Following the Sundance Film Festival screenings of Mum, I’m Alien Pregnant, producer Alix Whittaker and directors THUNDERLIPS bring an insider’s perspective on navigating one of cinema’s most artistically influential festivals. Together, they unpack the realities of strategic preparation, selection, and on-the-ground participation at Sundance. Umbrella Entertainment joins the conversation from a distributor’s viewpoint, offering insight into how films are positioned, discovered, and sustained beyond their premiere. Collectively, the panel examines the evolving role of festivals in an era shaped by streaming platforms, fragmented audiences, algorithmic discovery, and emerging storytelling forms. 

Garnering a 100% Fresh rating on Rotten Tomatoes thus far, Mum, I’m Alien Pregnant marks an astonishing debut from a New Zealand team with clear global talent. This session offers a rare, candid look at how bold creative work cuts through internationally, making it essential for filmmakers, producers, and screen practitioners seeking to understand how festivals can still launch careers, shape conversations, and open doors in a rapidly changing screen landscape. 

On its surface, Mum, I’m Alien Pregnant plays like an outrageous midnight movie, rich in wild jokes, gross-out gags, and racy sci-fi spectacle. But beneath that, THUNDERLIPS has built a compelling mother-daughter tale that empathetically probes the choice to be child-free. So, if you see this for the unapologetically unhinged comedy, you won’t be disappointed. But you might walk away with some refreshing representation and weirdly prepared food for thought as well.”  

– Kristy Puchko, Entertainment Editor, Mashable 

Tuesday 24 February 2024 

6:00 – Arrivals

6:30-7:30pm – Kōrero

7:30-8:30pm – Refreshments and socialising 

$6.50 + GST + Booking Fee. Sales via Humanitix to secure your seat 

Where: St Columba Centre, 40 Vermont Street, Ponsonby, Auckland  

After the talk, stay and have pizza on Script to Screen. There will be socialising with fellow filmmakers. 


This Script to Screen KŌRERO is made possible thanks to New Zealand Film Commission, NZ On Air, White Studios and Images and Sound.


Headshot of Alix Whittaker, a smiling long-haired female presenting producer wearing a hat.

ABOUT ALIX WHITTAKER

Alix Whittaker is an Auckland-based film producer and founder of Candlelit Pictures, with over a decade of experience across feature films, short films and music videos. She has produced award-winning music videos and supported emerging directors through a strong focus on story-driven, director-led work. Her feature credits include Mega Time Squad and Mum, I’m Alien Pregnant, which premiered at Sundance to positive reviews. Alix is an alumna of the NZ Film Commission’s A-Z Producing Course and is known for championing distinctive voices and ambitious independent filmmaking in Aotearoa. 

Profile photo of THUNDERLIPS

ABOUT THUNDERLIPS

THUNDERLIPS is born of image-crazed uber-men Sean Wallace and Jordan Mark Windsor, a multi-award-winning image-making duo based in Auckland, New Zealand. Genre chameleons by nature, they’ve created work spanning 90s sitcom pastiche, GIF-only teen romance, queer cinéma vérité, 80s teen horror, and animated digital fever dreams, shooting across formats from 35mm to Hi-8 and favouring practical in-camera effects. Their commercial work for brands including Lotto, Samsung, Meridian Energy and 2Degrees showcases sharp narrative instincts and comic flair. Their films include acclaimed shorts Think We Might Have to Do Something (48HFP Grand Finals, 2013) and Lord Echo – Molten LavaMum, I’m Alien Pregnant is their feature film debut.  

ABOUT UMBRELLA ENTERTAINMENT

Umbrella Entertainment is an independent Australian film distributor specialising in bold, distinctive, and culturally significant cinema. With a catalogue spanning contemporary features, cult classics, restorations, and genre-defying work, Umbrella has built a reputation for championing filmmaker-driven stories that resonate with passionate audiences. Operating across theatrical, home entertainment, and digital platforms, the company is known for its strong curatorial voice, creative marketing strategies, and commitment to giving films a long life beyond their initial release. Umbrella plays a key role in connecting ambitious local and international films with audiences in Australia, New Zealand, and beyond.

 


 

This year marks the twelfth addition of the FilmUp mentorship programme, Script to Screen would like to thank the NZFC who have continued to support this kaupapa to continue strengthening and developing Aotearoa’s feature film writers, directors and producers.  

Script to Screen is delighted to announce the 2026 participants who will join this growing community of advancing Feature Film practitioners.  

