Join Script to Screen and the New Zealand Film Commission for a live webinar on Tuesday 17th October 5:00-6:00 pm. You will hear about what’s needed to apply for Whiringa Tauatahi – Stage One of Kōpere Hou – Fresh Shorts and get a complete overview of the application process and the selection criteria.
Register for the webinar in advance and submit a question to help shape the discussion. There will also be an opportunity to ask questions during the webinar or you can email webinar questions to communications@script-to-screen.co.nz.
Webinar now available to watch on Youtube:
Image from I am Paradise written and directed by Hiona Henare 2021.
Kōpere Hou – Fresh Shorts is now open for Whiringa Tauatahi – Stage One applications. Applications are made via the Kōpere Hou – Fresh Shorts Funding Portal which is open until 1pm, Monday 6 November 2023.
The full criteria and requirements for the assessment of both Whiringa Tuatahi – Stage One and Whiringa Tuarua – Stage Two can be found on our website. Any enquiries can be directed to Emma Mortimer the Script to Screen Kōpere Hou – Fresh Shorts Programme Manager: freshshorts@script-to-screen.co.nz
If you are unable to join the discussion live, the Webinar will be available for you to refer to afterwards on Script to Screen’s YouTube and Facebook page.
KEY DATES
WHIRINGA TUATAHI – STAGE ONE
APPLICATIONS OPENED: Wednesday, 27 September 2023 (Apply via Kōpere Hou – Fresh Shorts Portal)
APPLICATIONS CLOSE: 1 pm, Monday, 6 November 2023
ANNOUNCEMENT OF SHORTLISTED TEAMS: Early January 2024
WHIRINGA TUARUA – STAGE TWO
APPLICATIONS OPEN: Monday 15 January 2024
APPLICATIONS CLOSE: 1 pm, Monday 26 February 2024
ANNOUNCEMENT OF FUNDED TEAMS: Late April 2024
DEVELOPMENT WORKSHOP DATES: 8-9 June 2024
MENTORSHIPS: 10 June to 19 July 2024 (Six weeks)
Kōpere Hou – Fresh Shorts is a New Zealand Film Commission Short Film Fund and Script to Screen manages the reading, assessment, workshop and mentoring aspects of the Fresh Shorts Development Programme.
“FilmUp has a very high reputation among its alumni but even my own expectations based on that reputation were exceeded again and again with every session and workshop. I wish, in earnest, that every filmmaker could experience the safe, nurturing and honest environment of trust and care that FilmUp creates and take advantage of the network it can help you build with your fellow filmmakers.”
– Rajneel Singh,
FilmUp 2022/23 participant (mentor Nicole Dade)
The FilmUp Mentorship programme returns to support and empower up to eight tenacious and talented filmmakers to reach the next stage in their creative careers. If you are writer, director or producer developing a feature film or documentary, this programme could be just what you need to progress your work to the next stage.
A mentor for each filmmaker forms the cornerstone of the programme, along with six FilmUp Hub days when the participants come together for group work.
Applicants must have a feature project in development, narrative or documentary, and be able to demonstrate that their project and career are at the right stage for mentorship.
Successful applicants will take part in 20 hours of mentorship with an experienced film practitioner and three 2-day FilmUp hubs held between February 2024 and July 2024. These hubs are tailored to meet the needs of the selected filmmakers and include workshops, peer discussions and round tables with industry leaders.
Participants are the driving force of a successful mentorship as they take hold of their own learning and development. This autonomy is fostered from the start of the programme when participants are actively involved in the selection of their mentor. Throughout the programme there is wrap-around support from Script to Screen.
Since its inception in 2013, FilmUp has gone from strength to strength, with a growing alumni of talented local filmmakers who have benefitted from the programme including Briar March (Dame Valerie Adams: MORE THAN GOLD, Mothers of the Revolution, ), Chelsea Winstanley ( Ka Po, Night Raiders, Jojo Rabbit,), Desray Armstrong (Earthlings, Bad Behaviour, Coming Home in the Dark), Florian Habicht (James & Isey, Spookers, Love Story), Gaysorn Thavat (The Justice of Bunny King), Jake Mahaffy (Reunion, Free in Deed), Nic Gorman (Human Traces), Paula Whetu-Jones (Whina), Sophie Henderson (Baby Done, Fantail) and Stallone Vaiaoga-Ioasa (Mama’s Music Box, Take Home Pay, Three Wise Cousins). You can read about past participants and an impressive list of mentors from the last 10 years who have helped these filmmakers take a step up in their careers here.
