-end, contestable programmes are open nationally and take place in Auckland. Travel will be covered for selected participants from outside of Auckland. Due to COVID-19 and current New Zealand government border restrictions, all applicants must be residing in New Zealand at the time of applying.
All programmes are contingent on funding.
FilmUp
FilmUp is a nine-month professional development programme for practising writers, directors and producers. It supports and empowers up to eight emerging to senior practising filmmakers selected each year to further develop a project and participate in group workshops. Throughout the programme, each participant receives 20 hours of mentorship with an esteemed industry mentor, participates in group work & round tables, and receives wrap-around support.
Applications Open: Early May 2021
Applications Close: Mid June 2021
Group Workshops Held: from August 2021 – April 2022
Story Camp Aotearoa
Story Camp Aotearoa is a residential feature film lab that fosters craft, voice and vision. Eight selected screenwriters or creative teams workshop their projects with exceptional international and local advisors in a rigorous five-day experience designed specifically to meet the development needs of a feature film.
Applications Open: Early July 2021
Applications Close: Mid August 2021
Residential Lab: Five Days in Late November
Strength in Numbers
Strength in Numbers is focused on building sustainable businesses in our screen industry. Selected filmmakers participate in a series of workshops over a 5 to 6 month period. The programme offers a unique opportunity for practitioners in the screen industry to work together on the building blocks of business models that will sustain their future.
Applications Open: Late September 2021
Applications Close: Early November 2021
Group Workshops held: from February 2022 – June 2022
Image: Story Camp 2020. Credit: Evie Mackay Photography
Passion, Persistence, Patience and Intense Ominous Whooshing
Script to Screen is proud to present a one-day directing workshop in Queenstown with David Stubbs (Daffodils, Black Hands, Reservoir Hill). This interactive workshop will give you the tools you need to find the best director within you.
Over one day, David will talk about his experience finding inspiration, choosing the right projects, how to build longevity in your career as a director and give you an in-depth look into the best and the hardest parts of being a director.
David will teach you how to effectively work and communicate with key collaborators and take you through the detailed journey of the director from pre-production to post.
Saturday 20th March 2021
9:00am – 5:00pm
The Stables, Sherwood Queenstown, 554 Frankton Road, Queenstown
Who it is for: This workshop is aimed at beginning and emerging directors, as well as those wanting to transition from other roles in the industry into directing. Producers and writers wanting to learn more about the directing process will also find this workshop valuable and are encouraged to attend. All levels of experience welcome.
Cost: General Admission $23 (incl. GST) via EventBrite
What to Bring: Pen and paper. Snacks, tea and coffee will be provided. Please bring your own lunch, there is a restaurant on-site or Queenstown township is a short drive away.
COVID Alert Level Note: This workshop will go ahead under Alert Level 1. It will be reviewed under Alert Level 2 and will not go ahead if the country is under Alert Level
Travel Grants
Film Otago Southland are generously offering a max of 5 x $100 travel grants to enable participants from outside Queenstown, but who reside within the Otago and Southland region, to attend.
Please email Kahli Scott (kahli@filmotagosouthland.com) to request this support. Confirmation of your workshop registration will be required before the grant will be offered. The first five confirmed applicants will be supported. Any person accepting the grant and failing to attend the workshop in person will be liable to return the grant.
About David Stubbs
David Stubbs is an Emmy Award-winning filmmaker with an eye for the uncomfortable truths in everyday life. He has moved between drama, documentary, music videos and digital projects in a 35-year career that’s been eclectic and highly accomplished. Most notably he was the director and co-producer on feature films Daffodils (2019), Belief: The Possession of Janet Moses (2016), TV drama mini-series Black Hands (2020), and series/digital projects Reservoir Hill (2010 – 2011) and Girl versus Boy (2013-2015). David’s films and television have screened internationally on networks, Netflix and at numerous prestigious film festivals. In 2010 David won an International Emmy Award, a Qantas Media Award and in 2017 was judged Best Director Documentary at the New Zealand Film Awards.
This workshop is presented by Script to Screen and made possible thanks to generous support from Film Otago Southland, Queenstown Lakes District Council Film Office, Queenstown Lakes Council Creative Communities and the New Zealand Film Commission.
Six filmmaking teams have been selected for funding through the 2020 round of Fresh Shorts and will each receive a grant of $15,000 to make their short film.
The final six were selected from a pool of 97 applications. 18 teams were shortlisted and given feedback from independent assessors. Supported by Fresh Shorts facilitator Miriam Smith they submitted a more detailed application to Whiringa Tuarua – Stage Two in January. From the 18 submissions, six were selected.
Script to Screen and the New Zealand Film Commission will partner to support the development of these films with a two-day lab in March and a six-week mentorship process following the lab to get the teams shoot ready.
Chris Payne, Head of International Relations and Fresh Shorts panel member at the New Zealand Film Commission said, “The panel was impressed with the originality, diversity, and strength of the directors’ voices, they all have something important to say, and we’re excited to support their progression.”
