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Strength in Numbers is made possible thanks to generous support from the New Zealand Film Commission and Auckland Council– Regional Arts and Culture Grant.
and New Zealand Regional Film Offices; Film Otago Southland, Film Dunedin, Screen Canterbury and Film Queenstown Lakes.
Kōpere Hou – Fresh Shorts is on the search for the next generation of up-and-coming NZ filmmakers.
Kōpere Hou – Fresh Shorts is an NZFC initiative run in partnership with Script to Screen. The programme’s aim is to nurture, challenge, and inspire short filmmaking talent through a development and industry mentoring process. The focus is on the development of both people and stories.
Six teams will be selected to receive up to $15,000 to facilitate the cost of making a short narrative film. The films can be live-action, animation or documentary, with a duration of between four and 25 minutes. The teams behind each of these projects will attend a two-day development workshop in March 2022 and be matched with an experienced industry practitioner to receive six weeks of mentoring to get their project ‘shoot ready’.
Kōpere Hou – Fresh Shorts 2021 applications open Monday 30 August and close at 1pm on 11 October. There are two stages to the application process.
At Whiringa Tuatahi – Stage One you will need to have a writer, director and producer, and to submit the following:
A shortlist of 18 teams will be invited to submit a Whiringa Tuatahi – Stage Two application in mid-November. From the shortlist, six projects will receive $15,000 grants. The teams behind each of these projects will attend a two-day development workshop from 19-20 March 2022 and be matched with an experienced industry practitioner to receive six weeks of mentoring to get their project ‘shoot ready’.
Criteria and requirements for the assessment of both Whiringa Tuatahi – Stage One and Whiringa Tuatahi – Stage Two can be viewed on our website.
Script to Screen and the NZFC will hold an online Q&A about this new application process for Kōpere Hou – Fresh Shorts on 16 September 2021, at 5.30 pm.
If you have any questions please contact Script to Screen: FreshShorts@script-to-screen.co.nz
Kōpere Hou – Fresh Shorts is a New Zealand Film Commission Short Film Fund and Script to Screen manages the reading, assessment, workshop and mentoring aspects of the Fresh Shorts Development Programme.
The South Shorts Mentorship programme returns in 2021 with ten emerging filmmakers selected to take part. Under the leadership and guidance of renowned screenwriter and director Briar Grace-Smith (Cousins, The Strength of Water), participants will develop their short film projects through a script-focused mentorship.
Now in its sixth year, the programme guides emerging South Auckland affiliated talent to develop their short film scripts. Over a sixth-month period, the participants get individual script notes from Briar Grace-Smith, meet for workshops where they do group script read-throughs, and hear from guest filmmakers about their experience making short films.
“Since its inception in 2015, South Shorts has seen numerous alumni gone on to make films. The programme provides a safe space for aspiring and emerging South Auckland filmmakers to gain confidence in themselves as writers while building a sense of community within the industry,” says Eloise Veber, Script to Screen Programme Manager. “Ultimately we want to see more stories from South Auckland filmmakers produced and seen by audiences. We feel so privileged to continue to do this work thanks to support from our funders.”
The search for South Shorts Mentorship participants begins with our annual two-day South Auckland Short Film Workshop held each year in October.
Congratulations to the filmmakers selected for South Shorts 2021:
The South Shorts Mentorship Programme is made possible thanks to generous support from Foundation North with additional support from the New Zealand Film Commission.
The 2020 South Auckland Short Film Workshop is a two-day workshop to learn the art of making short films. Whether you’re new to filmmaking or have some experience, we are calling everyone who aspires to tell their stories on screen to come and learn what it takes to bring your film to life.
This workshop is intended for people who either live in South Auckland or have a connection with the area.