The FilmUp Mentorship programme is for individual filmmakers (not pairs or teams) who are working on a feature film. You must be a NZ citizen or permanent resident to apply.
Here’s what’s required for the application:
APPLICATIONS OPENED: Mon 4 September 2023
APPLICATIONS CLOSED: Mon 9 October 2023 1:00 pm
We will know the outcome of our funding before FilmUp applications close on 9 Oct and we will keep applicants informed of the outcome.
You can read our Top Tips to make your FilmUp application shine while crafting your application.
FilmUp is made possible thanks to financial support from the New Zealand Film Commission. FilmUp is reliant on funding being achieved in 2023.
Six filmmaking teams have been selected for Kōpere Hou Fresh Shorts. Each team will receive development support, and a grant of $25,000 to make their short film.
Kōpere Hou Fresh Shorts is a popular fund; this round we received 89 applications. Eighteen were shortlisted and went on to submit a more detailed application to Whiringa Tuarua – Stage Two. From those eighteen submissions, six have been selected.
The writers, producers and directors of the six funded teams are supported to further develop and refine their story, vision, and production plans. They attend a workshop that is carefully planned to meet the needs of these projects, and the filmmakers work with experienced advisors over an intense three-week period. “This process both challenges and nurtures the teams, encouraging them to take creative risks,” says Jackie Dennis, Executive Director at Script to Screen. “The intent is to provide thoughtful support so they can craft exceptional films that get noticed.”
The selected projects include an animation, a comedy and a psychological drama. Team members hail from Northland, Auckland, Wellington, Tasman and Canterbury. Three of the directors are female. Two of the projects had been shortlisted before without being selected and, after further work on their project, resubmitted this year with success. We hope this will be encouraging for the teams that did not make it through this year.
Dale Corlett, Head of Talent Development at the New Zealand Film Commission says, “A huge thanks and acknowledgement to all the applicants for this year’s Kōpere Hou Fresh Shorts. It is always very humbling and rewarding for us to read and experience your stories, we thank you for choosing to share them with us. We are very excited about the filmmaking teams and the films selected this year. They are challenging, thought provoking, touching, funny and entertaining.”
The six selected teams and their projects are (L-R):
Kōpere Hou Fresh Shorts is a New Zealand Film Commission initiative run in partnership with Script to Screen.
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Join Script to Screen and the New Zealand Film Commission for a live webinar on Thursday 22 September 2022 at 5:30pm – 6:30pm. You will hear about what’s needed to apply for Whiringa Tauatahi – Stage One of Kōpere Hou – Fresh Shorts to give you a complete overview of the application process and guide you through the selection criteria.
Register for the webinar in advance, and submit a question to help shape the discussion. There will also be an opportunity to ask questions during the webinar or you can email freshshorts@script-to-screen.co.nz.
Image from Fetch directed by Sam Gill, 2021
Kōpere Hou – Fresh Shorts is now open for Whiringa Tauatahi – Stage One applications. Applications are made via the Kōpere Hou – Fresh Shorts Funding Portal which is open until 1:00pm, 10 October 2022.
The full criteria and requirements for the assessment of both Whiringa Tuatahi – Stage One and Whiringa Tuarua – Stage Two can be found on our website. Any enquiries can be directed to Emma Mortimer the Script to Screen Kōpere Hou – Fresh Shorts Programme Manager: freshshorts@script-to-screen.co.nz
If you are unable to join the discussion live, the Webinar will be available for you to refer to afterwards on Script to Screen’s YouTube and Facebook page.