Jackie Dennis, Executive Director of Script to Screen who was also part of the selection process said, “This is a fantastic group of filmmakers who have really engaging stories to tell – and it’s a ground shift to see five of the six directors are female! We are now tailoring the two-day workshop and mentorship support to match the needs of each team and their project.”
The 6 selected teams and their projects are:
Fresh Shorts is a New Zealand Film Commission initiative run in partnership with Script to Screen.
Auckland has now moved into Alert Level 2. This workshop is going ahead under Alert Level 2 restrictions.
There are some important things to note:
Do not attend the workshop if you are feeling unwell, are a confirmed or probable case of COVID-19, are waiting for a COVID-19 test result or are self-isolating.
Script to Screen is excited to bring you our first workshop for 2021! Join us this February to jumpstart your feature film idea or revitalise an old one. This interactive and practical two-day workshop will give you the tools you need to propel your feature film project forward.
On day one, writer/director Hamish Bennett (Bellbird) will teach you how to build your screen story around interesting, original and compelling characters. Then producer Emma Slade (The Justice of Bunny King, Come To Daddy, The Changeover) will give you invaluable insight into what’s needed to produce a feature film.
On day two, Hamish Bennett will return to talk about his directing process, then producer Karin Williams will help you devise a dynamic logline that gets your project noticed.
No matter what your experience is, come along. The passion that drives you to create will be invigorated and you’ll come away with new knowledge and ideas to further develop your stories.
Saturday 20th – Sunday 21st February 2021
9:15am – 5:00pm each day
St Columba Centre, 40 Vermont St, Ponsonby, Auckland
(Free off-street parking available)
Who it is for: Emerging to established filmmakers. However, if you are at the beginning stages of writing a feature film or are interested in writing a film this workshop will be very beneficial.
Cost: General Admission $23 (incl. GST) via EventBrite
What to Bring: Pen and paper. Snacks, tea and coffee will be provided. Please bring your own lunch or there are plenty of cafes in the area if you wish to buy lunch.
Workshop Schedule
Saturday 20th Feb 2021
Sunday 21st Feb 2021
This Script to Screen workshop is made possible thanks to generous support from Auckland Council Creative Communities and the New Zealand Film Commission.
The South Shorts Mentorship programme returns in 2021 with ten emerging filmmakers selected to take part. Under the leadership and guidance of renowned screenwriter and director Briar Grace-Smith (Cousins, The Strength of Water), participants will develop their short film projects through a script-focused mentorship.
Now in its sixth year, the programme guides emerging South Auckland affiliated talent to develop their short film scripts. Over a sixth-month period, the participants get individual script notes from Briar Grace-Smith, meet for workshops where they do group script read-throughs, and hear from guest filmmakers about their experience making short films.
“Since its inception in 2015, South Shorts has seen numerous alumni gone on to make films. The programme provides a safe space for aspiring and emerging South Auckland filmmakers to gain confidence in themselves as writers while building a sense of community within the industry,” says Eloise Veber, Script to Screen Programme Manager. “Ultimately we want to see more stories from South Auckland filmmakers produced and seen by audiences. We feel so privileged to continue to do this work thanks to support from our funders.”
The search for South Shorts Mentorship participants begins with our annual two-day South Auckland Short Film Workshop held each year in October.
Congratulations to the filmmakers selected for South Shorts 2021:
The South Shorts Mentorship Programme is made possible thanks to generous support from Foundation North with additional support from the New Zealand Film Commission.
Script to Screen and the New Zealand Film Commission take great pleasure in announcing the 18 projects and teams who have been shortlisted for Kōpere Hou – Fresh Shorts 2020.
A panel of external film industry assessors shortlisted 18 projects out of a total of 97 applications. These shortlisted teams have been invited to apply for Whiringa Tuarua – Stage Two where they submit a full application. The 18 teams will be supported throughout the Whiringa Tuarua – Stage Two process to help them put their best foot forward.
Six projects from the 18 shortlisted teams will be selected, giving the teams a one in three chance of workshopping their project with industry experts and receiving a grant of $15,000 to make their film.
Script to Screen and the New Zealand Film Commission thank all the filmmakers who applied, there was a wealth of great ideas and some extremely strong filmmaking teams to select from.
Congratulations to the 18 teams shortlisted for Whiringa Tuarua – Stage Two:
Script to Screen and New Zealand Film Commission work in partnership to deliver the Kōpere Hou – Fresh Shorts programme.
Image: Ways to See dir. Jessica Sanderson. Stills Photography by Jen Raoult
Script to Screen is delighted to announce the projects and teams selected to take part in Series Bootcamp 2020, a programme created to nurture emerging and mid-career writers and producers as they develop their series concepts.
The teams will workshop their series concepts over two stages. At stage one, each team will have an online session with an advisor from the U.S. The two advisors, Laurence Andries (VP of Programming at the Writer’s Guild Foundation, How to Get Away with Murder, Blue Bloods, Six Feet Under) and Jill Goldsmith (Boston Legal, Law & Order, Rizzoli & Isles), will give feedback on how to further develop the concept to appeal to an international audience. The teams will bring that feedback to stage two and attend a two-day intensive workshop to continue to develop their concepts with exceptional local story and producer advisors. Some participants are experienced in other formats so the workshop will also cover the nuances of writing and producing series for the screen.
