The Big Screen Symposium presents an annual snapshot of our screen culture framed by the guiding principles that filmmaking is both a creative and practical endeavour. Delegates are immersed in two-days of conversations, masterclasses, workshops, panel discussions and case studies with a stellar line-up of local and international filmmaker speakers.
After being postponed TWICE due to COVID-19, Script to Screen and janda productions are thrilled that the Big Screen Symposium is going ahead in Auckland on 4 – 5 December at the ASB Waterfront Theatre. With support from BSS’s fantastic sponsors, we have kept tickets at early bird prices as we know the pandemic has negatively impacted many filmmakers finances.
Now in its 8th year, the Big Screen Symposium will once again present inspiring and accomplished speakers to the New Zealand film and television community.
Hear from Academy Award-winning Chilean director Sebastián Lelio (A Fantastic Woman, Gloria, Disobedience), Cowboy Bebop showrunner André Nemec, renowned producer Finola Dwyer (Brooklyn, An Education), Australian writer/actor Scott Ryan (Mr Inbetween), two-time Emmy winning filmmaker Arielle Kilker (Cheer, Last Chance U), writer/actor Sophie Henderson (Fantail, Baby Done, Justice of Bunny King) and the makers of box office hit Savage director Sam Kelly and producer Vicky Pope. Sneak previews from five up-and-coming New Zealand films will be shown on Friday before everybody closes the day with Networking Drinks. Sebastián Lelio, Arielle Kilker and Scott Ryan will be live-streamed.
You heard it here first – Hon. Carmel Sepuloni, Minister of Arts, Culture and Heritage will join the $50M Premium Production For International Audiences Fund session. Pre-recorded interviews from Jonathan Frank, Senior Vice President Current Programming, FX Networks and Nathaniel Grouille, Director Nonfiction Series, Netflix were recorded especially for the event and will not be seen outside of Big Screen Symposium 2020.
This year’s programme is crafted around the theme of Transforming Culture and explores the transformative power of story and the transformation of the film industry through technological and sociological advances. Six mini keynote addresses will speak to this theme.
You really do need to be there.
Join the conversation: bigscreensymposium.com/stay-connected/
The full 2020 programme is available now on bigscreensymposium.com/2020-programme/
Script to Screen is delighted to announce the projects and teams selected to take part in Series Bootcamp 2020, a programme created to nurture emerging and mid-career writers and producers as they develop their series concepts.
The teams will workshop their series concepts over two stages. At stage one, each team will have an online session with an advisor from the U.S. The two advisors, Laurence Andries (VP of Programming at the Writer’s Guild Foundation, How to Get Away with Murder, Blue Bloods, Six Feet Under) and Jill Goldsmith (Boston Legal, Law & Order, Rizzoli & Isles), will give feedback on how to further develop the concept to appeal to an international audience. The teams will bring that feedback to stage two and attend a two-day intensive workshop to continue to develop their concepts with exceptional local story and producer advisors. Some participants are experienced in other formats so the workshop will also cover the nuances of writing and producing series for the screen.
For this first Series Bootcamp, Script to Screen received 61 applications. Three external selectors went through a robust process compiling a shortlist of 15 and ultimately selected seven projects to be developed. They said “there was so much evident talent – freshness, originality & skill. We wished there were more places to offer. To have made the shortlist was a real mark of quality, and the selection was passionately argued. Our congratulations to all the chosen teams – the future is bright!”
Script to Screen thanks all the filmmakers who applied.
Congratulations to the teams whose series concepts will be developed at Series Bootcamp 2020:
Series Bootcamp is made possible thanks to generous support from the New Zealand Film Commission, US Embassy and the US Arts Envoy.
The 2020 South Auckland Short Film Workshop is a two-day workshop to learn the art of making short films. Whether you’re new to filmmaking or have some experience, we are calling everyone who aspires to tell their stories on screen to come and learn what it takes to bring your film to life.
This workshop is intended for people who either live in South Auckland or have a connection with the area.
Over one weekend you will be guided by experienced filmmakers about the principles of how to write a short film, the role of the director, what it takes to get your short film off the ground, and pitching to funders and collaborators. Speakers include Marina McCartney (Milk & Honey, Vai), Todd Karehana (Ahikāroa, My Brother Mitchell) and Nikki Si’ulepa (Same But Different, Mā, Snow in Paradise)
Who it is for: New and emerging creatives from any industry or background with a connection to the South Auckland community who have an interest in short filmmaking.
