The South Shorts Mentorship programme returns for 2020 with nine emerging filmmakers selected to take part. Under the leadership and guidance of renowned screenwriter Briar Grace-Smith, participants will develop their short film projects through a script-focused mentorship. Over a sixth-month period, the participants will get individual script notes from their mentor, do group script reads for peer feedback, and hear from experienced filmmakers about their process making short films.
Now in its sixth year, the programme is aimed at guiding emerging South Auckland affiliated talent to develop their short film scripts. The search for South Shorts participants begins with our annual two-day South Auckland Short Film Workshop, after which participants can apply for the mentorship programme.
“This group includes an exciting mix of experiences with participants coming from acting, playwriting, tertiary film courses and filmmaking, as well as those with a passion to tell stories.” says Programme Manager, Eloise Veber “We’re thrilled to find such talented storytellers for our South Shorts Mentorship Programme.”
The nine filmmakers (L – R) selected for South Shorts 2020 are:
Filmmakers who have been through this programme include Vea Mafileo (For My Father’s Kingdom), Jeremiah Tauamiti (Liliu), Hanelle Harris (Sis, Baby Mama’s Club) and Vela Manusaute (The Messiah).
South Shorts is made possible thanks to generous support from Foundation North and New Zealand Film Commission.
“This workshop honestly transformed my thinking about storytelling structures and opened up new possibilities in exciting and practical ways. It incorporated both big ideas thinking and also specific craft tools, which I will begin to use immediately in my writing. The workshop was rich in content and spoke well to many levels, including experienced, working screenwriters. ” – 2019 Melbourne Workshop Participant
We are excited to be bringing script guru Stephen Cleary to New Zealand to present this brilliant 2-day workshop in Auckland and Wellington.
Split into single-gender groups, people tell stories differently. Men often tell stories with all-male characters. Women rarely tell stories with all-female characters. Women together tend to maintain a theme across their stories. Men don’t. Women talk less. Men reveal less about themselves.
Gender variations within storytelling matter. Our understanding of screenwriting mostly comes from work done by men trying to figure out how the stories they told worked. The vast majority of those stories centred on male characters who were powerful or had access to power.
This workshop is about characters who aren’t male and powerful. How do you dramatise their stories, those characters, to make them compulsive? How do you tell stories about people who struggle for power, or who will never have power? Does power work differently for male and female characters (answer: yes)? How? Come to this workshop and find out, and with any luck change how you think about story structure, forever.
READ THE FULL WORKSHOP SCHEDULE
WELLINGTON
7 – 8 NOV 2019
Venue: Hunter Building Lecture Theatre 119 (HULT119),
Victoria University, Kelburn Parade, Wellington
Cost: $250 (+ GST). Tickets available via Eventbrite.
What to Bring: Pen and paper. Morning and afternoon tea will be provided. BYO Lunch.
Prepare for the Workshop: Links to Films and series that will be referenced during the lab are available here.
Presented in partnership with Victoria University of Wellington.
Stephen Cleary is available to do a limited number of assessments while he is in Auckland. To be eligible for one of these assessments you must have booked your ticket to the Power, Gender and New Story Structures workshop and register for an assessment by Friday 22 Nov, 9am.
You will get a one-on-one 90-minute meeting and 2 pages of notes. The script assessment fee is $500 +gst.
If you would like a TV series assessed, Stephen will need either the first episode script plus outline of the rest of the season and an overview of the project, or a synopsis of the story overall and a breakdown of episodes. Each spot is not actually reserved until payment is received.
Payment details:
Account Name: Script to Screen – Te Tari Kupu A Whakaahua
Account Number: 03 0255 0178775-00
Reference: Cleary90min – Your Name
REGISTER FOR A SCRIPT ASSESSMENT
Script to Screen is proud to be partnering with Compton School once again to deliver Strength in Numbers – a program designed to teach screen practitioners about growing a sustainable and profitable business while doing the work you want to do.
Run by Script to Screen, and led by Australian screen business expert David Court, Strength in Numbers Growth comprises a series of workshops that arm participants with the tools they need to build a sustainable business in the screen industry. The programme is for screen practitioners with a slate of projects and a screen industry business already underway and will be delivered over several workshop days held in Auckland January to September 2020.
