Script to Screen, in partnership with Northland Youth Theatre, presents a free four-day film workshop in the July school holidays for 15 – 23 year olds.

The workshop helps young participants to develop skills in crafting a story idea, writing a script, and acting. The aim of the workshop is to foster writing talent and encourage aspiring filmmakers. No experience or prior knowledge of filmmaking is necessary.

On Day 1, participants will hear from writer/director Hamish Bennett (The Dump, Ross & Beth, Bellbird) about finding a story they want to tell and crafting a narrative that is compelling on screen. On Day 2, participants will develop their own film concept and write a scene for their film, guided by actor Laurel Devenie (Shortland Street).

On Day 3 Laurel will lead a workshop on acting for the screen, including working with the scenes written the day before. Each participant will get the chance to act in a scene. On the last day, we will tape the scenes, watch them as a group and discuss what was learned.


Tuesday 13 July – Fri 16 July

9am – 2:30pm each day

Northland Youth Theatre, 86 Bank St, Whangarei 0110

Morning Tea, Lunch and Afternoon Tea provided. However, if you have special dietary requirements (gluten free, dairy free, keto, paleo, etc) please bring food with you.

The workshop is free but please register via EventBrite as spaces are limited.


This workshop is presented in partnership with Northland Youth Theatre and is made possible thanks to generous support from New Zealand Film Commission and Foundation North.

Script to Screen Alumni Florian Habicht‘s new film James & Isey is currently screening in cinemas all over Aotearoa. How can a film, shot without a film crew, become a hit at the NZ box office?

Florian would love to have coffee or lunch with you at Bestie Cafe in Auckland, and share some of his filmmaking secrets with you.

To enter, simply email us a publicity stunt idea for James & Isey and Florian will choose his favourite and try and make it happen!

James & Isey in cinemas now! Find a screening near you.

Entries close: Sun 30 May 2021


Florian Habicht was born in Berlin, and immigrated with his family to New Zealand in the eighties. He studied at the Elam School of Fine Arts Auckland and Binger Filmlab in Amsterdam.

He is one of our most prolific filmmakers being responsible for some of NZ’s most innovative films, from experimental Woodenhead (2003), cult documentaries Kaikohe Demolition (2004) & Rubbings of a Live Man (2008), to his participatory Love Story (2011) and cinematic homage to British band Pulp – Pulp: a Film About Life, Death & Supermarkets (2014). Florian released his seventh feature film Spookers in 2017. James & Isey (2021) is his eighth feature, currently showing in cinemas. His films have been distributed in over 18 countries.

www.florianhabicht.com

This workshop has now reached capacity. You may join the waitlist if you are still interested in attending and we will contact you if a space becomes available.

 

Due to popular demand, we’re excited to be bringing you another Auckland workshop! Join us for a one-day workshop in Waitākere this June to learn how to jumpstart your feature film idea or revitalise an old one. This interactive and practical one-day workshop will give you the means to propel your feature film project forward.

Over the course of one day, Hamish Bennett (Bellbird) will explore character and story and how the two are intertwined. He will use clips and examples to support the learning.

Hamish will talk about how to tap into your own knowledge and experiences to build a story that is authentic and memorable. He will also talk about his process preparing as a director and give you methods for making time for writing when you’re not a full-time writer.

No matter what your experience is, come along. The passion that drives you to create will be invigorated and you’ll come away with new knowledge and ideas to further develop your stories.

 

Saturday 12 June 2021
9:00am – 5:00pm
The Seminar Room, Level 1, Lopdell Precinct, 418 Titirangi Road, Titirangi, Auckland

Parking: Free parking behind the Lopdell building, entrance is off South Titirangi Road. Alternative parking is available outside the building on Titirangi Road or at the parking building opposite – off South Titirangi Road.

Who it is for: Emerging to established filmmakers. If you are at the beginning stages of writing a feature film or are interested in writing a film this workshop will be very beneficial.

Cost: General Admission $23 (incl. GST) via EventBrite

What to Bring: Pen and paper. Please bring your own lunch or there are plenty of cafes in the area if you wish to buy lunch. Snacks, tea and coffee will be provided.

 

This Script to Screen workshop is made possible thanks to generous support from Auckland Council Creative Communities and the New Zealand Film Commission.

    

“Nōku te whiwhi ki te mahi i runga i tēnei kaupapa whakamīharo. FilmUp was a game-changer for me and my career – the intensives allowed me to work with incredible mentors, peers and form relationships which lead to me directing on a prime-time drama and developing my feature film. I highly recommend this amazing opportunity!”

– Cian Elyse White,
FilmUp 2020 participant (mentor Louise Gough)

“FilmUp is brilliant! It’s the knowledge that someone has your back, and you aren’t doing this filmmaking thing alone. That support is invaluable especially at the beginning of a project when filmmaking often feels very solo.”

