Spend a day with Pip Hall (One Lane Bridge, Jonah, Why Does Love?) as she guides participants through her process when developing story ideas for TV series.
Throughout the day Pip will look at character and character function, theme and story engine as well as constructing an outstanding pilot script and pitch document. This workshop will be craft based and combines practical elements, presented content, group work, discussion and case studies.
Promising to be both interactive and engaging, this is a terrific opportunity to spend a day focusing on your craft as a writer. You’ll be working on your ideas as well as taking notes, so bring your notepad or preferred writing device.
When: 9am – 5pm, Saturday 4th November 2023
Where:H D Skinner Annex, 361 Great King Street North, North Dunedin, Dunedin 9016. The room for the workshop is upstairs.
Wheelchair access is available. If you require special assistance, please let us know.
Cost: General Admission $30 (incl. GST & Booking Fee) via Humanitix.
Who is it for? Anyone 17+ currently working on a story idea for the screen. This workshop would be particularly beneficial for those writing for TV Series and will be a mix of teaching and writing exercises.
What to bring? Please bring a new or existing idea to work on. Also a notebook & pen or note-taking device, a water bottle and your lunch. Script to Screen will provide snacks, tea and coffee. There are café’s in the area if you prefer to buy your lunch.
Travel Grants Available for residents of Otago and Southland: Film Otago Southland will provide up to 5 travel grants of up to $100 each for participants who reside outside of the Dunedin City Council boundaries and have their permanent residence in the Otago or Southland region. The grants are allocated on a first-in basis. Please get in touch with Film Otago Southland Coordinator Stefan Roesch via email to secure your travel grant: stefan.roesch@dcc.govt.nz
ABOUT PIP HALL
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Pip Hall is an award-winning scriptwriter and playwright. She works extensively in television as a creator, writer, developer, story liner, script consultant and executive producer. She has written over forty million dollars’ worth of content including three series of One Lane Bridge, Why Does Love, Runaway Millionairesand The Brokenwood Mysteries.
“I love telling stories because I want to share the human condition, so that we know we are not alone in this big, crazy world; so we can celebrate our similarities and our differences.” – Pip Hall
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Spend a day with James Napier Robertson (The Dark Horse, Whina) as he guides participants through his approach to screenwriting and developing story ideas for film.
Throughout the day James will look at what makes a great story, discuss the stages of development, the fundamentals of character creation and connecting character to story. He’ll also explore structure and how this can continue to take shape throughout development and how all these elements combine and contribute to ‘the larger truth’ of your story. James will also devote some time to talk about career progression and approaches to developing your own work.
Promising to be both interactive and engaging, this is a terrific opportunity to spend a day focusing on your craft as a writer. Bring a notebook or device and be ready to take notes.
Who is it for: Anyone 17+ with a story idea they want to develop into a film script.
When: Saturday 21st October, 9am – 5pm
Where: Grey Lynn Library Hall, 474 Great North Road, Grey Lynn, Auckland 1021
Wheelchair access is available. If you require special assistance, please let us know.
Cost: General Admission $28.00 (incl. GST) via Humanitix.
What to bring: Notebook & pen or note-taking device, water bottle and lunch. Snacks, tea and coffee will be provided. 1hr lunch break – cafes within walking distance.
Parking: Limited parking is available, allow adequate time to find a park; using public transport is recommended.
Post Workshop: After the workshop, you are invited to relocate (location TBC) to socialise. Snacks are provided by Script to Screen, and buy your own drinks.