KEY DATES
WHIRINGA TUATAHI – STAGE ONE
APPLICATIONS OPENED: 9 September (Apply via Kōpere Hou – Fresh Shorts Portal)
APPLICATIONS CLOSE: 1pm, Monday 10 October 2022
ANNOUNCEMENT OF SHORTLISTED TEAMS: Week commencing 21 November 2022
WHIRINGA TUARUA – STAGE TWO
APPLICATIONS CLOSE: 1pm, Wedensday 11 January 2023
ANNOUNCEMENT OF FUNDED TEAMS: Mid February 2023
DEVELOPMENT WORKSHOP DATES: 18-19 March 2023
MENTORSHIPS: 18 March to 21 April 2023
Script to Screen launches a series of video tutorials where talented New Zealand filmmakers share their knowledge and advice about how to develop a short film or web series. Over nine videos, viewers learn how to find a good story, write a script, prepare for production and pitch the project to funders and collaborators.
The videos are a valuable resource for any new or emerging screen practitioners developing a screen project as they are full of tips and insights thoughtfully shared by experienced writers, directors and producers from the NZ screen community.
The filmmakers who contributed are Hamish Bennett (Bellbird, Ross & Beth, The Dump), Robyn Grace (Power Rangers Dino Fury, Sweet Tooth, Oranges and Lemons), Sophie Henderson (The Justice of Bunny King, Baby Done, Fantail), Alex Lovell (My Friend Michael Jones, Mister Sunshine), Shoshana McCallum (INSiDE, Head High, Creamerie), Marina Alofagia McCartney (Vai, Milk & Honey), Jaimee Poipoi (Krystal), Emmett Skilton (Millennial Jenny, Auckward Love), Morgan Leigh Stewart (Albularyo, Blood and Gold, Deathgasm), Dianne Taylor (Beyond the Known World, Apron Strings, Hauraki) and Karin Williams (Burning of the Gods, Teine Sā, Sis).
Jackie Dennis, Executive Director at Script to Screen said “These tutorials are packed with information about what to do if you want to make a short film or web series and we are so happy to now be able to share them with anyone interested in telling screen stories. They remove the mystery and will support the development of new voices in Aotearoa”.
Script to Screen created these videos in 2021 for the Paerangi Project – a development programme that reduced barriers by offering accessible learning to those who had not had the opportunity to study filmmaking. With the successful completion of the Paerangi Project earlier this year, the video tutorials are now available to all.
The tutorials are:
Each video has closed captions, and transcripts in .pdf and .doc formats. Self-directed homework accompanies the videos and can be downloaded from our website.
Paerangi Project and these video tutorials are possible thanks to funding from Screenrights Cultural Fund and New Zealand Film Commission.
“FilmUp is the kick up the pants you need to fall in love with that project you know you’ve been sitting with for far too long.”
– Chris Parker,
FilmUp 2021/22 participant (mentor Jackie Van Beek)
The FilmUp Mentorship programme returns for its tenth year to support and empower eight tenacious and talented filmmakers to reach the next stage in their creative careers. If you are developing a feature film or documentary this programme could be just what you need to progress your work to the next stage.
A mentor for each filmmaker forms the cornerstone of the programme, along with six FilmUp Hub days when the participants come together for group work.
Applicants must have a feature project in development, and be able to demonstrate that their project and career are at the right stage for mentorship.
Successful applicants will take part in 20 hours of mentorship with an experienced film practitioner over an six-month period and six FilmUp hubs spread between September 2022 and March 2023. These hubs are tailored to meet the needs of the selected filmmakers and include workshops, peer discussions and round tables with industry leaders.
Participants are the driving force of a successful mentorship as they take hold of their own learning and development. This autonomy is fostered from the start of the programme when participants are actively involved in the selection of their mentor. Throughout the programme there is wrap-around support from Script to Screen.