When: Saturday 31 Oct – Sunday 1 Nov 2020, 9am – 5pm each day
Where: Te Haa o Manukau – Ground Floor, 2 Osterley Way, Manukau.
$5 all-day parking is available at 50 Manukau Station Road – an Auckland Transport carpark next to the bus station which is a short walk to the venue.
Cost: General Admission $5.75 (incl GST). Tickets via Eventbrite.
What to Bring: Pen and paper. Morning and afternoon tea will be provided. Please bring lunch with you or there are plenty of cafes in the area to buy lunch and there is space available to eat your lunch if you bring it with you.
Participants from this workshop will be eligible to apply for Script to Screen’s South Shorts 2021 Mentorship Programme. Read more about South Shorts 2021.
Image: Money Honey written and directed by Isaac Knights-Washbourn. Winner of NZIFF Ngā Whanaunga Māori Pasifika Shorts Best Film Award and Show Me Shorts 2020 Best Director Award.
MARINA MCCARTNEY
Marina was born and raised in Manukau City, New Zealand. From a Geordie Father, Samoan Mother and Cook Islands step-Mother, she is interested in how cultural heritage effects the way we are viewed and how we view others. She holds an MA in Screen Production (First Class Honours) and is an award-winning filmmaker and academic. Her areas of expertise are Pacific Studies, Pacific filmmaking, Pacific representation on screen and of the Pacific woman. She is a PhD candidate and Vice Chancellor’s Doctoral Scholar exploring Pacific filmmaking and is developing a range of projects including her next feature film, The Return.
TODD KAREHANA
Todd Karehana (Ngai Te Rangi, Ngāti Awa, Ngati Ruapani) is an experimental storyteller with a passion for creating new images of minorities. He has five years’ experience in the New Zealand film and television industry with companies such as Kura Productions, Pango Productions, and Piki Films. Alumni of the Masters in Screen Production programme at The University of Auckland, Karehana was the writer and director on several short films such as The Kweenz of Kelston, and My Brother Mitchell – which screened at numerous international film festivals. His recent credits include; storyliner, writer, script editor and Social Media Manager on drama series Ahikāroa, storyliner and writer on children’s animated series The Exceptional Squad, Social Media Manager on animated series Aroha Bridge, and, writing support on feature film Ngā Pouwhenua.
NIKKI SI’ULEPA
Nikki Si’ulepa is an award winning actor, writer, director and camera operator of Samoan heritage from the villages of Sātalo and Solaūa. Nikki’s short films have screened at international film festivals including Berlinale, Tribeca, Sydney, NZIFF, and imagineNATIVE. Her debut NZFC funded short film, Snow in Paradise was shot entirely on location in Aitutaki, Cook Islands and was selected for the Berlinale in 2011 and again for the NATIVe program in 2019. Nikki was one of 250 participants and the only Kiwi/Pacific Islander selected from over 7,000 applicants for the Berlinale Talents program in 2017. Nikki’s self funded her next short film, Ma, and Aroha was one of ten short films in the K’Rd Stories collection. Nikki next short, Counting Cars (post production), was an experiment to test her working relationship with her wife, Rachel Aneta Wills, in anticipation of their romantic comedy feature film Same But Different: A True NZ Love Story. Nikki is currently in post production with short film, This is Your Half Hour Call and is developing a television series and two feature films. Nikki likes vegan Magnum ice-cream.
Saturday 31st October
Sunday 1st November
“This workshop honestly transformed my thinking about storytelling structures and opened up new possibilities in exciting and practical ways. It incorporated both big ideas thinking and also specific craft tools, which I will begin to use immediately in my writing. The workshop was rich in content and spoke well to many levels, including experienced, working screenwriters. ” – 2019 Melbourne Workshop Participant
We are excited to be bringing script guru Stephen Cleary to New Zealand to present this brilliant 2-day workshop in Auckland and Wellington.
Split into single-gender groups, people tell stories differently. Men often tell stories with all-male characters. Women rarely tell stories with all-female characters. Women together tend to maintain a theme across their stories. Men don’t. Women talk less. Men reveal less about themselves.
Gender variations within storytelling matter. Our understanding of screenwriting mostly comes from work done by men trying to figure out how the stories they told worked. The vast majority of those stories centred on male characters who were powerful or had access to power.
