This year 110 aspiring filmmakers registered for Stage One of the Paerangi Project, after its launch in late June. The programme was created for those interested in developing a short film or web series who live outside the main centres, in remote regions, or those who are isolated from opportunities to learn about filmmaking. Registrations came from all over NZ; Auckland / Tāmaki Makaurau, Bay of Plenty / Te Moana-a-Toi, Canterbury / Waitaha, Gisborne/ Te Tai Rāwhiti, Hawke’s Bay / Te Matau-a-Māui, Manawatū-Wanganui, Northland / Te Tai Tokerau, Otago / Ōtākou, Southland / Murihiku, Tasman / Te Tai-o-Aorere, Waikato, and Wellington / Te Whanga-nui-a-Tara, as well as from the Cook Islands, Fiji and Vanuatu.
In Stage One each participant was given access to a series of video tutorials delivered by experienced filmmakers. The tutorials lead the viewer through the process of developing a concept including writing, directing, producing, pitching and gave homework exercises.
After completion, participants who registered for Stage One were eligible to apply for Stage Two to receive six weeks of online mentorship. Seven teams have been selected to be matched with an experienced filmmaker who will guide them as they refine their short film project.
The projects and participants are:
(pictured left to right)
These participants will be invited to apply for Stage Three, where up to four teams will attend a three-day residential development lab in Auckland to progress their project even further. At the Lab they will receive tailored script feedback, directing mentoring, and producing advice from industry mentors. The Lab helps the participants move their projects closer to production and it is also an opportunity for them to meet like-minded people and industry practitioners.
Congratulations to all the participants!
The Paerangi Project came about thanks to the Screenrights Cultural Fund New Voices, to advance those who, for whatever reason, have found doors not readily open to them. New Zealand Film Commission matched the funding to support the development of aspiring filmmakers who have felt isolated from opportunities.
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Kōpere Hou – Fresh Shorts is on the search for the next generation of up-and-coming NZ filmmakers.
Kōpere Hou – Fresh Shorts is an NZFC initiative run in partnership with Script to Screen. The programme’s aim is to nurture, challenge, and inspire short filmmaking talent through a development and industry mentoring process. The focus is on the development of both people and stories.
Six teams will be selected to receive up to $15,000 to facilitate the cost of making a short narrative film. The films can be live-action, animation or documentary, with a duration of between four and 25 minutes. The teams behind each of these projects will attend a two-day development workshop in March 2022 and be matched with an experienced industry practitioner to receive six weeks of mentoring to get their project ‘shoot ready’.
Kōpere Hou – Fresh Shorts 2021 applications open Monday 30 August and close at 1pm on 11 October. There are two stages to the application process.
At Whiringa Tuatahi – Stage One you will need to have a writer, director and producer, and to submit the following:
A shortlist of 18 teams will be invited to submit a Whiringa Tuatahi – Stage Two application in mid-November. From the shortlist, six projects will receive $15,000 grants. The teams behind each of these projects will attend a two-day development workshop from 19-20 March 2022 and be matched with an experienced industry practitioner to receive six weeks of mentoring to get their project ‘shoot ready’.
Criteria and requirements for the assessment of both Whiringa Tuatahi – Stage One and Whiringa Tuatahi – Stage Two can be viewed on our website.
Script to Screen and the NZFC will hold an online Q&A about this new application process for Kōpere Hou – Fresh Shorts on 16 September 2021, at 5.30 pm.
If you have any questions please contact Script to Screen: FreshShorts@script-to-screen.co.nz
Kōpere Hou – Fresh Shorts is a New Zealand Film Commission Short Film Fund and Script to Screen manages the reading, assessment, workshop and mentoring aspects of the Fresh Shorts Development Programme.
This year we have the pleasure of awarding scholarships to six screen practitioners to take part in UCLA’s 10-week online training course Writing Screenplay Coverage.
Script to Screen identified a need to increase the diversity of script readers, assessors and selectors in Aotearoa and called for Expressions of Interest for this opportunity. It was encouraging to see the amount of interest in the programme from so many talented practitioners, and the selectors had a challenging time selecting just six participants from 117 EOI’s received. Applications from people with diverse identities and backgrounds who already have a strong understanding of story were prioritised. Those selected are keen to share the knowledge and support their communities. The six recipients are: (pictured left to right)
The programme includes the UCLA course with wrap-around support from Script to Screen. This is made up of two workshops that give context to the US-based course and how the learning can be applied to the New Zealand screen industry, and the facilitation of a study group.
UCLA course costs are paid for by Script to Screen thanks to support from the US Embassy.
Script to Screen in partnership with US-based Catalyst Story Institute is proud to announce the New Zealand finalists selected to participate in the Storieroad International program.
Storieroad International program is focused on discovering content creators and advancing creative careers within the global episodic marketplace. Philip Gilpin Jr, Catalyst Executive Director explains “Creating pathways for storytellers to have their voices heard is the heart of Catalyst’s mission. For too long, too many artists have felt a lack of connection to our television industry, and this collaboration with Script to Screen is a solution that gives creators opportunities for advancement”.