Vanessa Wells,
FilmUp 2020 participant (Mentor Justin Pemberton)


Want to build momentum in your career and push yourself to your full potential?

The FilmUp Mentorship programme returns for its ninth year to support and empower up to eight tenacious and talented filmmakers to reach the next stage in their creative careers. If you are developing a feature film or documentary this programme could be just what you need to progress your work to the next stage.

A mentor for each filmmaker forms the cornerstone of the programme, along with six FilmUp Hub days when the participants come together for group work.

Applicants must have a feature project in development, and be able to demonstrate that their project and career are at the right stage for mentorship and wrap-around support.

Successful applicants will take part in 20 hours of mentorship with an experienced film practitioner over an eight-month period and six FilmUp hubs spread between August 2021 and February 2022. These hubs are tailored to meet the needs of the selected filmmakers and include workshops, peer discussions and round tables with industry leaders.

Participants are the driving force of a successful mentorship as they take hold of their own learning and development. This autonomy is fostered from the start of the programme when participants are actively involved in the selection of their mentor. Throughout the programme there is wrap-around support from Script to Screen.

Since its inception in 2013, FilmUp has gone from strength to strength, with a growing alumni of talented local filmmakers who have benefitted from the programme including Briar March (The Coffin Club, There Once Was An Island: Te Henua A Nnoho)Chelsea Winstanley (Jojo Rabbit, MERATA: How Mum Decolonised the Screen, What We Do in the Shadows)Florian Habicht (James & Isey, Spookers, Love Story)Gaysorn Thavat (The Justice of Bunny King)Jake Mahaffy (Free in Deed)Nic Gorman (Human Traces)Sophie Henderson (Baby Done, Fantail) and Stallone Vaiaoga-Ioasa (Take Home Pay, Three Wise Cousins). You can read about other participants and an impressive list of mentors who have helped these filmmakers take a step up in their careers here.

To apply you need to be working on a feature film or documentary. Here’s what’s required for the application:

APPLICATIONS CLOSE: Tues 18 May, 11:59pm

Make sure you read our Top Tips to make your FilmUp application shine while crafting your application.


FilmUp is made possible thanks to financial support from the New Zealand Film Commission

Script to Screen is excited to bring you a late-night TALK with award-winning director Jessica Hobbs, in conversation with moderator Rob Sarkies. Jessica started her career in New Zealand and has risen to work on some of our favourite series made in Australia and the United Kingdom.

Jessica has directed episodes of The Split, Apple Tree Yard, Broadchurch and most recently multi-award-winning show The Crown. She directed two episodes of Season 3, including the finale starring Olivia Colman and Helena Bonham Carter which was nominated for a Primetime Emmy Award for Outstanding Directing for a Drama Series. She has gone on to direct three episodes of Season 4 including the finale.

Before moving to the UK Jessica was the lead director on the award-winning series The Slap, directed episodes of Rake and Love My Way, and won an Australian Directors Guild Award for her work on Devil’s Dust. She was also awarded the Australian Film Institute Award for ABC mini-series, Answered by Fire.

In this Script to Screen TALK, Jessica will join us live from London to talk to director Rob Sarkies (The Gulf, Consent, Jean, Two Little Boys, Wanted, Out of the Blue, Scarfies). They will discuss what it is like working on a series drama in the UK right now, her approach to directing, and her ambitions for the future.


ABOUT THE PANEL

JESSICA HOBBS
Jessica Hobbs began directing short films in her 20s, during an eight-year stint as an assistant director. After helming Cliff Curtis TV drama Overnight in 1995, she got her break on Australia’s Heartbreak High. Hobbs went on to build up an impressive — and award-winning — Australian resume, including hit show Love My Way, East Timor mini-series Answered by Fire, winning the Australian Film Institute Directing Award for both, and the first two episodes of BAFTA-nominated ensemble drama The Slap, which she also set up.  After relocating to England, she directed Emily Watson in the high profile mini-series Apple Tree Yard, based on the Louise Doughty bestseller about a married woman who has an affair. Other directing credits include Broadchurch, River, BBC mini-series The Split, written by Abi Morgan, and most recently seasons 3 and 4 of The Crown for Netflix.

ROB SARKIES
Rob Sarkies works across feature films, series television and commercials as a creator and director. His work includes Out of the Blue about the Aramoana shootings, Consent based on Louise Nicholas’s fight for justice, Jean about aviator Jean Batten, black-buddy-comedy Two Little Boys, Wanted, The Gulf and NZ classic Scarfies.


Tues 23 March
9:00pm – 10:00pm NZDT – TALK

The South Shorts Mentorship programme returns in 2021 with ten emerging filmmakers selected to take part. Under the leadership and guidance of renowned screenwriter and director Briar Grace-Smith (Cousins, The Strength of Water), participants will develop their short film projects through a script-focused mentorship.