ABOUT JAMES NAPIER ROBERTSON
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James Napier Robertson is a New Zealand filmmaker. His 2014 film The Dark Horse was nominated for over 50 awards around the world and won over 30, Variety stating it “exceptional…the most deserving cinematic export to emerge from New Zealand in years” and the RNZ Film Review declaring it “one of the greatest New Zealand films ever made.” The Dark Horse won Best Picture, Best Director, Best Screenplay, Best Actor, Best Supporting Actor and Best Score at the 2014 New Zealand Film Awards. It was released theatrically in the United States in 2016, where it was presented by James Cameron, and in late 2016 was formally screened at the White House for then-President Barack Obama and First Lady Michelle Obama. In 2018, Napier Robertson wrote and directed two episodes of Australian mini-series Romper Stomper, which won Most Outstanding Miniseries at the 2018 Logie Awards. In 2019 he worked on BBC mini-series The Luminaries, and in 2020 worked on Dame Whina Cooper biopic, Whina. His latest film, Joika, a ballet drama set in Russia starring Talia Ryder and Diane Kruger, premiered as the Closing Film for the prestigious Festival du cinéma Américain de Deauville in France and is set to be released in theatres globally in early 2024. |
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Whether you’re new to filmmaking or have worked in the industry for a while and aspire to tell your stories on the screen, this workshop will guide you in your next steps.
Fresh from the release of Far North, David White will be visiting Queenstown for this one-off workshop in September. Learn how to take your film idea through development, from a 1-pager to a dynamic and compelling script. David will draw on his experience, sharing and discussing how one of his projects went from the initial idea, was then developed into a short film, and subsequently reworked into a feature. He will also discuss the importance of collaboration and how to attract the right creative and producing partners to your project.
Come along to progress your feature or short film project. The passion that drives you to create will be invigorated, and you will leave with new knowledge and ideas to further develop your stories.
Testimony David White Workshop 2021
“His advice and insights were so practical and specific and spoke to the way the industry operates beyond just what works on the page and how to transfer it to the screen. I feel better equipped to approach my work.”
“Unique insight into the filmmaking process.”
Who is it for:
Anyone interested in developing their short or feature film project
When & Where:
Saturday 16th September 2023
9:00am – 5:00pm – Workshop
Puawai at Te Atamira
Building 11, Dart House, Remarkables Park Town Centre 12 Hawthorne Drive, Frankton, Queenstown 9300
Wheelchair Access is available. If you require special assistance, please let us know.
Cost: General Admission $25 (incl. GST) via Humantix
What to Bring: Please bring a pen, paper. Snacks, tea and coffee will be provided. Please bring your own lunch.
ABOUT DAVID WHITE
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David White – Director, Producer, Writer.
David White has produced and directed a substantial body of documentary and drama work that has enjoyed considerable national and international success, among them Meat, Shihad: Beautiful Machine, I Kill, Little Criminals, The Cleanest Pig and This Town. His work has screened at over 50 film festivals including Sundance, AFI, SXSW, SilverDocs, Tribeca, MIFF, TRUE/FALSE, Clermont Ferrand and has been commissioned and screened on networks such as BBC, Paramount +, Sky, Sundance Now, TVNZ and PRIME TV. He was the first New Zealander to be shortlisted for a Cinema Eye Honor (documentary) for his film I Kill. His documentary Little Criminals (2015) aired on PRIME TV to strong ratings and critical acclaim along with of Decades In Colour (2017 – PRIME TV) for Greenstone. Meat(2017) Executive Produced by Phil Fairclough (Grizzly Man / Cave of Forgotten Dreams) opened to 4 star reviews and sell out audiences throughout NZ and was released on multiple NZME platforms. MEAT is sold by MPI Media Group and has sold globally. He has just a 6part True Crime mini series – Far North, which he created, wrote, directed and is an Executive Producer. Staring Robyn Malcolm and Temerua Morrison, it has already sold to New Zealand, Australia and North America. Rest of World Sales will be handled by All3Media. |
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Script to Screen presents a free four-day film workshop in the July school holidays for 14 – 20 year olds.
This is an outstanding opportunity for young people to develop skills and learn about the fundamentals of crafting a story idea, writing a script, acting for camera and directing. The aim of the workshop is to foster writing talent and encourage aspiring young filmmakers in Northland. No experience or prior knowledge of filmmaking is necessary.