For this first Series Bootcamp, Script to Screen received 61 applications. Three external selectors went through a robust process compiling a shortlist of 15 and ultimately selected seven projects to be developed. They said “there was so much evident talent – freshness, originality & skill. We wished there were more places to offer. To have made the shortlist was a real mark of quality, and the selection was passionately argued. Our congratulations to all the chosen teams – the future is bright!”
Script to Screen thanks all the filmmakers who applied.
Congratulations to the teams whose series concepts will be developed at Series Bootcamp 2020:
Series Bootcamp is made possible thanks to generous support from the New Zealand Film Commission, US Embassy and the US Arts Envoy.
The 2020 South Auckland Short Film Workshop is a two-day workshop to learn the art of making short films. Whether you’re new to filmmaking or have some experience, we are calling everyone who aspires to tell their stories on screen to come and learn what it takes to bring your film to life.
This workshop is intended for people who either live in South Auckland or have a connection with the area.
Over one weekend you will be guided by experienced filmmakers about the principles of how to write a short film, the role of the director, what it takes to get your short film off the ground, and pitching to funders and collaborators. Speakers include Marina McCartney (Milk & Honey, Vai), Todd Karehana (Ahikāroa, My Brother Mitchell) and Nikki Si’ulepa (Same But Different, Mā, Snow in Paradise)
Who it is for: New and emerging creatives from any industry or background with a connection to the South Auckland community who have an interest in short filmmaking.
When: Saturday 31 Oct – Sunday 1 Nov 2020, 9am – 5pm each day
Where: Te Haa o Manukau – Ground Floor, 2 Osterley Way, Manukau.
$5 all-day parking is available at 50 Manukau Station Road – an Auckland Transport carpark next to the bus station which is a short walk to the venue.
Cost: General Admission $5.75 (incl GST). Tickets via Eventbrite.
What to Bring: Pen and paper. Morning and afternoon tea will be provided. Please bring lunch with you or there are plenty of cafes in the area to buy lunch and there is space available to eat your lunch if you bring it with you.
Participants from this workshop will be eligible to apply for Script to Screen’s South Shorts 2021 Mentorship Programme. Read more about South Shorts 2021.
Image: Money Honey written and directed by Isaac Knights-Washbourn. Winner of NZIFF Ngā Whanaunga Māori Pasifika Shorts Best Film Award and Show Me Shorts 2020 Best Director Award.
MARINA MCCARTNEY
Marina was born and raised in Manukau City, New Zealand. From a Geordie Father, Samoan Mother and Cook Islands step-Mother, she is interested in how cultural heritage effects the way we are viewed and how we view others. She holds an MA in Screen Production (First Class Honours) and is an award-winning filmmaker and academic. Her areas of expertise are Pacific Studies, Pacific filmmaking, Pacific representation on screen and of the Pacific woman. She is a PhD candidate and Vice Chancellor’s Doctoral Scholar exploring Pacific filmmaking and is developing a range of projects including her next feature film, The Return.
TODD KAREHANA
Todd Karehana (Ngai Te Rangi, Ngāti Awa, Ngati Ruapani) is an experimental storyteller with a passion for creating new images of minorities. He has five years’ experience in the New Zealand film and television industry with companies such as Kura Productions, Pango Productions, and Piki Films. Alumni of the Masters in Screen Production programme at The University of Auckland, Karehana was the writer and director on several short films such as The Kweenz of Kelston, and My Brother Mitchell – which screened at numerous international film festivals. His recent credits include; storyliner, writer, script editor and Social Media Manager on drama series Ahikāroa, storyliner and writer on children’s animated series The Exceptional Squad, Social Media Manager on animated series Aroha Bridge, and, writing support on feature film Ngā Pouwhenua.
NIKKI SI’ULEPA
Nikki Si’ulepa is an award winning actor, writer, director and camera operator of Samoan heritage from the villages of Sātalo and Solaūa. Nikki’s short films have screened at international film festivals including Berlinale, Tribeca, Sydney, NZIFF, and imagineNATIVE. Her debut NZFC funded short film, Snow in Paradise was shot entirely on location in Aitutaki, Cook Islands and was selected for the Berlinale in 2011 and again for the NATIVe program in 2019. Nikki was one of 250 participants and the only Kiwi/Pacific Islander selected from over 7,000 applicants for the Berlinale Talents program in 2017. Nikki’s self funded her next short film, Ma, and Aroha was one of ten short films in the K’Rd Stories collection. Nikki next short, Counting Cars (post production), was an experiment to test her working relationship with her wife, Rachel Aneta Wills, in anticipation of their romantic comedy feature film Same But Different: A True NZ Love Story. Nikki is currently in post production with short film, This is Your Half Hour Call and is developing a television series and two feature films. Nikki likes vegan Magnum ice-cream.
Saturday 31st October
Sunday 1st November