This workshop is about characters who aren’t male and powerful. How do you dramatise their stories, those characters, to make them compulsive? How do you tell stories about people who struggle for power, or who will never have power? Does power work differently for male and female characters (answer: yes)? How? Come to this workshop and find out, and with any luck change how you think about story structure, forever.
READ THE FULL WORKSHOP SCHEDULE
WELLINGTON
7 – 8 NOV 2019
Venue: Hunter Building Lecture Theatre 119 (HULT119),
Victoria University, Kelburn Parade, Wellington
Cost: $250 (+ GST). Tickets available via Eventbrite.
What to Bring: Pen and paper. Morning and afternoon tea will be provided. BYO Lunch.
Prepare for the Workshop: Links to Films and series that will be referenced during the lab are available here.
Presented in partnership with Victoria University of Wellington.
Stephen Cleary is available to do a limited number of assessments while he is in Auckland. To be eligible for one of these assessments you must have booked your ticket to the Power, Gender and New Story Structures workshop and register for an assessment by Friday 22 Nov, 9am.
You will get a one-on-one 90-minute meeting and 2 pages of notes. The script assessment fee is $500 +gst.
If you would like a TV series assessed, Stephen will need either the first episode script plus outline of the rest of the season and an overview of the project, or a synopsis of the story overall and a breakdown of episodes. Each spot is not actually reserved until payment is received.
Payment details:
Account Name: Script to Screen – Te Tari Kupu A Whakaahua
Account Number: 03 0255 0178775-00
Reference: Cleary90min – Your Name
REGISTER FOR A SCRIPT ASSESSMENT
“This workshop honestly transformed my thinking about storytelling structures and opened up new possibilities in exciting and practical ways. It incorporated both big ideas thinking and also specific craft tools, which I will begin to use immediately in my writing. The workshop was rich in content and spoke well to many levels, including experienced, working screenwriters. ” – 2019 Melbourne Workshop Participant
We are excited to be bringing script guru Stephen Cleary to New Zealand to present this brilliant 2-day workshop in Auckland and Wellington.
Split into single-gender groups, people tell stories differently. Men often tell stories with all-male characters. Women rarely tell stories with all-female characters. Women together tend to maintain a theme across their stories. Men don’t. Women talk less. Men reveal less about themselves.
Gender variations within storytelling matter. Our understanding of screenwriting mostly comes from work done by men trying to figure out how the stories they told worked. The vast majority of those stories centred on male characters who were powerful or had access to power.
This workshop is about characters who aren’t male and powerful. How do you dramatise their stories, those characters, to make them compulsive? How do you tell stories about people who struggle for power, or who will never have power? Does power work differently for male and female characters (answer: yes)? How? Come to this workshop and find out, and with any luck change how you think about story structure, forever.
READ THE FULL WORKSHOP SCHEDULE
AUCKLAND
30 Nov – 1 Dec 2019
Venue: Lecture Theatre WG404, Sir Paul Reeves Building
Auckland University of Technology – City Campus,
2 Gov Fitzroy Place, Auckland City
Cost:$250 (+ GST). Tickets available via Eventbrite.
What to Bring: Pen and paper. Morning and afternoon tea will be provided. BYO Lunch.
There are cafes in the area if you want to buy lunch.
Prepare for the Workshop: Links to Films and series that will be referenced during the lab are available here.
This workshop is presented in partnership with AUT
Stephen Cleary is available to do a limited number of assessments while he is in Auckland. To be eligible for one of these assessments you must have booked your ticket to the Power, Gender and New Story Structures workshop and register for an assessment by Wed 20 Nov, 5pm.
You will get a one-on-one 90-minute meeting and 2 pages of notes. The script assessment fee is $500 +gst.
If you would like a TV series assessed, Stephen will need either the first episode script plus outline of the rest of the season and an overview of the project, or a synopsis of the story overall and a breakdown of episodes. Each spot is not actually reserved until payment is received.
Payment details:
Account Name: Script to Screen – Te Tari Kupu A Whakaahua
Account Number: 03 0255 0178775-00
Reference: Cleary90min – Your Name
REGISTER FOR A SCRIPT ASSESSMENT
Script to Screen brings a one and a half day workshop on screenwriting to Rotorua. This is your opportunity to learn from IIML’s Master of Scriptwriting programme director, Ken Duncum.