The selected participants listed below will be matched with industry mentors to help develop their feature film project. During the six-month programme the group will also participate in a series of development hubs that include round tables, group workshops, and guest speakers sharing their experiences and perspectives, helping to strengthen industry connections. 


  • Congratulations to the filmmakers selected for FilmUp 2026: 
    (Pictured left to right above)  

    • Lynda Chanwai-Earle
      Writer – Little Yellow Peril 
    • Angela Cudd
      Producer – Don Te Haute
    • Jared Flitcroft
      Writer/Director – FADE
    • Sandra Kailahi
      Producer – Mahuika
    • Kyan Krumdieck
      Writer/Director – She Floats Over the Neighbour’s Fence Every Night
    • Liv McClymont
      Writer/Director – Wunderbar
    • Christian Nicolson
      Writer/Director – Space Warriors in Space
    • Hweiling Ow
      Writer – Pohpoh Wants to Die
    • Phillida Perry
      Producer – THE LONGEST DRINK IN TOWN
    • Stella Reid
      Writer/Director – Stage Challenge
    • Jason Taylor
      Producer – Ancestral Fusion (Working Title)

An insight into the application process:  

113 applications were received which proved a challenge for our selectors to make the final decision.  3 independent industry selectors with experience across writing, directing and producing assessed the applications. Successful applicants had both a very strong track record of creating innovative work with unique and authentic perspectives. They were also able to articulate clearly what their current project development requirements were, and how a mentorship will help in their progression.  

From the large number of very strong applications, it is clear that mentorships like FilmUp are of a very high value to emerging and mid-career professionals.   

We thank each and every applicant who submitted to be considered for FilmUp. We are sorry we can’t support more. We acknowledge how disappointing it is when applications are unsuccessful and encourage you to continue to apply for development kaupapa that aligns with the type of support you are looking for. From our perspective, we see every year how beneficial it is for filmmakers and their projects to continue to apply for all the development opportunities they can. 


FilmUp is made possible thanks to funding from The New Zealand Film Commission

 

Script to Screen is delighted to announce the filmmakers and their projects selected for Story Camp Aotearoa 2026. A huge mihi to our funders Te Tumu Whakaata Taonga New Zealand Film Commission for continuing to support this development kaupapa for Aotearoa’s Screenwriters. 

Story Camp Aotearoa is a residential development lab for feature film that provides a framework and environment with tikanga and Māoritanga embedded. This kaupapa, enables screenwriters and their teams to shut out the noise from their usual working environment and life, embarking on a five-day journey of deep story development. The unique location of the camp both informs and protects the wairua of our participants and their stories enabling films to be rigorously developed, elevated and supported.  

Projects are supported by exceptional local and international advisors selected specifically to meet the development needs of each writer and feature film project. 

Thank you to the 57 projects and filmmakers who submitted their project for consideration for this opportunity. The craft of applying and the work that goes into developing the film scripts submitted does not go unrecognized. We acknowledge you all, and wish you all the best on your development journey.  

The team at Script to Screen look forward to supporting and guiding this next cohort of Story Camp Aotearoa filmmakers.   


Congratulations to the filmmakers whose feature film projects will be developed through Story Camp Aotearoa 2026: 

READ MORE ABOUT THE TEAMS HERE 


Story Camp is made possible thanks to funding from the New Zealand Film Commission.

A beginner’s guide to mobile filmmaking is an action packed one-day workshop for Eastern Bay community youth ages 14-18.  Learn about the fundamentals of filmmaking and work in teams to create short films on mobile phones.  

 You don’t have to have a phone to attend – this a free workshop where all equipment is provided. If you have an interest in telling stories, screenwriting, acting, filmmaking or if you want to investigate if filmmaking is right for you, this workshop will provide you with the first steps to making your own work. 

At the conclusion of the workshops, we invite friends and whānau for a screening of the day’s work. This is an exciting moment for everyone involved to celebrate the possibilities of what can be created in a day.  

The Workshop is presented by Script to Screen, Aotearoa’s leading screen training and professional development organisation. A not-for-profit charity, Script to Screen has been at the forefront of screen industry training since 2007.  Since that time, we have run successful workshops in centres across the motu, including Hokianga, Kerikeri, Kaikohe, Whangārei, Auckland, South Auckland, Rotorua, Invercargill, Hamilton, Wellington, Christchurch, Dunedin and Queenstown. 

We are excited to bring this kaupapa to Kawerau and support the aspiring storytellers in the region. 