Over one weekend you will be guided by experienced filmmakers about the principles of how to write a short film, the role of the director, what it takes to get your short film off the ground, and pitching to funders and collaborators. Speakers include Marina McCartney (Milk & Honey, Vai), Todd Karehana (Ahikāroa, My Brother Mitchell) and Nikki Si’ulepa (Same But Different, Mā, Snow in Paradise)
Who it is for: New and emerging creatives from any industry or background with a connection to the South Auckland community who have an interest in short filmmaking.
When: Saturday 31 Oct – Sunday 1 Nov 2020, 9am – 5pm each day
Where: Te Haa o Manukau – Ground Floor, 2 Osterley Way, Manukau.
$5 all-day parking is available at 50 Manukau Station Road – an Auckland Transport carpark next to the bus station which is a short walk to the venue.
Cost: General Admission $5.75 (incl GST). Tickets via Eventbrite.
What to Bring: Pen and paper. Morning and afternoon tea will be provided. Please bring lunch with you or there are plenty of cafes in the area to buy lunch and there is space available to eat your lunch if you bring it with you.
Participants from this workshop will be eligible to apply for Script to Screen’s South Shorts 2021 Mentorship Programme. Read more about South Shorts 2021.
Image: Money Honey written and directed by Isaac Knights-Washbourn. Winner of NZIFF Ngā Whanaunga Māori Pasifika Shorts Best Film Award and Show Me Shorts 2020 Best Director Award.
MARINA MCCARTNEY
Marina was born and raised in Manukau City, New Zealand. From a Geordie Father, Samoan Mother and Cook Islands step-Mother, she is interested in how cultural heritage effects the way we are viewed and how we view others. She holds an MA in Screen Production (First Class Honours) and is an award-winning filmmaker and academic. Her areas of expertise are Pacific Studies, Pacific filmmaking, Pacific representation on screen and of the Pacific woman. She is a PhD candidate and Vice Chancellor’s Doctoral Scholar exploring Pacific filmmaking and is developing a range of projects including her next feature film, The Return.
TODD KAREHANA
Todd Karehana (Ngai Te Rangi, Ngāti Awa, Ngati Ruapani) is an experimental storyteller with a passion for creating new images of minorities. He has five years’ experience in the New Zealand film and television industry with companies such as Kura Productions, Pango Productions, and Piki Films. Alumni of the Masters in Screen Production programme at The University of Auckland, Karehana was the writer and director on several short films such as The Kweenz of Kelston, and My Brother Mitchell – which screened at numerous international film festivals. His recent credits include; storyliner, writer, script editor and Social Media Manager on drama series Ahikāroa, storyliner and writer on children’s animated series The Exceptional Squad, Social Media Manager on animated series Aroha Bridge, and, writing support on feature film Ngā Pouwhenua.
NIKKI SI’ULEPA
Nikki Si’ulepa is an award winning actor, writer, director and camera operator of Samoan heritage from the villages of Sātalo and Solaūa. Nikki’s short films have screened at international film festivals including Berlinale, Tribeca, Sydney, NZIFF, and imagineNATIVE. Her debut NZFC funded short film, Snow in Paradise was shot entirely on location in Aitutaki, Cook Islands and was selected for the Berlinale in 2011 and again for the NATIVe program in 2019. Nikki was one of 250 participants and the only Kiwi/Pacific Islander selected from over 7,000 applicants for the Berlinale Talents program in 2017. Nikki’s self funded her next short film, Ma, and Aroha was one of ten short films in the K’Rd Stories collection. Nikki next short, Counting Cars (post production), was an experiment to test her working relationship with her wife, Rachel Aneta Wills, in anticipation of their romantic comedy feature film Same But Different: A True NZ Love Story. Nikki is currently in post production with short film, This is Your Half Hour Call and is developing a television series and two feature films. Nikki likes vegan Magnum ice-cream.
Saturday 31st October
Sunday 1st November
Here’s the news you have been waiting for – Kōpere Hou Fresh Shorts opens for applications this Thursday 10 September.