Since its inception in 2013, FilmUp has gone from strength to strength, with a growing alumni of talented local filmmakers who have benefitted from the programme including Briar March (Mothers of the Revolution, The Coffin Club, There Once Was An Island: Te Henua A Nnoho), Chelsea Winstanley ( Jojo Rabbit, MERATA: How Mum Decolonised the Screen, Reo Lion King, What We Do in the Shadows), Desray Armstrong (Coming Home in the Dark, Juniper, Millie Lies Low, Stray), Florian Habicht (James & Isey, Spookers, Love Story), Gaysorn Thavat (The Justice of Bunny King), Jake Mahaffy (Free in Deed), Nic Gorman (Human Traces), Sophie Henderson (Baby Done, Fantail) and Stallone Vaiaoga-Ioasa (Mama’s Music Box, Take Home Pay, Three Wise Cousins). You can read about other participants and an impressive list of mentors who have helped these filmmakers take a step up in their careers here.
To apply you need to be working on a feature film or documentary. Here’s what’s required for the application:
APPLICATIONS CLOSE: Mon 27 June, 11:59pm
Make sure you read our Top Tips to make your FilmUp application shine while crafting your application.
FilmUp is made possible thanks to financial support from the New Zealand Film Commission.
Can I submit a Series Concept in any genre?
Yes, you can submit a comedy/thriller/crime/horror/sci-fi etc series concept as long as it is scripted.
Do I have to have a producer attached to my project to apply?
No, but it is important that the series is being developed to pitch to broadcasters, platforms or co-producers experienced at getting series funded and produced. So if one of the writers is also going to pitch the series after Bootcamp, then a producer does not need to be in the team.
Can I be both the writer and the producer?
Yes, you can be a producer and writer of your TV series concept as long as you are capable of performing both roles.
Do all team members have to attend in person?
All key team members must be able to attend the two-day development lab in person in Auckland 4 & 5 May, the online session mid June and the pitch day 26 June.
If there is a highly experienced producer guiding a new producer (or writer-producer), only the new producer needs to attend the development lab.
How do I know if my experience level meet eligibility?
We expect applicants to be on a learning pathway. For this programme, if you think you are emerging or mid-career and that you can learn from Series Bootcamp advisors, then you are eligible. You may choose to address how this programme would develop your career in your biography e.g. you are an experienced writer/director who is stepping into producing; or you are an experienced producer in film/doco/reality TV but not Scripted TV.
Can I apply more than once?
Yes, but keep in mind the selectors would have to eliminate one project from the short list should one team member be attached to two projects that are in the shortlist.
Fraser Brown combines a rare blend of creative, business and leadership expertise in his work as a creative producer, co-founder and Creative Director of FluroBlack.
Fraser started his career, more than 20 years ago, as a professional actor working extensively in film, television and theatre. His evolution into creative producer started with award-winning short, Dead Letters(Telluride Film Festival, 2006), followed by a stint producing branded and commercial content. Since then he has produced or executive produced nine international feature documentaries, two scripted features, a major international television series and an edgy, award-winning web series.
Fraser’s first feature, Orphans & Kingdoms, won numerous international awards and was released theatrically in NZ with 4-star reviews. In 2016 he developed and produced, in a strategic partnership with Matthew Metcalfe of GFC Films, the feature documentary McLaren. Directed by Roger Donaldson, McLaren was the highest grossing New Zealand film at the NZ box office in 2017 and was released globally by Universal Pictures, Transmission Films and Gunpowder & Sky. He and Matthew then produced Wayne, an official NZ/AUS co-production directed by Jeremy Sims, which premiered at the opening weekend of MIFF 2018 and was released in Australia and New Zealand by Transmission Films and in the US by Gunpowder & Sky.
Fraser is an Executive Producer on numerous feature documentaries with Universal Pictures and GFC Films: Born Racer, directed by Bryn Evans; We Need to Talk About A.I, directed by Leanne Pooley; Dawn Raid, directed by Oscar Kightley; Mothers of the Revolution, directed by Briar March; Billion Dollar Heist, directed by Daniel Gordon and The Subtle Art of Not Giving a F*CK, directed by Nathan Price. He is also an EP on feature film, Whina, currently in post-production and on The Dead Lands –an 8x1hr action-adventure series collaboration between GFC Films, AMC-Shudder and TVNZ, nominated for “Best Drama” at the New Zealand TV Awards, 2020. In the factual TV space, Fraser is currently a producer on Reunited (TVNZ), The Circus (BRAVO) and Great Southern Truckers (TV3/DISCOVERY).