When and where:
Saturday 29th November 2025
9am – 5pm
4:30pm – Screening: Friends, whanāu and locals are welcome to view the films made 

Concert Chamber, Ranfurly Court, Kawerau
The venue is wheelchair accessible  

Cost: The workshop is free, please register via Humanitix as spaces are limited
 

What’s provided:  


What to bring:


ABOUT PROGRAMME MENTOR

JAMIE IRVINE

Jamie Irvine has worked in film, television and theatre since 1998. After leaving New Zealand to study in 2003, Jamie spent several years in both Sydney and Los Angeles, where he worked as an actor and voice artist as well as teaching at NIDA, Actors Centre Australia, Theatre of Arts Hollywood and various other organisations. 

Since returning to New Zealand in 2017, Jamie has performed in various productions including Tinā, The Brokenwood Mysteries, Black Hands, Sweet Tooth, Centrepoint, Power Rangers, Duckrockers, Mystic, N00b, Literally Dead, My Life is Murder, M3gan 2.0 and Shortland Street. On stage, he in the PopUp Globes productions of Richard III and Taming of the Shrew. He directed the NZ on Air Funded webseries Here if you Need. He has also taught acting at South Seas Film and Television School and worked as programme manager at Script to Screen. 

Whether in front of or behind the camera, Jamie is passionate about storytelling and helping others reach their potential. 


This workshop is made possible thanks to Script to Screen’s partnership with Film Bay of Plenty and the generous support from Kawerau Council Creative Communities Scheme. 

       

 


An excellent and mandatory program for Aotearoa’s new wave of storytellers, writers and filmmakers. Opportunities like this to develop, learn, un-learn and grow are very rare in the world. And to share this space with other high-level creatives and mentors/industry experts only elevates our professional standards and work. Big thank you to Script to screen!”  

Danny Aumua 

FilmUp 2023/24 participant (mentor Catherine Fitzgerald) 


The FilmUp Mentorship is professional development programme for filmmakers making feature films. In 2026 it will continue to support and empower eight tenacious and talented feature filmmakers to reach the next stage in their creative careers.

As this is a one-to-one mentorship, it is open to individual filmmakers rather than writing partnerships and/or teams.

Applications are now open for filmmakers who are writers, directors or producers with a feature film project and who can demonstrate that their project and career are at the right stage for mentorship.

FilmUp will run from April to November 2026.

Each successful filmmaker will receive:

Mentorship forms the cornerstone of the FilmUp programme, successful applicants can clearly identify and hold their learning and development needs. Autonomy is fostered from the start of the programme with participants actively involved in the selection of their mentor and additional support.

Since its inception in 2013, FilmUp has gone from strength to strength, with a growing number of alumni who have benefitted and progressed from the programme, including 22 debut feature films being made by alumni following their FilmUp mentorship.

Alumni include Briar March (Dame Valerie Adams: MORE THAN GOLD, Mothers of the Revolution), Chelsea Winstanley (TOITU:Visual Sovereignty,Ka Po, Night Raiders), Desray Armstrong (Kōkā, The Mountain, Bad Behaviour), Florian Habicht (James & Isey, Spookers), Gaysorn Thavat (The Justice of Bunny King), Jake Mahaffy (Reunion, Free in Deed), Nic Gorman (Human Traces), Paula Whetu-Jones (Whina, Waru), Sophie Henderson (Workmates, Baby Done) and Stallone Vaiaoga-Ioasa (Three Wise Cousins, Take Home Pay).

You can read about past participants alongside a diverse range of mentors from the last 11 iterations of the programme here.   


KEY DATES:  

APPLICATIONS OPEN: Monday 29th September 2025 

Q&A WEBINAR: 6:00 pm, Wednesday 15th October 2025
FilmUp Transcript Please note this has not been edited.

APPLICATIONS CLOSE: 1:00 pm, Monday 10th November 2025 

NOTIFICATION OF OUTCOME: Early December 

HUB DATES: (Dates subject to change) 

HUB 1: Auckland (2 days) – Monday 20th and Tuesday 21st April 2026 

HUB 2: Online – Friday 22nd May 2026 

HUB 3: Auckland (1 day) TBC – proposed late June/ early July  

HUB 4: Online – Friday 28th August 2026 

HUB 5: Auckland (2 days) – Thursday 5th and Friday 6th November 2026 


APPLY FOR FILMUP: 

https://form.jotform.com/Script_to_Screen_NZ/2026-filmup-mentorship-application- 

APPLICATION REQUIREMENTS: 

FilmUp is a one-to-one mentorship for individual filmmakers who are working on a feature film or feature documentary. You must be a NZ citizen or permanent resident to apply.