Applicants had to be developing a series. It could be any genre, length or format and at any stage of development including development of subsequent seasons.
Catalyst’s team of industry professionals selected up to 10 finalists and semi-finalists from each participating country including New Zealand, and their projects will be in competition at the 2021 Catalyst Content Festival in Duluth, Minnesota. The finalists get a 12-month scholarship to Catalyst Story Institute where they get US-based industry support to progress their project. Philip said “the incredibly high calibre of shows submitted from New Zealand made it difficult to choose only ten, and it shows that the raw talent level in New Zealand is in the top echelon of the independent creative world.”
Jackie Dennis, Executive Director of Script to Screen said “we entered into this partnership to create international connections for the exceptional talent we have here in New Zealand – it’s wonderful to see so many of our stories stand out”. Ahead of the international market, the finalists will present their ten projects to New Zealand screen industry professionals at a special invite-only showcase.
List of Finalists :
(Pictured left to right above)
Agnes Peel-McGregor with Shadowodd
Ahi Karunaharan and Maile Daugherty with Serenade
Alyssa Stringfellow with Chloe and the…
Emma Slade with Night Vision
Jake Pitcher with Don’t Tell Mum
Kathryn Burnett with Sleeper
Mia Maramara with The Witch Doctor
Millen Baird with Darryl
Paula Whetu Jones with I DATE Rejects
Stephen Campbell with The Cove
More info about the finalists here.
List of Semi Finalists :
Alexander Behse with Sugar Alpha: BLUE SKY, BLACK DEATH
Donald Mayo with Please Don’t Break Anything
Fiona Armstrong with Constance
Gaylene Barnes with Tātai Whetū Trinity Sun
Jonathan Watt with Hard Knock
Kip Chapman with Public Affairs
Louise Lever with Revolt She Said
Millen Baird with Naki Blues
Paul Kalburgi with Second Time Around
Slavko Martinov with CLUB LIFE
Tony Moore with The Rash
Vhari Lennox and Elana Tkatch with Lottie’s Choice
This is a Catalyst Story Institute initiative run in partnership with Script to Screen and in collaboration with “The Innovation Station” at the U.S. Department of State and Careers in Entertainment founded by the Will and Jada Smith Family Foundation.
The Auckland showcase is possible thanks to the US Consulate.
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– Nayheon Lee (2020 participant)
Story Camp Aotearoa is a residential feature film workshop that cultivates exceptional filmmaking by fostering voice, honing craft, and clarifying vision and kaupapa. Talented storytellers workshop their film project with esteemed advisors from here and abroad.
Story Camp 2021 seeks feature film projects from a well-developed treatment through to an advanced development stage. Up to eight selected writers or teams will participate in a rigorous five-day experience designed specifically to meet the development needs of their project.
Story sessions between advisors and participants form the backbone of the week. As the programme is tailored to each project, the process can also include project-based group workshops; workshopping with actors; strengthening and clarifying the director’s vision, and making good decisions together under pressure.
“Overall I think the entire Story Camp was a huge success, for me personally and for us as a team. I think the varied sessions provide a great mix of the creative and professional development for the advancement of any script.”
Past advisors have included Mexican screenwriter Guillermo Arriaga (Amores Perros, 21 Grams, Babel), producer Philippa Campbell (Top of the Lake, Rubbings from a Live Man), director and writer Jane Campion (Top of The Lake, The Piano), producer and director Ainsley Gardiner (Cousins, Boy, The Breaker Upperers),filmmaker & Artistic Director of the Sundance Directors’ Lab Gyula Gazdag, poet and academic Anahera Gildea, Hollywood writer & longstanding Sundance mentor Michael Goldenberg (Harry Potter and The Order of The Phoenix), renowned painter Star Gossage, playwright, screenwriter and director Briar Grace-Smith (Cousins, The Strength Of Water), NZ-based Korean installation artist Yona Lee, EP and producer Andrew Mason (The Matrix Trilogy, Tomorrow When The War Began), writer/actor Bret McKenzie (Flight of the Conchords), dramaturg and story consultant Brita McVeigh, choreographer Moss Te Ururangi Patterson (Atamira, Black Grace, Footnote), New Zealand International Film Festival Director Marten Rabarts, Australian producer Kath Shelper (Samson & Delilah, Tender), actor/writer/director Loren Taylor (Eagle vs Shark), legendary US screenwriter Joan Tewkesbury (McCabe & Mrs. Miller, Thieves Like Us, Nashville), emerging technologies artist and filmmaker Lynette Wallworth (Awavena, Collisions) and veteran NZ film producer and EP Tim White (The Luminaires, I Am Mother, The Dark Horse).
Don’t miss this opportunity to propel your film closer to production with expert support.
APPLICATIONS OPEN NOW
APPLICATIONS CLOSE: 11:59 PM, 09 August 2021
STORY CAMP AOTEAROA DATES: 22 – 27 November 2021
A great short film can launch a career. Check out these top five tips to put your best foot forward in your Fresh Shorts application.