We are excited to be bringing this interactive and practical workshop to the Bay of Plenty aimed at helping you navigate through the complexities of writing a feature film. Over the course of one weekend, Ken Duncum will coach and cajole you through a process of developing your own film idea, giving you tips for finding and building a story that resonates.
Don’t miss this interactive and practical workshop that will help you navigate through the complexities of writing a feature film.
“Ken Duncum is an exceptional teacher. The structure and underlying philosophy of his approach to script writing provides me with the perspective and courage to write more and write better . ”
– 2018 Auckland Workshop participant
When:
Sat 24 Aug, 9am – 4pm
Sun 25 Aug, 10am – 3pm
Where:
Toi Ohomai Institute of Technology
Rotorua Mokoia Campus, Gate 1, G Block – Lecture Theatre G210. The lecture theatre is an accessible space.
Directions: Enter the Campus at Gate 1, drive straight down the driveway until you reach block G. Parking is to the left of the building. After entering the building, come to level 2 via stairs or elevator.
Cost: General Admission $20 (incl. GST). Tickets available via Eventbrite
What to Bring: Pen and paper. Morning and afternoon tea will be provided. BYO Lunch. There are cafes in the area, and the campus is 5mins drive from central Rotorua. There will be space available to eat your lunch if you would like to bring it with you.
Who it is for: This workshop is aimed at emerging to established filmmakers who are writing a feature film. However if you are at the beginning stages of writing a feature film, or are interested in writing a film this workshop will be very beneficial. Suitable for ages 17+.
This workshop is presented in partnership with the Bay of Plenty Film Office, and is made possible with financial support from Rotorua District Creative Communities and the New Zealand Film Commission.
Join us at this Script to Screen TALK and find out what local distributors consider before they take on a film for distribution.
Having a strong script and a great filmmaking team is not enough. Unlocking NZFC production funding depends on a letter of offer from a local distributor as part of your audience engagement plan.
Come along to hear from Mark Chamberlain at Transmission, Andrew Cozens at Madman, Nigel Forsyth at Studio Canal and Kevin Gordon at Rialto Distribution.
Entertainment lawyer, Sarah Cull will talk to the panelists about what they look for when selecting projects and at what stage of development they like to get on board. An audience Q&A will follow.
If you are developing a feature film project this event is not to be missed. Last time we held a TALK with New Zealand distributors it was a full house, avoid disappointment by getting your ticket early.
Wednesday 3 July
6:15pm -7:15pm – TALK
Te Auaha, 65 Dixon St, Te Aro, Wellington
After the TALK, stay and have pizza on Script to Screen, there will be a cash bar and socialising with fellow filmmakers.
$5.75 (incl. GST) for pre-sales.
$5 cash at the door if the theatre is not already fully booked from pre-sales.
This StS TALK is made possible thanks to the support of the New Zealand Film Commission. Thanks to the New Zealand Film Commission and the New Zealand Film and Television School for the venue.
The New Zealand International Film Festival (NZIFF) and Script to Screen are thrilled to present these very special TALKS with the filmmakers behind three highly anticipated films BELLBIRD, JUDY & PUNCH, and ANIMALS.
Join us after each screening to hear first hand from Hamish Bennett (BELLBIRD), Mirrah Foulkes (JUDY & PUNCH) and Sophie Hyde (ANIMALS) about their connection with the story and their experience getting the story to the screen.
The TALKS are free, but to see the film beforehand you need to book your ticket through the NZIFF website. TALKS held at the ASB Waterfront Theatre are held in the cinema immediately after the film. TALKS held at the Civic are in the Wintergarden, downstairs from the main foyer, immediately after the film.
BELLBIRD
Ross (Marshall Napier) is the third generation on the small family dairy farm and he’s determined that son Bruce (Cohen Holloway) will follow suit. Bruce, however, makes for a squeamish farmer and would be perfectly content to stick with his job reinventing abandoned treasures at the town dump. Civic Wintergarden | Sat 20 July | after the 5:45pm screening. Hamish Bennett, Catherine Fitzgerald and Orlando Stewart with moderator Dame Gaylene Preston (1hr).
JUDY & PUNCH
Mia Wasikowska and Damon Herriman represent the titular duo, reimagined as a puppeteering couple whose artistic quarrels – and Punch’s mishandling of their baby – lead to an epic revenge fable awash with bloody satire and pitch-black comedy. Civic Wintergarden | Thu 25 July | after the 3:30pm screening. Mirrah Foulkes with moderator Chelsie Preston-Crayford (1hr). Civic Wintergarden | Fri 26 July | after the 6:30pm screening. Mirrah Foulkes with moderator Robyn Malcolm (1hr).