Make sure you read our Top Tips to make your FilmUp application shine while crafting your application. FilmUp top tips to apply 2026  


Selection Criteria:

The selection criteria is used by the selection panel to help assess your application and guide their discussion. Listed below in no specific order.


FilmUp is made possible thanks to financial support from the New Zealand Film Commission 

We’ve put together our top five tips to help make your application shine.  

  1. Tailor your application to your needs
    Is your application highlighting what you and your project needs right now? Selectors will be looking for a strong connection between the stage you are at, and what support you are looking for, the reasons you would like to take part this year, why you and your project will benefit from a mentor at this stage, and the types of mentors, including names if possible, you would like to work with, this should all co-relate.
  2. Make it personal
    FilmUp is about empowering you to do your best work, now.  Make it personal. Why you? Why this project? Why now at this stage of your career? What the additional support of up to $2,000 will enable you to do. 
  3. Proofread your application
    Mistakes and typos can be very distracting for the reader. Rally your trusted peers to proofread your application and attachments before hitting submit. No one wants to have a spelling mistake in the first line of your synopsis but believe us – it happens!
  4. Label and name your documents
    This one makes our lives easier: It is really important to name and title all your documents, so they are distinctly yours.  Please avoid submitting documents that are just titled ‘Synopsis’. Title each page you attach with your full name, project title and document title. Whether it’s in a header, footer, or simply at the top of the page, take every chance to remind the reader whose great work they are reading.
  5. Keep it succinct
    Long, – paragraphs don’t always get the point across. Make sure you’re highlighting the most relevant parts of your career and giving key info about the trajectory of your project.

Join Script to Screen for a one-day short film workshop in South Auckland. Thanks to the support of Foundation North, anyone – no matter their filmmaking experience, can learn to develop their short film ideas.

Feel empowered with the tools to make your story come to life. This workshop will cover the key fundamentals of creating short films including crafting story ideas, pitching to collaborators and what it takes to be able to go on to make a short film.

This workshop is led by award-winning actor, writer, director Nikki Si’ulepa, who tells bold, heartfelt stories that champion underrepresented voices and communities —stories with grit, soul, and the occasional cheeky wink. The mana of you and your story ideas will be safely held throughout the duration of the day.

The South Auckland Short Film Workshop provides a stepping stone to applying for the Script to Screen South Shorts Mentorship programme as well as other short film initiatives like Day One Shorts. It is also a fantastic opportunity to meet other creatives within the community and be inspired by filmmaking’s possibilities.

We welcome anyone who wants to tell their stories through film. If you’re a new or emerging filmmaker or a local South Auckland creative this workshop is for you.


When and where:
Saturday 1st November 2025
9am – 5pm

Friendship House, 20 Putney Way, Manukau, South Auckland
The venue is wheelchair accessible 

Cost: $12.50 (INC BF & GST) Book via Humanitix
Morning tea and afternoon tea provided, BYO lunch


What to bring:


ABOUT PROGRAMME MENTOR

NIKKI SI’ULEPA

Nikki Si’ulepa (she/her) is an award-winning actor, writer, and director whose work spans film, television, and digital platforms. She’s lit up screens in Bookworm, Big Girls Don’t Cry, Tangata Pai, Creamerie, Housebound, Same But Different, and Pot Luck—and her films have screened (and won stuff!) at Berlinale, Tribeca, Sydney, Melbourne, FIFO, and NZIFF.

A proud Sāmoan, queer creative, Nikki tells bold, heartfelt stories that champion underrepresented voices and communities—stories with grit, soul, and the occasional cheeky wink. She is a co-founder of PISA – PACIFIC ISLANDS SCREEN ARTISTS – a global Pasifika screen collective. She also runs ACTING UP! FOR SCREEN and SCREENFIT—fast-paced, no-fluff workshops where actors, writers, and directors flex their creative muscles and get real-time feedback (with less sweat, more script).

Whether she’s behind the camera or holding space as a kaihautū for emerging storytellers, Nikki’s all about inclusive, collaborative, fun spaces—with purpose, passion, and a healthy amount of laughs along the way.


This workshop is made possible thanks to generous support from Foundation North and Auckland Council Creative Communities Scheme.

       


Te Tari Tuhi Kupu a Whakaahua Script to Screen invite applications for two different roles within our organisation.  