Strength in Numbers offers a unique opportunity for early to mid-career practitioners in the screen industry to work together on the building blocks of business models that will sustain their future and ultimately shape the industry itself. The Programme aims to cultivate a super-smart community of business people in the screen industry that support each other over time, which is especially important for filmmakers who often work in isolation.
Selected participants will have a proven track record that demonstrates considerable talent and tenacity in their field. They will become part of Script to Screen’s alumni network. This network supports further collaboration and strengthens connections. To encourage screen practitioners from the regions to apply we have support from some of New Zealand’s regional offices: Film Otago Southland, Film Dunedin, Screen Canterbury, Screen Wellington, Tairawhiti TV, Film Bay of Plenty.
Strength in Numbers’ inaugural year saw ten creators of many of our most loved and successful films (including Hunt For The Wilderpeople, Boy, The Dark Horse, Love Story, Three Wise Cousins, Waru, Vai, and Loading Docs) brought together to focus on building sustainable businesses.
Preview the Strength In Numbers Application Form
What you’ll need to submit:
Applications Open: Mon 21 Oct
Applications Close: Sun 1 Dec, midnight
First Workshop: Early Feb 2020
Strength in Numbers is made possible thanks to generous support from the Auckland Council– Regional Arts and Culture Grant, New Zealand Film Commission.
And New Zealand Regional Film Offices; Film Otago Southland, Film Dunedin, Screen Canterbury, Screen Wellington, Tairawhiti TV, Film Bay of Plenty and Waikato Film Hub. Thank you to Screen Auckland for providing our workshop venue.
“This workshop honestly transformed my thinking about storytelling structures and opened up new possibilities in exciting and practical ways. It incorporated both big ideas thinking and also specific craft tools, which I will begin to use immediately in my writing. The workshop was rich in content and spoke well to many levels, including experienced, working screenwriters. ” – 2019 Melbourne Workshop Participant
We are excited to be bringing script guru Stephen Cleary to New Zealand to present this brilliant 2-day workshop in Auckland and Wellington.
Split into single-gender groups, people tell stories differently. Men often tell stories with all-male characters. Women rarely tell stories with all-female characters. Women together tend to maintain a theme across their stories. Men don’t. Women talk less. Men reveal less about themselves.
Gender variations within storytelling matter. Our understanding of screenwriting mostly comes from work done by men trying to figure out how the stories they told worked. The vast majority of those stories centred on male characters who were powerful or had access to power.
This workshop is about characters who aren’t male and powerful. How do you dramatise their stories, those characters, to make them compulsive? How do you tell stories about people who struggle for power, or who will never have power? Does power work differently for male and female characters (answer: yes)? How? Come to this workshop and find out, and with any luck change how you think about story structure, forever.
READ THE FULL WORKSHOP SCHEDULE
AUCKLAND
30 Nov – 1 Dec 2019
Venue: Lecture Theatre WG404, Sir Paul Reeves Building
Auckland University of Technology – City Campus,
2 Gov Fitzroy Place, Auckland City
Cost:$250 (+ GST). Tickets available via Eventbrite.
What to Bring: Pen and paper. Morning and afternoon tea will be provided. BYO Lunch.
There are cafes in the area if you want to buy lunch.
Prepare for the Workshop: Links to Films and series that will be referenced during the lab are available here.
This workshop is presented in partnership with AUT
Stephen Cleary is available to do a limited number of assessments while he is in Auckland. To be eligible for one of these assessments you must have booked your ticket to the Power, Gender and New Story Structures workshop and register for an assessment by Wed 20 Nov, 5pm.
You will get a one-on-one 90-minute meeting and 2 pages of notes. The script assessment fee is $500 +gst.
If you would like a TV series assessed, Stephen will need either the first episode script plus outline of the rest of the season and an overview of the project, or a synopsis of the story overall and a breakdown of episodes. Each spot is not actually reserved until payment is received.
Payment details:
Account Name: Script to Screen – Te Tari Kupu A Whakaahua
Account Number: 03 0255 0178775-00
Reference: Cleary90min – Your Name
REGISTER FOR A SCRIPT ASSESSMENT
Script to Screen and the New Zealand Film Commission have partnered on the development of 16 short films. The teams behind the films were selected from a very competitive round of 106 applications; and will attend a three-day residential development lab this November as part of the Fresh Shorts initiative.