This year the application process for Kōpere Hou – Fresh Shorts has been changed making it simpler for teams to apply. Kōpere Hou – Fresh Shorts is now a two-stage application process.
At Stage One you will continue to need a writer, director and producer, and a written script is still required.
The rest of the Stage One application consists of:
Criteria and requirements for the assessment of both Stage One and Stage Two are laid out in the guidelines which will be uploaded to the Script to Screen website by Thursday 10 September.
A shortlist of 18 teams will be invited to submit a Stage Two application. This detailed application is the same as previous years to ensure all bases are covered, from pre-production to delivery, that health and safety is addressed, and the team have all the support they require to make the film.
From the shortlist, six projects will receive $15,000 grants. The teams behind each of these projects will attend a two-day development workshop in March 2021 and then be matched with an experienced industry practitioner and receive six weeks’ mentoring to get their project ‘shoot ready’.
Script to Screen and the NZFC will hold an online Q&A about this new application process for Kōpere Hou – Fresh Shorts on Thursday 17 September at 5:30 pm.
If you have any questions please contact Miriam Smith, the Kōpere Hou – Fresh Shorts Facilitator at Script to Screen: FreshShorts@script-to-screen.co.nz or ph: 09 360 5400.
Kōpere Hou – Fresh Shorts is a New Zealand Film Commission Short Film Fund and Script to Screen manages the reading, assessment, workshop and mentoring aspects of the Fresh Shorts Development Programme.
The South Shorts Mentorship programme returns for 2020 with nine emerging filmmakers selected to take part. Under the leadership and guidance of renowned screenwriter Briar Grace-Smith, participants will develop their short film projects through a script-focused mentorship. Over a sixth-month period, the participants will get individual script notes from their mentor, do group script reads for peer feedback, and hear from experienced filmmakers about their process making short films.
Now in its sixth year, the programme is aimed at guiding emerging South Auckland affiliated talent to develop their short film scripts. The search for South Shorts participants begins with our annual two-day South Auckland Short Film Workshop, after which participants can apply for the mentorship programme.
“This group includes an exciting mix of experiences with participants coming from acting, playwriting, tertiary film courses and filmmaking, as well as those with a passion to tell stories.” says Programme Manager, Eloise Veber “We’re thrilled to find such talented storytellers for our South Shorts Mentorship Programme.”
The nine filmmakers (L – R) selected for South Shorts 2020 are:
Filmmakers who have been through this programme include Vea Mafileo (For My Father’s Kingdom), Jeremiah Tauamiti (Liliu), Hanelle Harris (Sis, Baby Mama’s Club) and Vela Manusaute (The Messiah).
South Shorts is made possible thanks to generous support from Foundation North and New Zealand Film Commission.
Script to Screen is proud to be partnering with Compton School once again to deliver Strength in Numbers – a program designed to teach screen practitioners about growing a sustainable and profitable business while doing the work you want to do.
Run by Script to Screen, and led by Australian screen business expert David Court, Strength in Numbers Growth comprises a series of workshops that arm participants with the tools they need to build a sustainable business in the screen industry. The programme is for screen practitioners with a slate of projects and a screen industry business already underway and will be delivered over several workshop days held in Auckland January to September 2020.
Strength in Numbers offers a unique opportunity for early to mid-career practitioners in the screen industry to work together on the building blocks of business models that will sustain their future and ultimately shape the industry itself. The Programme aims to cultivate a super-smart community of business people in the screen industry that support each other over time, which is especially important for filmmakers who often work in isolation.
Selected participants will have a proven track record that demonstrates considerable talent and tenacity in their field. They will become part of Script to Screen’s alumni network. This network supports further collaboration and strengthens connections. To encourage screen practitioners from the regions to apply we have support from some of New Zealand’s regional offices: Film Otago Southland, Film Dunedin, Screen Canterbury, Screen Wellington, Tairawhiti TV, Film Bay of Plenty.