Opportunities available to work with us include the Programme & Events Manager (Parental Leave Cover) and Programme Facilitator (Contract) 

Script to Screen is Aotearoa’s leading organisation dedicated to developing screen culture and NZ’s storytelling talent. We deliver world-class development programmes, labs, and workshops that support emerging and established filmmakers to tell bold and authentic stories. 


Programme & Events Manager 

PARENTAL LEAVE COVER 
October 2025 – December 2026 

Fulltime
This role is based in Auckland

The PROGRAMME and EVENT MANAGER is a senior role within STS and BSS. The main focus of the role is the exceptional management of all our programmes and events.  

Key responsibilities include co-designing programmes and events with the Script to Screen Executive Director, managing the logistics of all development programmes and events and applying for funding. 

The Programme and Events Manager will take a lead across all the STS development programmes and events for STS and BSS. 

For role requirements, please refer to the job description pdf below.  

PDF Programme & Events Manager Job Description: https://script-to-screen.co.nz/wp-content/uploads/2025/09/Programme-Events-Manager-Parental-Leave_updated.pdf 

Apply for Programme & Events Manager  Role: https://form.jotform.com/Script_to_Screen_NZ/job-application-pro-events-manager 

Deadline: End of Day – Monday 6th October 2025 

As this is parental leave position, we are flexible with the start and end dates.

We are very keen to hear from anyone with the relevant skills and experience for this role. Although there is a deadline (Monday 6th October), we will undertake meetings and interviews as and when people get in touch, so the role may be filled prior to the closing date. We therefore encourage early contact.

Please email info@script-to-screen.co.nz to have an initial conversation or use this link to submit an application.


Programme Facilitator 

This role may be based outside of Auckland. EOI is open nation wide. 

The STS Programme Facilitators are FIXED TERM CONTRACTOR ROLES responsible for hosting and facilitating STS development programmes, workshops and hubs. They will work closely with the STS Executive Director and Programme and Events Manager to ensure all programmes are delivered to the highest standards, meeting the needs of the participants, leaders, STS and our funders.  

STS is seeking Expressions of Interest from Screen industry professionals who are interested in contract work.

For role requirements, please refer to the job description pdf below.  

PDF Programme Facilitator Job Description: https://script-to-screen.co.nz/wp-content/uploads/2025/09/STS-Programme-Facilitator-Role.pdf 

Submit your EOI:  https://form.jotform.com/Script_to_Screen_NZ/EOI-programme-facilitator 

Deadline: End of Day – Monday 20th October 2025 


About Te Tari Tuhi Kupu a Whakaahua Script to Screen

As the leading screen sector talent development and training organisation in Aotearoa for nearly 20 years, Te Tari Tuhi Kupu a Whakaahua Script to Screen (STS) is dedicated to supporting Aotearoa’s screen storytellers and growing a diverse, inclusive screen industry that reflects our communities.

Our commitment to Te tiriti o Waitangi and Tangata Whenua underpins our kaupapa and organisational mahi. We are guided by teachings and learning within te Ao Māori, incorporating a tikanga Māori lens across our work, while being led by the principles of Manakitanga, Kotahitanga, Tika and Pono.

STS is a not-for-profit charity whose core business is the professional development of screen storytellers (writers, directors, producers). We provide bespoke talent development programmes, mentorships, and professional training programmes that help develop skills and champion voices from across the country.

STS also runs Big Screen Symposium (BSS). Our largest event, this two-day immersive event is focused on bringing the NZ screen industry together to connect, learn and be inspired. A mix of panel discussions, masterclasses, workshops, keynote speeches and industry meetings, this high-level industry conference attracts 400-500 people each year and is funded by all of the key major industry funders and organisations.


Photography by Evie Mackay

SCRIPT TO SCREEN presents

Script Development Workshops for DDN Creatives 

Te Tari Tuhi Kupu a Whakaahua Script to Screen, is proud to be piloting a new community programme of Script Development Workshops.

In partnership with the Screenrights Cultural Fund, this bespoke programme of workshops will upskill Deaf, Disabled and Neuro Diverse (DDN) creatives in Aotearoa, NZ, to create innovative and compelling screen stories for TV, Film and online platforms.

This programme places creatives unique perspectives at the heart of their story development, helping them to create and develop authentic work that resonates with audiences.

These workshops have been designed to support this underserved and underrepresented group of creative talent, helping to uplift them and their stories, and creating pathways for progression in the screen sector in Aotearoa, NZ.

Script to Screen looks forward to working with the community on the final planning and design of the programme before inviting applications from participants.

A huge mihi (thanks) to the Screenrights Cultural Fund for supporting this important work, we can’t wait to get started.