The Fresh Shorts programme offers grants of up to $15,000 to six new or emerging filmmaker teams to make a short film. The selection also includes experienced filmmakers in new roles. As part of the selection process, each team will attend a three-day development lab in the Auckland region where they will receive tailored script feedback from industry mentors and participate in group workshops to further develop their scripts and strengthen their skills for future projects.
Following the lab and submission of the re-worked projects, six teams will be selected to receive a grant of up to $15,000 to make their short film. An announcement will be made early February 2020.
The 16 selected teams and their projects are (L-R):
Fresh Shorts is a New Zealand Film Commission initiative run in partnership with Script to Screen.
Script to Screen brings a one and a half day workshop on screenwriting to Rotorua. This is your opportunity to learn from IIML’s Master of Scriptwriting programme director, Ken Duncum.
We are excited to be bringing this interactive and practical workshop to the Bay of Plenty aimed at helping you navigate through the complexities of writing a feature film. Over the course of one weekend, Ken Duncum will coach and cajole you through a process of developing your own film idea, giving you tips for finding and building a story that resonates.
Don’t miss this interactive and practical workshop that will help you navigate through the complexities of writing a feature film.
“Ken Duncum is an exceptional teacher. The structure and underlying philosophy of his approach to script writing provides me with the perspective and courage to write more and write better . ”
– 2018 Auckland Workshop participant
When:
Sat 24 Aug, 9am – 4pm
Sun 25 Aug, 10am – 3pm
Where:
Toi Ohomai Institute of Technology
Rotorua Mokoia Campus, Gate 1, G Block – Lecture Theatre G210. The lecture theatre is an accessible space.
Directions: Enter the Campus at Gate 1, drive straight down the driveway until you reach block G. Parking is to the left of the building. After entering the building, come to level 2 via stairs or elevator.
Cost: General Admission $20 (incl. GST). Tickets available via Eventbrite
What to Bring: Pen and paper. Morning and afternoon tea will be provided. BYO Lunch. There are cafes in the area, and the campus is 5mins drive from central Rotorua. There will be space available to eat your lunch if you would like to bring it with you.
Who it is for: This workshop is aimed at emerging to established filmmakers who are writing a feature film. However if you are at the beginning stages of writing a feature film, or are interested in writing a film this workshop will be very beneficial. Suitable for ages 17+.
This workshop is presented in partnership with the Bay of Plenty Film Office, and is made possible with financial support from Rotorua District Creative Communities and the New Zealand Film Commission.
Senior executives, producers, showrunners and writers of internationally acclaimed shows, including American Horror Story, Better Call Saul, Bloodline, Glee, Glitch, Marcella, Please Like Me, Succession and Supergirl, will arrive in New Zealand next week to be advisors in an intensive week-long Series Drama Lab designed to develop strong New Zealand projects for the international and domestic market.
The Series Drama Lab is part of Raupapa Whakaari: Drama to the World, a new initiative from the New Zealand Film Commission and NZ On Air delivered in conjunction with Script to Screen. The initiative supports ten talented New Zealand writer/producer teams to develop distinctive, high-end scripted series with international and domestic appeal.
The advisor line-up includes Caitlin Parrish creator, writer and producer (The Red Line, Supergirl); Chris Loveall Vice President, International Programming for AMC, SundanceTV and BBC America (EP Fortitude, Please Like Me); Chris Oliver-Taylor CEO of Fremantle Media Australia; Christine Bartlett a writer, creator and producer (Five Bedrooms , The Wrong Girl); multiple Emmy award winning producer Dante Di Loreto (Temple Grandin, American Horror Story, Glee); Jonathan Glatzer writer, producer, director (Succession, Better Call Saul, Bloodline); Louise Fox co-creator, writer, producer (Glitch, Broadchurch); Nicola Larder co-creator, executive producer (Marcella).
Annabelle Sheehan, CEO of the New Zealand Film Commission, said, “The excellence and high profile credits of the international advisors will provide significant inspiration for our New Zealand creative teams regarding their work with the global marketplace. The week focuses on the commercial and creative drivers for producers and showrunners and will help shape the next wave of New Zealand series drama for New Zealand and the rest of the world.”
NZ On Air CEO, Jane Wrightson said, “The combined brainpower of a stellar lineup of international advisors with outstanding local talent and their ideas has great promise – we are very much looking forward to seeing the next stage of these Raupapa Whakaari projects. ”
Script to Screen Executive Director Jackie Dennis said, “This hasn’t happened in New Zealand before. The writers and producers coming to the Series Drama Lab will develop their projects with advisors who have worked on exceptional shows that have found dedicated audiences all around the world. I can’t wait to see the results.”