1. DON’T LEAVE IT TO THE LAST MINUTE! Start work on your application NOW. It’s just 24 days until the Fresh Shorts application portal closes on August 19 and the deadline will come up fast. A great application takes lots of thought and attention to detail. Last-minute applications are often rushed and the readers can tell. Put your best foot forward and begin the process now.
2. SIGN UP FOR THE ONLINE APPLICATION PORTAL
Fresh Shorts applications must be submitted via the Script to Screen online portal. Sign up today, familiarise yourself with the portal, and take a look at the online application form. Things can and do go wrong when registering or filling in your application and you definitely don’t want to be dealing with technical problems at the last minute.
3. READ ALL THE ONLINE MATERIAL
There’s a wealth of information to help you at the Script to Screen website. Read the guidelines, pointers, samples and other information before starting your application. It will help you focus on what matters. If you have questions after you’ve read all the information you can contact the Fresh Shorts Facilitator at fsfacilitator@script-to-screen.co.nz.
4. PROOF READ YOUR APPLICATION
Know the different between “it’s” and “its”? (Hint: one is a contraction and the other is a possessive.) Not everyone’s great at this and that’s ok, but your application will shine that little bit brighter if you get a grammar/spelling nerd or proofreader to check your work before you push the button. Our shortlist readers will be looking for unique voices, but spelling mistakes, grammatical errors and typos indicate you are not paying attention to detail which is crucial when it comes to film production.
5. SCORE AN “A”
Fresh Shorts is a highly competitive fund which means your script and application must be exceptional. Make yourself a checklist that might include questions like: is it a fresh 😉 idea, is it cinematic, does our director have a clear vision that has been well articulated, have I described how talented our team is, is the budget feasible? Around 10% of applicants will be funded to make their film and the 90th percentile get there by talent, hard work and persistence. Be one of those!
The 2019 round of Fresh Shorts is now open. Guidelines, pointers and other supporting documentation can be found at the Script to Screen website. Applications are made via the Application Portal.
Applications close 1pm, Monday 19 August.
The Fresh Shorts programme offers grants of up to $15,000 to six new or emerging filmmaker teams to make a short film.
As part of the Fresh Shorts development process, shortlisted teams of filmmakers will be supported to attend a three-day residential lab 8-10 November, and to receive mentoring while they refine their scripts and proposals. Filmmakers who have attended previous development labs have been overwhelmingly positive about the experience.
Script to Screen is delighted to have Karin Williams join the Script to Screen team as Fresh Shorts Facilitator. Karin was Development Executive for the New Zealand Film Commission 2015 to 2018 and is an independent producer. She brings extensive experience as a producer and script assessor, and is passionate about supporting the next generation of filmmakers.
The 2019 round of Fresh Shorts is now open. Guidelines, pointers and other supporting documentation can be found at the Script to Screen website
Applications are made via the Application Portal
Enquiries can be directed to Fresh Shorts Facilitator Karin Williams
Applications close 1pm Monday 19 August
Image used is from Fresh Short film Shadow Cut
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FRESH SHORTS is a New Zealand Film Commission initiative run in partnership with Script to Screen.
In addition to the 2017 South Auckland Short Film Workshop, Script to Screen is proud to reintroduce the South Shorts Mentoring Programme.
Six participants of the South Auckland Short Film Workshop will be chosen to participate in a 6 month programme, which offers over 20 hours of mentoring on a short film project.
The programme will guide emerging writers and producers through the process of developing a short film, whether the filmmakers aim to make the film on their own, or getting a script ready to apply for the New Zealand Film Commission Fresh Shorts scheme. We are looking for distinctive new voices with a passion for storytelling. Participants may have some, little or no prior knowledge of filmmaking.
How do I apply?
The participants will be chosen based on a combination of their pitch during the 2017 South Auckland Short Film Workshop, and a written statement submitted to Script to Screen after the workshop outlining why the mentoring programme is for them.
Apply here: https://form.jotform.co/73235710827860
Programme Outline
The South Shorts Mentoring Programme will start in early 2018, and participants will need to be available to attend the following days. Dates have not yet been set and will be discussed with the participants in December 2017.
Kick-off Lab (7 hours) – All mentors and participants attend a one day intensive lab to launch the programme.
Hubs (6 hours) – The participants come together for two 3 hour hub meetings during the six month period. This is a chance for the writers to discuss their experiences, what they are learning and hear from a guest speaker about a particular topic.
Ongoing Mentoring (6 hours over a six month period) – Participants are each offered 6 hours of one-on-one sessions with their mentor over the course of six months. The content of these sessions will be tailored to suit the needs of each team, but centre around developing the story and script, ready for either shooting the film or applying for funding.
Wrap-up Lab (3 hours) – A half-day wrap up workshop completes the six-month journey. Teams will chart progress, discuss challenges they encountered and plan the way forward for their film.
Image from Loading Docs TIHEI. Directed by Hamish Bennett and produced by Orlando Stewart.
This initiative is made possible with assistance from Foundation North.