Register your interest for the DDN Workshops here: https://form.jotform.com/Script_to_Screen_NZ/register-your-interest-DDN-workshop 


Script Development Workshops for DDN Creatives 

Activity: A programme designed to upskill Deaf, Disabled, and Neuro Diverse (DDN) creatives in innovative screen storytelling. Co-created with DDN artists and organisations, the programme supports participants in utilising their unique perspectives in story development, aiming to break down barriers for their progression in the New Zealand screen sector. The programme will feature script development workshops for emerging DDN creatives held in various centres across NZ.

These workshops will cover fundamentals of screen storytelling, including character development, conflict creation, scripting, dialogue writing, and genre exploration, and are open to those developing short films, TV, digital series, and feature films (excluding documentaries).

A key objective is to reduce barriers to progression, with a final online pitch session, for those participants who want to, with invited New Zealand screen industry decision-makers. As Script to Screen alumni, participants also receive ongoing support through the STS awhi programme as well support to attend STS events likes Big Screen Symposium.

Location: Various centres (tbc) across New Zealand.


Check out the other initiatives supported by Screenrights here: https://www.screenrights.org/screenrights-announces-300k-funding-for-six-initiatives-supported-by-2025-cultural-fund/


Script Development Workshops for Deaf, Disabled and Neuro Diverse creatives is made possible through our partnership with the Screenrights Cultural Fund.


Script to Screen in association with Foundation North presents a 1-day adult workshop covering scriptwriting for screen in WhangāreiWe look forward to facilitating the opportunity for local Northland screen story tellers to work with renowned writer, director and author, Michael Bennett (The Gone, In Dark Places), after a successful Kerikeri workshop last year.  

The morning will be spent delving into character, story structure, key moments and writing fundamentals and then in the afternoon you will develop your own original story idea and write a scene. 

Not to be missed, this is a practical and interactive workshop that will help you find the momentum you need to initiate a screen story or move your project forward.  

If you’re a new or emerging filmmaker or a local creative wanting to reinvigorate a screen idea or explore writing for film and television, this workshop is for you. 


When and where:
Sunday 21st September
9am – 5pm 

ONEONE SIX
116A Bank Street, Whangārei 0110
Venue is wheelchair accessible 

Cost:
$25 including GST and booking fee. Tickets via humanitix
Morning tea and afternoon tea provided, BYO lunch 

Workshop Prep:
Before Sunday if you get the chance it may be beneficial to watch a few episodes of Michael Bennett’s recent work, The Gone (here) Free on TVNZ+.
 

What to bring: 

We do not advise participants to take notes on phones. 


ABOUT PROGRAMME MENTORS 

MICHAEL BENNET

Michael Bennett
(Ngāti Pikiao, Ngāti Whakaue) is a screenwriter, filmmaker and author. Michael’s short films and feature films have screened and won awards internationally, including Cannes, Toronto, Berlin, Locarno, New York, London, ImagiNative and Dreamspeakers. He is the 2020 recipient of the Te Aupounamu Māori Screen Excellence Award, awarded by the NZ Film Commission for excellence in Māori filmmaking. Michael devoted many years of his recent career to the fight for justice for Teina Pora, a young Māori man wrongly imprisoned for 21 years. Michael made the documentary The Confessions of Prisoner T, which lead to the discovery of evidence pivotal to Teina’s exoneration. Michael directed and co-wrote the TV feature film In Dark Places about Teina’s case, which was finalist for a record 11 awards in the NZ Television Awards, winning Best Film and Best Director. Michael has been head writer or showrunner for many dozens of hours of prime-time television drama including The Gone (NZ / Ireland crime thriller), Vegas (crime thriller), Te Kohu (supernatural drama), and Mataku (the Māori Twilight Zone). Michael’s debut novel Better The Blood, a crime thriller, was published in 2022 in the UK, USA, Australia and NZ, with nine international translations. Better The Blood was a finalist for the fiction prize at the 2023 New Zealand literary awards (The Ockhams) and won Best First Novel at the Ngaio Marsh Awards. Michael is currently adapting his novel for television, and his second novel, Return To Blood, is in bookstores now.


This workshop is made possible thanks to generous support from Foundation North, Whangarei District Creative Communities Scheme and White Studios. 

           


We are also running a Youth school holiday workshop. Check it out using the link below.


  • NEWS
  • Development Programmes
  • Talks
  • Workshops
  • Tutorials
  • Script Development Service
  • JOIN
  • Big Screen Symposium