The international advisors will take part in panels, conversations and case studies and provide feedback on participating teams’ series drama concepts in story and market meetings.
The ten teams have received initial development of $10,000. Following the Series Drama Lab and submission of the re-worked projects, four teams will be selected to receive additional development funding of up to $80,000 each.
The ten Stage 1 projects selected for Series Drama Lab in 2019:
(*Not Her Real Name)
Pip Hall / Carmen J Leonard / Deborah Cope
All of Me
Daniel Musgrove / Natalie Medlock / Shoshana McCallum / Peter Salmon
Chasing Pure
Carey James Carter / Gavin Strawhan / Rachel Lang / Steven Ivan Zanoski
Dreamhunter
Roxane Gajadhar / Angela Littlejohn
Drunk Poetry
Briar Grace-Smith / Victor Roger / Desray Armstrong
O
Donna Malane / Paula Boock / Carthew Neal
Rockburn
Hannah Marshall / David de Lautour / Gareth Williams / Kelly Martin
Ruatoria
Kath Akuhuta-Brown / Greg McGee / Philippa Rennie / Robin Scholes / Lee Tamahori
The Different Girl
Alison Maclean / Philippa Campbell
The Harder They Fall
Matthew Saville / Luke Sharpe / Gerard Johnstone
The four projects selected for Stage 2 further development funding:
All Of Me – Shoshana McCallum, Natalie Medlock, Dan Musgrove, Peter Salmon
Depressed and ready to end it all, Lauren orders an illegal clone to replace her. But when she messes up the process and gets three unsatisfactory duplicates, she is forced to stick around and deal with herselves.
Ashes and Prophets – Kath Akuhata-Brown, Greg McGee, Philippa Rennie, Robin Scholes, Lee Tamahori
Arson, kidnapping and murder engulf a small New Zealand town, as a Māori rastafarian sect exacts revenge for historical land theft.
Rockburn – Hannah Marshall, Gareth Williams, David de Lautour, Kelly Martin
Trauma experienced as a teenager on her family farm, Rockburn, reverberates throughout three distinct ages of Celia Ray’s life. Now, a social worker in her 50s, she must confront her past to save a young girl’s future.
Drunk Poetry – Briar Grace-Smith, Desray Armstrong, Victor Rodger
Newly separated and in her forties, Lizzie discovers she has the emotional brain of a fourteen-year-old. Now she has to grow up all over again.
Script to Screen, in partnership with Northland Youth Theatre, presents a free four-day film workshop in the July school holidays for 16-25 year olds.
The workshop will help participants develop skills in crafting a story idea, writing a script, and acting. The aim of the workshop is to foster writing talent and encourage aspiring filmmakers. No experience or prior knowledge of filmmaking is necessary.
On Days 1 and 2, participants will hear from writer/director Michael Bennett (In Dark Places, Matariki) about finding a story, crafting the story so that it is compelling on screen, and writing a scene.
On Days 3 and 4, actor Laurel Devenie (Shortland Street), will lead an acting workshop, using the scenes that were written earlier in the week. Each participant will get a chance to act in a scene. On the last day we will tape the scenes and watch them back.
When: Tuesday 9th – Friday 12th July, 9am-2pm
Light morning tea and snacks are provided. Please bring lunch with you.
Where: Northland Youth Theatre, 86 Bank St, Whangarei 0110
How much: Free!
Registration: Places are limited – please register via EventBrite
Presented in partnership with:
Michael Bennett (Ngāti Pikiao, Ngāti Whakaue) is an award-winning screenwriter, filmmaker and author. Michael’s second feature-length drama, IN DARK PLACES, tells the story of Teina Pora’s imprisonment for 21 years for crimes he did not commit. The television film is based on Michael’s book In Dark Places which won the Ngaio Marsh Award for best non-fiction book, and Michael made an award-winning documentary about Teina’s story. Michael’s short films COW and KEROSENE CREEK screened at numerous film festivals including Cannes, Toronto, Berlin, London and New York, and his debut feature MATARIKI premiered at Toronto Film Festival and won awards in New Zealand and internationally.