Now in its sixth year, the programme guides emerging South Auckland affiliated talent to develop their short film scripts. Over a sixth-month period, the participants get individual script notes from Briar Grace-Smith, meet for workshops where they do group script read-throughs, and hear from guest filmmakers about their experience making short films.

“Since its inception in 2015, South Shorts has seen numerous alumni gone on to make films. The programme provides a safe space for aspiring and emerging South Auckland filmmakers to gain confidence in themselves as writers while building a sense of community within the industry,” says Eloise Veber, Script to Screen Programme Manager. “Ultimately we want to see more stories from South Auckland filmmakers produced and seen by audiences. We feel so privileged to continue to do this work thanks to support from our funders.”

The search for South Shorts Mentorship participants begins with our annual two-day South Auckland Short Film Workshop held each year in October.

Congratulations to the filmmakers selected for South Shorts 2021:

 

The South Shorts Mentorship Programme is made possible thanks to generous support from Foundation North with additional support from the New Zealand Film Commission.

               

Script to Screen and the New Zealand Film Commission take great pleasure in announcing the 18 projects and teams who have been shortlisted for Kōpere Hou – Fresh Shorts 2020.

A panel of external film industry assessors shortlisted 18 projects out of a total of 97 applications. These shortlisted teams have been invited to apply for Whiringa Tuarua – Stage Two where they submit a full application. The 18 teams will be supported throughout the Whiringa Tuarua – Stage Two process to help them put their best foot forward.

Six projects from the 18 shortlisted teams will be selected, giving the teams a one in three chance of workshopping their project with industry experts and receiving a grant of $15,000 to make their film.

Script to Screen and the New Zealand Film Commission thank all the filmmakers who applied, there was a wealth of great ideas and some extremely strong filmmaking teams to select from.

Congratulations to the 18 teams shortlisted for Whiringa Tuarua – Stage Two:

 

Script to Screen and New Zealand Film Commission work in partnership to deliver the Kōpere Hou – Fresh Shorts programme.

 

Image: Ways to See dir. Jessica Sanderson. Stills Photography by Jen Raoult

Script to Screen is delighted to announce the projects and teams selected to take part in Series Bootcamp 2020, a programme created to nurture emerging and mid-career writers and producers as they develop their series concepts.

The teams will workshop their series concepts over two stages. At stage one, each team will have an online session with an advisor from the U.S. The two advisors, Laurence Andries (VP of Programming at the Writer’s Guild Foundation, How to Get Away with Murder, Blue Bloods, Six Feet Under) and Jill Goldsmith (Boston Legal, Law & Order, Rizzoli & Isles), will give feedback on how to further develop the concept to appeal to an international audience. The teams will bring that feedback to stage two and attend a two-day intensive workshop to continue to develop their concepts with exceptional local story and producer advisors. Some participants are experienced in other formats so the workshop will also cover the nuances of writing and producing series for the screen.

For this first Series Bootcamp, Script to Screen received 61 applications. Three external selectors went through a robust process compiling a shortlist of 15 and ultimately selected seven projects to be developed. They said “there was so much evident talent – freshness, originality & skill. We wished there were more places to offer. To have made the shortlist was a real mark of quality, and the selection was passionately argued. Our congratulations to all the chosen teams – the future is bright!”

Script to Screen thanks all the filmmakers who applied.

Congratulations to the teams whose series concepts will be developed at Series Bootcamp 2020:

 

Series Bootcamp is made possible thanks to generous support from the New Zealand Film Commission, US Embassy and the US Arts Envoy.

      

Calling all aspiring filmmakers, storytellers and creatives! Want to learn how to use the power of cinema to tell your stories?

 

The 2020 South Auckland Short Film Workshop is a two-day workshop to learn the art of making short films. Whether you’re new to filmmaking or have some experience, we are calling everyone who aspires to tell their stories on screen to come and learn what it takes to bring your film to life.

This workshop is intended for people who either live in South Auckland or have a connection with the area.

Over one weekend you will be guided by experienced filmmakers about the principles of how to write a short film, the role of the director, what it takes to get your short film off the ground, and pitching to funders and collaborators. Speakers include Marina McCartney (Milk & Honey, Vai), Todd Karehana (Ahikāroa, My Brother Mitchell) and Nikki Si’ulepa (Same But Different, Mā, Snow in Paradise)

Who it is for: New and emerging creatives from any industry or background with a connection to the South Auckland community who have an interest in short filmmaking.

When: Saturday 31 Oct – Sunday 1 Nov 2020, 9am – 5pm each day

Where: Te Haa o Manukau – Ground Floor, 2 Osterley Way, Manukau.
$5 all-day parking is available at 50 Manukau Station Road – an Auckland Transport carpark next to the bus station which is a short walk to the venue.