The programme will be taught by: Michael Bennett (Screenwriting), Laurel Devenie and Jamie Irvine (Storytelling and Acting).
When and where:
Tuesday 4th July – Friday 7th July
9am – 2:30pm each day
OneOneSix, 116A Bank Street Whangārei 0110
Programme Structure:
Day 1 – Story Telling and Acting
Day 2 – Screenwriting principles and developing a story idea
Day 3 – Writing a scene
Day 4 – Taping the scenes, debrief and discussion.
Cost: The workshop is free, but please register via EventBrite as spaces are limited.
Morning Tea, Lunch and Afternoon Tea are provided. However, if you have special dietary requirements (allergies, gluten free, dairy free, keto, paleo, etc) please bring food with you.
ABOUT PROGRAMME MENTORS
MICHAEL BENNET
Michael Bennett (Ngāti Pikiao, Ngāti Whakaue) is a screenwriter, director and author.
Michael’s short films and feature films have screened and won awards internationally, including Cannes, Toronto, Berlin, Locarno, New York and London. He is the 2020 recipient of the Te Aupounamu Māori Screen Excellence Award, awarded by the NZ Film Commission for excellence in Māori filmmaking.
LAUREL DEVENIE
Laurel Devenie is Whangārei based theatre practitioner who works as an actor, director, teacher, and producer. She is co-founder of ONEONESIX and The Whangārei Fringe Festival and works in a creative director role at ONEONESIX. She is a graduate of Toi Whakaari and The John Bolton Theatre School. She has been involved in both professional and community projects all over the country and has worked with South Pacific Pictures, ATC, Silo Theatre, Capital E, Unitec, Prayas, Downstage Theatre, Red Leap, Northland Youth Theatre and Script to Screen. Laurel is the Director of Whangārei based theatre collective, Company of Giants and has led many devised theatre projects including Odyssey, The Owl and the Pussycat and Rangitahua. She has facilitated arts-based programmes to work with different sectors of the community and is curious about spaces where arts practice can be used to invite new ways of engaging within communities and organisations.
JAMIE IRVINE
Jamie Irvine joined Script to Screen in January 2023. He has worked in film and television since 1998 as an Actor, Director, Acting Coach and Script advisor. After leaving New Zealand to study in 2003, Jamie spent several years engaged in freelance work overseas in both Sydney and Los Angeles and during that time he worked as an Acting Coach at NIDA, Actors Centre Australia, Theatre of Arts Hollywood and various other organisations.
This workshop is made possible thanks to generous support from Foundation North and White Studios.
How does an idea become a story, and a story become a series?
This one-day workshop digs into those all-important first steps that take you from the very beginnings of an idea to having a developed project you can use to attract collaborators, platforms and funders. This journey takes longer than a day, but this one-day workshop will take you through those first steps and help you plan your next moves. Empowerment starts here!
Participants will create new projects from scratch developing original ideas in the room, interrogate successful shows and analyse why they work, and learn about the essential materials you need to sell a project.
The workshop is pitched at the developing writer – if you have ideas you would like to turn into a series drama, this day is for you. Bring a notebook and pen, an original idea – a few lines is fine – and your creative energy.
We are excited to finally bring this workshop to Wellington – thank you One Foundation.
“Fiona runs a fantastic workshop. She demystifies the world of writing for the screen in a clear, concise and approachable way, where everyone has a story to tell.”
“Absolutely Blimmen Brilliant!”