Michael has written and directed for many television drama series. As well as his own film and TV and book work, Michael works in communities around New Zealand with Script to Screen working with locals to tell their stories on film, he works with developing filmmakers through the NZ Film Commission and Ngā Aho Whakaari, and is head of the screenwriting programme at South Seas Film School. Michael’s second book, Helen and the Go-Go Ninjas (a post-apocalyptic time travel graphic novel co-authored with Ant Sang) was published by Penguin / Random House June 2018.
In 2015 Michael founded 10000 COMPANY with Jane Holland to create and develop original film and television projects. Their first production was In Dark Places.
Laurel Devenie works as an actor, director, teacher and theatre-maker and is a graduate of Toi Whakaari and the John Bolton Theatre School. She has played the role of Kate Nathan on SHORTLAND STREET for the last three and a half years and has worked consistently throughout the country in many different theatrical arenas, involved in both professional and community theatre projects. She has worked with ATC, Silo Theatre, Capital E, Unitec, Prayas, Downstage Theatre, Red Leap and NYT. She teaches regularly and works with actors in one on one sessions. She is director and founder of Company of Giants and co-instigator of ONEONESIX and is deeply committed to developing an audience and contributing to the growth of a professional performing arts framework in Whangarei, as well as generating youth based opportunities within the arts. She has facilitated arts based community programmes to work with different sectors of the community, most recently a collaboration with the NDHB facilitating an Arts programme to support a diverse group of young people living with T1 Diabetes in Northland, co-ordinating performance, photography, song, sound artists and visual arts into a cohesive year long process.
Northland Film Workshop is made possible thanks to
New Zealand Film Commission and Foundation North.
Script to Screen presents a one-day screenwriting workshop for both emerging and experienced filmmakers of Dunedin.
What Do You Want? Screenwriter, playwright and novelist Duncan Sarkies leads a workshop on character objectives: how an understanding of what your character wants and the obstacles that get in their way can be used to generate ideas for your film. The day will be interactive with fun practical exercises to help you explore the power of motivated characters. (Bring a pen and some paper and limber up your writing hand and your brain.)
When: Saturday 9 March, 9:00 am – 5:00 pm
Where: Petridish, 8 Stafford St, Dunedin
Cost: General Admission $23 (incl. GST) or Student/Unwaged $11.50 (incl. GST). Tickets available via Eventbrite
What to Bring: Pen and paper. Morning and afternoon tea will be provided. There are cafes in the area.
Duncan Sarkies is a screenwriter, novelist, performer and short story writer. In screen he is known for his screenplays SCARFIES and TWO LITTLE BOYS (adapted from his novel of the same name). He has also written two episodes of FLIGHT OF THE CONCHORDS, and has written for the forthcoming US TV version of WHAT WE DO IN THE SHADOWS. His recent project is the podcast THE MYSTERIOUS SECRETS OF UNCLE BERTIE’S BOTANARIUM.
Script to Screen workshops are made possible thanks to generous support from Creative Communities Dunedin & NZ Film Commission.
” Ken Duncum is an exceptional teacher. The structure and underlying philosophy of his approach to script writing in just a day provides me with the perspective and courage to write more and write better . ”
– 2018 Auckland Workshop Participant
Here’s a fantastic opportunity to learn from IIML screenwriting teacher Ken Duncum.
This one day course on writing a feature film looks at strategies for Coming up with a Cinematic Concept, growing Captivating Characters, locating the Core of your story and establishing your personal Connection to it.
Over the course of the day Ken Duncum will coach and cajole you through a process of developing your own film idea, giving you tips for finding and building a story that resonates.
Don’t miss this interactive and practical workshop that will help you navigate through the complexities of writing a feature film.
Who it is for: Emerging to established filmmakers, however if you are at the beginning stages of writing a film or are interested in writing a feature film this workshop will be very beneficial.
When: Saturday 16 Feb, 9:00 am – 5:00 pm
Where: Ara Institute of Canterbury , NZ Broadcasting School (TV Building)
33 Southwark Street (Cnr Madras and Southwark), Christchurch
Cost: General Admission $27.32 (incl. GST) or Student/Unwaged $11.28 (incl. GST). Tickets via Eventbrite.
What to Bring: Pen and paper. Morning and afternoon tea will be provided. There are plenty of cafes in the area. There will be space available to eat your lunch if you would like to bring it with you.