Cost: General Admission $5.75 (incl GST). Tickets via Eventbrite.

What to Bring: Pen and paper. Morning and afternoon tea will be provided. Please bring lunch with you or there are plenty of cafes in the area to buy lunch and there is space available to eat your lunch if you bring it with you.

Participants from this workshop will be eligible to apply for Script to Screen’s South Shorts 2021 Mentorship Programme. Read more about South Shorts 2021.

Image: Money Honey written and directed by Isaac Knights-Washbourn. Winner of NZIFF Ngā Whanaunga Māori Pasifika Shorts Best Film Award and Show Me Shorts 2020 Best Director Award.

BUY TICKETS


ABOUT OUR SPEAKERS

 

MARINA MCCARTNEY
Marina was born and raised in Manukau City, New Zealand. From a Geordie Father, Samoan Mother and Cook Islands step-Mother, she is interested in how cultural heritage effects the way we are viewed and how we view others. She holds an MA in Screen Production (First Class Honours) and is an award-winning filmmaker and academic. Her areas of expertise are Pacific Studies, Pacific filmmaking, Pacific representation on screen and of the Pacific woman. She is a PhD candidate and Vice Chancellor’s Doctoral Scholar exploring Pacific filmmaking and is developing a range of projects including her next feature film, The Return.

TODD KAREHANA
Todd Karehana (Ngai Te Rangi, Ngāti Awa, Ngati Ruapani) is an experimental storyteller with a passion for creating new images of minorities. He has five years’ experience in the New Zealand film and television industry with companies such as Kura Productions, Pango Productions, and Piki Films. Alumni of the Masters in Screen Production programme at The University of Auckland, Karehana was the writer and director on several short films such as The Kweenz of Kelston, and My Brother Mitchell – which screened at numerous international film festivals. His recent credits include; storyliner, writer, script editor and Social Media Manager on drama series Ahikāroa, storyliner and writer on children’s animated series The Exceptional Squad, Social Media Manager on animated series Aroha Bridge, and, writing support on feature film Ngā Pouwhenua.

NIKKI SI’ULEPA
Nikki Si’ulepa is an award winning actor, writer, director and camera operator of Samoan heritage from the villages of Sātalo and Solaūa. Nikki’s short films have screened at international film festivals including Berlinale, Tribeca, Sydney, NZIFF, and imagineNATIVE. Her debut NZFC funded short film, Snow in Paradise was shot entirely on location in Aitutaki, Cook Islands and was selected for the Berlinale in 2011 and again for the NATIVe program in 2019. Nikki was one of 250 participants and the only Kiwi/Pacific Islander selected from over 7,000 applicants for the Berlinale Talents program in 2017. Nikki’s self funded her next short film, Ma, and Aroha was one of ten short films in the K’Rd Stories collection. Nikki next short, Counting Cars (post production), was an experiment to test her working relationship with her wife, Rachel Aneta Wills, in anticipation of their romantic comedy feature film Same But Different: A True NZ Love Story. Nikki is currently in post production with short film, This is Your Half Hour Call and is developing a television series and two feature films. Nikki likes vegan Magnum ice-cream.


WORKSHOP SCHEDULE

Saturday 31st October

Sunday 1st November



Here’s the news you have been waiting for – Kōpere Hou Fresh Shorts opens for applications this Thursday 10 September.

This year the application process for Kōpere Hou – Fresh Shorts has been changed making it simpler for teams to apply. Kōpere Hou – Fresh Shorts is now a two-stage application process.

At Stage One you will continue to need a writer, director and producer, and a written script is still required.

The rest of the Stage One application consists of:

Criteria and requirements for the assessment of both Stage One and Stage Two are laid out in the guidelines which will be uploaded to the Script to Screen website by Thursday 10 September.

A shortlist of 18 teams will be invited to submit a Stage Two application. This detailed application is the same as previous years to ensure all bases are covered, from pre-production to delivery, that health and safety is addressed, and the team have all the support they require to make the film.

From the shortlist, six projects will receive $15,000 grants. The teams behind each of these projects will attend a two-day development workshop in March 2021 and then be matched with an experienced industry practitioner and receive six weeks’ mentoring to get their project ‘shoot ready’.

Script to Screen and the NZFC will hold an online Q&A about this new application process for Kōpere Hou – Fresh Shorts on Thursday 17 September at 5:30 pm. 

If you have any questions please contact Miriam Smith, the Kōpere Hou – Fresh Shorts Facilitator at Script to Screen: FreshShorts@script-to-screen.co.nz or ph: 09 360 5400.


Kōpere Hou – Fresh Shorts is a New Zealand Film Commission Short Film Fund and Script to Screen manages the reading, assessment, workshop and mentoring aspects of the Fresh Shorts Development Programme.

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