“Exemplary and valuable in every respect”
– 2022 Christchurch and Queenstown Creating Series Drama Workshop Participants
Who is it for:
Anyone interested in developing a series idea for the screen
When & Where:
Saturday, 13th May 2023
9:00am – 5:00pm
Drama 2, Te Whaea National Dance & Drama Centre, 11 Hutchison Road, Newton, Wellington
Cost: General Admission $25 (incl. GST) via EventBrite
What to Bring: Please bring a pen, paper and your own lunch (there are also cafes in the area)
ABOUT FIONA SAMUEL |
Fiona Samuel is an award-winning writer and director for television, theatre, radio and film and an esteemed writing teacher and mentor. In her career she has created a body of work that centres female experience, starting with her ground-breaking television drama series The Marching Girls and continuing with an acclaimed trilogy of telemovies Piece of My Heart, Bliss, and Consent – The Louise Nicholas Story.
Alongside this work, Fiona is also a teacher, mentor and script consultant, teaching the Masters in Creative Writing at the International Institute of Modern Letters at Victoria University of Wellington and working with directing students at the South Seas Film & Television School in Auckland. Fiona is an NZ Arts Foundation Laureate, a MNZM for services to television and theatre and the Co-President of the NZ Writers Guild. |
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Join three creative producers working alongside international collaborators, to produce and share New Zealand screen stories for children here at home, and far and wide.
Fiona Copland, Hana Miller, and Nic Marshall will sit in conversation, sharing their unique pathways within the children’s screen environment. They will offer up their recent international experiences pitching, developing, producing, distributing, and championing Aotearoa-grounded screen stories within a wider global children’s media context.
Hana attended Kidscreen Summit 2023, Nic is just home from the New York International Children’s Festival where she sits on the board of advisors, and Fiona’s stop motion animation series, Kiri and Lou, is now on Nickelodeon USA adding another territory to its kete.
It all starts with a great idea, but how do you make that happen? The discussion will cover the process of gathering supporters, becoming a trusted collaborator, and staying true to your creative vision as the deals are negotiated.
Come along to hear about international trends in children’s screen stories, and to meet up with other screen creatives in Pōneke.
Wednesday 5 April 2023
6:30 – 7:30pm – TALK
7:30 – 8:30pm – Cash bar, socialising and pizza
Tapere Iti, Te Auaha NZ institute of creativity, 65 Dixon St, Te Aro, Wellington
After the TALK, stay and have pizza on Script to Screen, there will be a cash bar and socialising with fellow filmmakers.
$5.75 (incl. GST) for sales via EventBrite to secure your seat.
$5.00 cash at the door.
FIONA COPLAND
Fiona is the producer of BAFTA nominated stop motion pre-school series Kiri and Lou, with writer/director Harry Sinclair, co-songwriter Don McGlashan and animation director Antony Elworthy. Now in its 4th series, Kiri and Lou has won critical acclaim and screens in many territories around the world. Fiona has previously produced a number of feature films, documentaries, documentary series, and factual series. Much of her work has screened internationally as well as in New Zealand.
HANA MILLER
NIC MARSHALL
Script to Screen TALKS are made possible thanks to generous support from New Zealand Film Commission, Te Auaha NZ Institute of Creativity and White Studios.
“Absolutely Blimmen Brilliant!”
“Exemplary and valuable in every respect”
– 2022 Queenstown Creating Series Drama Workshop Participants
How does an idea become a story, and how does a story become a series?
This one-day workshop digs into those all-important first steps that take you from the very beginnings of an idea to having a developed project you can use to attract collaborators, platforms and funders.
During this practical hands-on day, workshop participants will create new projects from scratch, interrogate successful shows & analyse why they work, bring original ideas to develop in the room, and learn about the essential materials you need to sell a project and how to create them.
The workshop is pitched at the developing writer – if you have ideas you would like to turn into a series drama, this day is for you. Bring a notebook & pen, an original idea – a few lines is fine – and your creative energy.
When & Where:
Saturday, 5th November 2022
9:00am – 5:00pm
Ara Institute of Canterbury, NZ Broadcasting School (TV Building)
33 Southwark Street (Cnr Madras and Southwark), Christchurch.
Cost: General Admission $23 (incl. GST) via EventBrite
What to Bring: Please bring a pen, paper and your own lunch (there are also cafes in the area).