Strength in Numbers’ inaugural year saw ten creators of many of our most loved and successful films (including Hunt For The Wilderpeople, Boy, The Dark Horse, Love Story, Three Wise Cousins, Waru, Vai, and Loading Docs) brought together to focus on building sustainable businesses.
Preview the Strength In Numbers Application Form
What you’ll need to submit:
Applications Open: Mon 21 Oct
Applications Close: Sun 1 Dec, midnight
First Workshop: Early Feb 2020
Strength in Numbers is made possible thanks to generous support from the Auckland Council– Regional Arts and Culture Grant, New Zealand Film Commission.
And New Zealand Regional Film Offices; Film Otago Southland, Film Dunedin, Screen Canterbury, Screen Wellington, Tairawhiti TV, Film Bay of Plenty and Waikato Film Hub. Thank you to Screen Auckland for providing our workshop venue.
Eight new scripted stories by, for and about Pasifika and Asian peoples have been selected for development under a new initiative from NZ On Air . The teams selected will participate in a development programme run by Script to Screen, including follow up mentoring to guide them as they prepare to submit production funding applications.
The successful projects going into development are:
QUEEN STREET – Crystal Vaega, Mario Faumui, Leki Jackson-Bourke
SIS – Hanelle Harris, Gaby Solomona, Maiya Thompson, Destiny Momoisea, Leki Jackson-Bourke
BRUTAL LIVES – Sandra Kailahi, Vela Manusaute
RUMBLE – Danny Aumua, Elizabeth Koroi
THE MACKENZIE BROTHERS – Mayen Mehta, Benjamin Teh, Hweiling Ow, Calvin Sang
SOME LIKE IT – Tema Pua, Julie Zhu, Callum Freeman
INKED – Zijun Yang, Mingjian Cui
LULLABIES – JJ Fong, Ally Xue, Michelle Ang, Rachel Fawcett
Script to Screen looks forward to working with these creative teams as they develop their projects to submit to NZ On Air for production funding.
About the initiative:
NZ On Air recently issued a Request for Proposals for projects meeting a brief to extend the range of Pacific and Asian storytelling available to New Zealanders. In particular NZ On Air were looking for newer storytellers. The initiative is one of six funded with the one-off extra allocation to NZ On Air in Budget 2018 to support the production of diverse local content that will reach under‐served audiences.
Scripted Pasifika and Asian Storytelling is brought to you by NZ on Air and Script to Screen.
Are you a Pasifika or Asian storyteller with a story to tell? NZ On Air has a Request for Proposals open for stories told by, about, and for your communities.
Production budgets will vary from around $300k-$750k per project depending on scale, platform, and audience reach. The format and duration of content will vary but will be a minimum of 30 minutes, and will depend on the primary platform and the story.
If you are one of 6-8 shortlisted projects, you will be awarded a place on a development programme run by Script to Screen. The programme will be especially tailored for you and your project, and includes a two-day workshop and follow-up mentoring to support the development of your project prior to submission for production funding. You do not need a platform attached to send a proposal to NZ On Air, and the development workshop will help facilitate these connections.
ABOUT THE DEVELOPMENT PROGRAMME:
Stage 1 of the development programme: a group workshop session and one-on-ones between each team and mentors well-matched to the needs of the project. Platforms will be invited to present to the participants about their audiences and platforms; what they like to see in submissions and other relevant details relating to market needs.
Stage 2 of the programme: each participant will be eligible for a $1,000 grant and will be assigned a mentor to help the team get their project ready to attach a platform, seek secondary co-investment, and to apply to NZ On Air for production funding.
Stage 3 of the programme is a Pitch Day where participants pitch their projects to suitable and interested platforms – with the aim of securing letters of support from platform/s. After the Pitch Day participants finalise their proposals and re-submit their project to NZ On Air by 7 June 2019 for consideration for production funding.
Participants who live outside of Auckland will have their travel and accommodation paid for. Applicants must be available for all dates listed in the timeline.