Mirrah Foulkes’ visit is supported by 
ANIMALS
Holliday Grainger and Alia Shawkat (Arrested Development) are thirty-something best friends in Dublin, where partying hard is still their way to have fun, but the reality of getting older is getting harder to ignore. ASB Waterfront Theatre | Thurs 25 July | after the 8:30pm screening. Sophie Hyde with moderator Robyn Malcolm (30mins) ASB Waterfront Theatre | Fri 26 July | after the 3:00pm screening. Sophie Hyde with moderator Armagan Ballantyne (30mins)
WELLINGTON Monday 1st April, 6pm, Penthouse Cinema
AUCKLAND Wednesday 3rd April, 6:30pm, Academy Cinemas
Jeff Wexler (Chief, International at Studio Ponoc and former Chief, International/Board Director and current consultant at Studio Ghibli) joins us from Tokyo to share insights into successfully bringing culturally specific stories to global audiences.
Studio Ghibli (SPIRITED AWAY, MY NEIGHBOR TOTORO, PRINCESS MONONOKE, among many other celebrated films) and Studio Ponoc (MARY AND THE WITCH’S FLOWER) are world-renowned for their ability to break into international markets and take seemingly unique Japanese stories worldwide. Jeff will share his ideas on embracing film localisation during the creative process and how doing so has supported growth of the global phenomenon that is Studio Ghibli and the launch of Studio Ponoc.
Drawing on films from Studio Ghibli and Studio Ponoc, Jeff will delve into internationalising IP, the nuances of dubbing and subtitling, and the importance of building—and sticking to—a philosophy for localisation that prioritises creative integrity.
The talk will be followed by a special private screening of Studio Ponoc’s latest production, the anthology feature MODEST HEROES: PONOC SHORT FILMS THEATRE, VOLUME 1 (53 mins).
Studio Ponoc’s debut feature MARY AND THE WITCH’S FLOWER is available on digital platforms (iTunes, Microsoft Online and Google Play) and DVD/Blu-ray. If you haven’t already seen it, Jeff suggests watching the English version of the film ahead of this talk.
WELLINGTON
Monday 1st April
6pm-8pm – Talk + Q&A (60mins) and screening (53mins)
Penthouse Cinema, 205 Ohiro Rd, Brooklyn, Wellington
Tickets $11.50 (incl. GST) via EventBrite
Co-presented by New Zealand Centre for Literary Translation
AUCKLAND
Wednesday 3rd April
5:45pm Networking & cash bar
6:30pm-8:30pm – Talk + Q&A (60mins) and screening (53mins)
Academy Cinemas, 44 Lorne St, Auckland
Tickets $11.50 (incl. GST) via EventBrite
Script to Screen TALKS are made possible thanks to New Zealand Film Commission, Foundation North, White Studios and Images & Sound.
Script to Screen presents a one-day screenwriting workshop for both emerging and experienced filmmakers of Dunedin.
What Do You Want? Screenwriter, playwright and novelist Duncan Sarkies leads a workshop on character objectives: how an understanding of what your character wants and the obstacles that get in their way can be used to generate ideas for your film. The day will be interactive with fun practical exercises to help you explore the power of motivated characters. (Bring a pen and some paper and limber up your writing hand and your brain.)
When: Saturday 9 March, 9:00 am – 5:00 pm
Where: Petridish, 8 Stafford St, Dunedin
Cost: General Admission $23 (incl. GST) or Student/Unwaged $11.50 (incl. GST). Tickets available via Eventbrite
What to Bring: Pen and paper. Morning and afternoon tea will be provided. There are cafes in the area.
Duncan Sarkies is a screenwriter, novelist, performer and short story writer. In screen he is known for his screenplays SCARFIES and TWO LITTLE BOYS (adapted from his novel of the same name). He has also written two episodes of FLIGHT OF THE CONCHORDS, and has written for the forthcoming US TV version of WHAT WE DO IN THE SHADOWS. His recent project is the podcast THE MYSTERIOUS SECRETS OF UNCLE BERTIE’S BOTANARIUM.
Script to Screen workshops are made possible thanks to generous support from Creative Communities Dunedin & NZ Film Commission.