About Fiona Samuel
Fiona Samuel is an award-winning writer and director for television, theatre, radio and film and an esteemed writing teacher and mentor. In her career she has created a body of work that centres female experience, starting with her ground-breaking television drama series The Marching Girls and continuing with an acclaimed trilogy of telemovies Piece of My Heart, Bliss, and Consent – The Louise Nicholas Story.
Alongside this work, Fiona is also a teacher, mentor and script consultant, teaching the Masters in Creative Writing at the International Institute of Modern Letters at Victoria University of Wellington and working with directing students at the South Seas Film & Television School in Auckland. Fiona is an NZ Arts Foundation Laureate, a MNZM for services to television and theatre and the Co-President of the NZ Writers Guild.
This workshop is made possible thanks to generous support from Screen CanterburyNZ, Creative Communities Scheme, and our venue sponsor Ara – New Zealand Broadcasting School.
Raising production finance for your series demands great imagination, inventiveness and resilience. Although it can seem so unreachable, financing your series and reaching your audience in New Zealand and overseas, is possible.
There is an increase in the number of international co-productions in place to finance series that are conceived in New Zealand, and an increase in commissions from broadcasters / platforms / distributors as well.
To help demystify the process Executive Producer Richard Fletcher of Libertine Pictures will present a case study on the financing of three seasons (29 episodes) of Mystic. In the telling of this financing story you will learn how a NZ production company created an international series and how the parties involved contributed to the development, financing, along with false starts, alliance changes, and conditions that came with the money. The case study will cover the unofficial co-production with UK production company Slim Film + Television, bringing on an international distributor, and the broadcasting arrangements in NZ, Australia and the UK. Plus a candid look at the behind the scenes challenges and obstacles in getting the series into production.
This Deep Dive Workshop is a rare opportunity to hear about the pieces of the puzzle that came together to get Mystic into production and on screens around the world. Come along and be inspired by how you might do it too.
About Mystic
Mystic is a co-commission by UK children’s BBC channel, CBBC and TVNZ with investment from NZ On Air and Te Puna Kairangi (Series 2 and 3) with financing from Fulcrum Media Finance and is coproduced by Libertine Pictures and Slim Film + Television. The series is distributed by Daro Film Distribution and has sold to over 65 territories worldwide, including North America, Germany and France and to broadcasters including, ABC, ZDF, Canal +, Netflix and Disney +. It is based on New Zealand author Stacy Gregg’s internationally bestselling book series Pony Club Secrets with a combination of NZ and UK writers and was entirely shot and post-produced in New Zealand.
When: 9:30am-12:30pm Tuesday 18 October, with a 30min morning tea break
Where: Covert Theatre, 51 Mackelvie Street, Grey Lynn, Auckland
Who it is for: Mid-career and experienced practitioners who write, produce and direct projects
Cost: General Admission $80.00 (incl. GST)
ABOUT RICHARD FLETCHER
Richard has more than 20 years’ experience in international film and television production. He has produced and executive produced a range of feature films, documentaries and TV series, including Under the Vines, Mystic, We Are Still Here, Muru, Gloriavale, Griff’s Canadian Adventure, The Letter for the King, Rhys Darby: Big in Japan, The Legend of Baron To’a, Griff’s Great Kiwi Road Trip, Daffodils, Yellow is Forbidden, Belief: the Possession of Janet Moses, Wild Survivor, Walking with Dinosaurs 3D, The Last Ocean, Boy, Under the Mountain and River Queen. His productions have played at major international festivals including Berlin, Busan, Melbourne, Shanghai, Sundance, SXSW, Toronto and Tribeca film festivals and he has worked with a range of partners including the ABC, BBC, Disney, ITV, National Geographic, Netflix, Network Ten, Sky, TVNZ and Twentieth Century Fox.
Richard previously worked at the New Zealand Film Commission as Head of Business Affairs and in distribution in Australia for Beyond Films and in the UK for the Feature Film Company.
He has extensive domestic and international relationships across all sectors of the screen production industry. He has practical experience of film and television drama and factual production, financing and distribution in multiple jurisdictions. In addition, Richard has considerable experience in successfully managing the requirements of government funders, private investors and distributors.
For more information about Richard’s background and experience, visit his page at www.nzonscreen.com
Calling all aspiring filmmakers, storytellers and creatives! Want to learn how to use the power of cinema to tell your stories?
The 2022 South Auckland Short Film Workshop is a two-day workshop about how to turn an idea into a short film. Whether you’re new to filmmaking or have some experience, we are calling everyone who aspires to tell their stories on the screen to come and learn what it takes to bring your story to life.
Over one weekend you will be guided by experienced filmmakers about the principles of how to write a short film, the role of the director, what it takes to get your short film off the ground, and making a good pitch to funders and collaborators. Speakers include Marina Alofagia McCartney (Milk & Honey, Vai), Bala Murali Shingade (Perianayaki, 800 Lunches), Shreya Gejji (Kāinga, Perianayaki) and Nikki Si’ulepa (Same But Different, Mā, Snow in Paradise). The pitching panel will be made up of Michael Bennett (Beyond the Veil, In Dark Places), Marina Alofagia McCartney and Nikki Si’ulepa.
This workshop is intended for people who either live in South Auckland or have a connection with the area.
Who it is for: New and emerging creatives from any industry or background with a connection to the South Auckland community who have an interest in short filmmaking.
When: Sat 1st Oct and Sun 2nd Oct, 2022 (9am-5pm each day)
Where: Māngere Arts Centre – Ngā Tohu o Uenuku, Theatre. Free parking available.
Cost: General Admission $10 plus fees. Tickets via Eventbrite.
What to Bring: Pen and paper. Coffee, tea and snacks provided. You can bring lunch with you or there is a café in the building, and many places to buy lunch in the immediate vicinity.
Participants from this workshop can apply for Script to Screen’s South Shorts 2023 Mentorship Programme. Read more about South Shorts here.
9am – Welcome
9:30am – Introduction to Screenwriting with writer Marina Alofagia McCartney
12pm – Lunch
1pm – How to pitch your story with Marina Alofagia McCartney
2pm – Break
2:30pm – Case Study: Making award-winning short film Perianayaki with writer/producer Shreya Gejji and director Bala Murali Shingade
4:30pm – End
9am – Low-budget filmmaking – Get out and make it! with writer/director/actor Nikki Si’ulepa
11am – Break
11:30am – Pitching! Deliver a short verbal pitch of your short film concept to the panel for some feedback – panellists are writer/director Michael Bennett, writer Marina Alofagia McCartney and writer/director/actor Nikki Si’ulepa
12:30pm – Lunch
1:15pm – Pitching continues…
5pm – End
Marina Alofagia McCartney (Pitonu’ū, Satupa’itea and Vailoa, Palauli – Savai’i, Samoa / Newcastle –England / Romani – England) is an award-winning filmmaker and scholar with films featured in numerous festivals, including Palm Springs, NZIFF, ImagineNATIVE, Hawai’i International Film Festival. Her last film Vai, an award-winning portmanteau feature made with 9 Moana Pasifika women, opened the NATIVe section at the 2019 Berlinale, and screened at festivals including SXSW, Edinburgh Film Festival, Melbourne International Film Festival. Marina is a PhD candidate exploring Moana Pasifika film, a proud Mum and developing several creative projects including her next feature and her NZFC Catalyst short, The Return.
Nikki Si’ulepa is an Aotearoa-born Samoan with German and Chinese ancestry from the villages of Sātalo, Falealili and Solāua. She’s an actor, writer, director, camera operator, screen tutor, and founding Pacific Islands Screen Artists Komiti member (PISA, est. 2020). She’s worked in the New Zealand screen industry since her debut acting role in Whole of the Moon in 1995 where she won two best actress awards. Her films have also won awards and nominations and have screened at international film festivals including Berlinale, Tribeca, Sydney, Melbourne, FIFO, Queerscreen, NZIFF, Hollyshorts, and imagineNATIVE.
In 2021, Nikki created ScreenFit classes for writers, directors and actors of various skills, backgrounds and experiences to come together and work scenes to stay ‘screen fit’. Nikki has taught acting for screen and facilitated workshops on writing and filmmaking at South Shorts, The Actors Program, Excel Performing Arts, Actors Lab Studio, and various PISA events. Nikki can be seen on Canadian and New Zealand television screens in South Pacific Pictures’ thriller, The Sounds, in Roseanne Liang’s (Shadow in the Cloud) post-apocalyptic comedy drama, Creamerie, and guest stars opposite Kiwi Xena icon, Lucy Lawless in My Life is Murder. Nikki’s currently writing and developing a new slate of films and series’.
Nikki loves arthouse films, vegan ice cream, fun film festivals, and short walks on the beach
Bala Murali Shingade is a writer, director and actor for screen and theatre based in Tāmaki Makaurau. In 2019, he wrote and directed 800 Lunches, a short film funded by the Outlook for Someday as part of Someday Stories Series 3. His second short film, Perianayaki, was funded by Script to Screen and NZFC’s Fresh Shorts program. Perianayaki premiered at the New Zealand International Film Festival 2022, where it received the NZ’s Best Short Film award, the Audience Choice award and the Emerging Talent award.
Bala has also written and directed theatre and has worked as an actor in various screen and stage productions. In 2020, Bala was one of six recipients of the Arts Foundation’s Springboard award.
Shreya Gejji is a Kiwi-Indian screenwriter and producer. She has worked in various production roles for television and web content. Dubai Dreams, her first feature screenplay, was a finalist at the Screen Writers Awards New Zealand in 2015.
Perianayaki, Shreya’s first short film as writer and producer, was awarded NZ’s Best Short Film at the New Zealand International Film Festival in 2022. She is one of the writers on Kāinga, the third film in the Waru and Vai trilogy produced by BSAG Productions. Shreya is in early pre-production for her directorial debut short film Night Visions scheduled to shoot in 2023. She is also a co-producer of a funded feature television documentary about the New Zealand Kabaddi team.
Shreya is in the third year of her PhD with Creative Practice at the University of Auckland, currently writing the first draft of an ensemble feature screenplay.
Script to Screen, in partnership with Northland Youth Theatre, presents a free four-day film workshop in the October school holidays for 14 – 22 year olds.
The workshop helps young participants to develop skills in crafting a story idea, writing a script and acting. The aim of the workshop is to foster writing talent and encourage aspiring filmmakers. No experience or prior knowledge of filmmaking is necessary.
The programme will be taught by actor and Director of West Coast Youth Theatre, Holly Shanahan (Power Rangers Jungle Fury).
When and where:
Tuesday 11 October – Friday 14 October 2022
9am – 2:30pm each day
Northland Youth Theatre, 197 Lower Dent Street, Whangārei 0110
Programme Structure:
Day 1 – Participants learn how to find a story they want to tell and how to craft a narrative that is compelling on screen.
Day 2 – Participants develop their own film concept and write a scene for their film.
Day 3 – Holly leads exercises in acting for the screen. Using what was written on day two, participants act in scenes written by other group members, guided by Holly.
Day 4 – We will tape the scenes, watch them as a group and discuss what was learned.
Cost: The workshop is free but please register via EventBrite as spaces are limited.
Morning Tea, Lunch and Afternoon Tea are provided. However, if you have special dietary requirements (allergies, gluten free, dairy free, keto, paleo, etc) please bring food with you.