Launching: Deep Dive Workshops

Script to Screen introduces Deep Dive Workshops. These workshops are for mid-career and experienced screen practitioners to extend and build on what you already know so you can continue to make powerful stories for the screen. They will be smaller sessions with limited tickets available. Here are the details for our first one.


Finding, proving and valuing your next creative project with David Court
9am-12pm Tuesday 28 June, Auckland

 

Arguably there is no more important creative decision than what you choose to work on next – and not just work on, but invest in, pitch to others, and leapfrog all the other ideas you could be working on too. In this Deep Dive, Compton School founder Dr David Court shares what he knows about finding, proving and valuing your next creative project.

This masterclass will stretch your thinking on a subject that will resonate with many of you.

David is travelling to Auckland to deliver this workshop for Script to Screen. Morning tea will be provided.

When: 9am-12pm Tuesday 28 June, with a 30min morning tea break
Where: Covert Theatre, 51 Mackelvie Street, Grey Lynn, Auckland
Who it is for: Mid-career and experienced practitioners who write, produce and direct projects
Cost: General Admission $80.00 (incl. GST) via Eventbrite.
COVID Note: Orange settings. The venue size allows for this small group to be spaced out. Masks welcome.

 

 


ABOUT DAVID COURT

David Court is the Founder of Compton School, Australia’s first business school for creative people. He is also Chairman of Screen Canberra and a Director of the Sydney Children’s Hospitals Foundation. David was formerly Head of Screen Business at the Australian Film Television & Radio School where he developed Australia’s first screen business qualification. David has been involved in the financing of more than a dozen film and television productions including John Weiley’s Antarctica, Baz Luhrmann’s Strictly Ballroom, Dean Cavell’s The Wiggles Movie, Jerzy Domaradski’s Lilian’s Story, Robert Connolly’s The Bank, Andrew Horne’s The Animated Leunig and Don Featherstone’s The One Percenters. David was founding editor of the highly regarded industry newsletter Entertainment Business Review. As author of Film Assistance: Future Options (Allen & Unwin, 1986), he was the policy architect of the Film Finance Corporation, established by the Australian Government in 1988. The FFC invested more than $1 billion in Australian film and television productions during the next 20 years. In 2010, with Sir Peter Jackson, David undertook a review of the New Zealand Film Commission for the NZ Government. He holds a PhD from the Crawford School of Public Policy at the Australian National University.


This workshop is made possible thanks to generous support from
New Zealand Film Commission

“FilmUp is the kick up the pants you need to fall in love with that project you know you’ve been sitting with for far too long.

Chris Parker,
FilmUp 2021/22 participant (mentor Jackie Van Beek)

The FilmUp Mentorship programme returns for its tenth year to support and empower eight tenacious and talented filmmakers to reach the next stage in their creative careers. If you are developing a feature film or documentary this programme could be just what you need to progress your work to the next stage.

A mentor for each filmmaker forms the cornerstone of the programme, along with six FilmUp Hub days when the participants come together for group work.

Applicants must have a feature project in development, and be able to demonstrate that their project and career are at the right stage for mentorship.

Successful applicants will take part in 20 hours of mentorship with an experienced film practitioner over an six-month period and six FilmUp hubs spread between September 2022 and March 2023. These hubs are tailored to meet the needs of the selected filmmakers and include workshops, peer discussions and round tables with industry leaders.

Participants are the driving force of a successful mentorship as they take hold of their own learning and development. This autonomy is fostered from the start of the programme when participants are actively involved in the selection of their mentor. Throughout the programme there is wrap-around support from Script to Screen.

Since its inception in 2013, FilmUp has gone from strength to strength, with a growing alumni of talented local filmmakers who have benefitted from the programme including Briar March (Mothers of the Revolution, The Coffin Club, There Once Was An Island: Te Henua A Nnoho)Chelsea Winstanley ( Jojo Rabbit, MERATA: How Mum Decolonised the Screen, Reo Lion King, What We Do in the Shadows)Desray Armstrong (Coming Home in the Dark, Juniper, Millie Lies Low, Stray), Florian Habicht (James & Isey, Spookers, Love Story)Gaysorn Thavat (The Justice of Bunny King)Jake Mahaffy (Free in Deed)Nic Gorman (Human Traces)Sophie Henderson (Baby Done, Fantail) and Stallone Vaiaoga-Ioasa (Mama’s Music BoxTake Home Pay, Three Wise Cousins). You can read about other participants and an impressive list of mentors who have helped these filmmakers take a step up in their careers here.


To apply you need to be working on a feature film or documentary. Here’s what’s required for the application:

APPLICATIONS CLOSE: Mon 27 June, 11:59pm

Make sure you read our Top Tips to make your FilmUp application shine while crafting your application.


FilmUp is made possible thanks to financial support from the New Zealand Film Commission.

Wed 27 April
5:30pm – 6:30pm NZDT – TALK
Live on Zoom Webinar

Join us for a TALK with Rachel Okine, Head of Features and Development Executive at Stan – Australia’s leading local streaming service and creator of original productions.

Rachel will talk with NZ producer Fraser Brown about the breadth of Stan’s slate, what projects they are looking for, how they fit into the financing eco-system and what kinds of partnerships work well with their model.

This is a chance to learn how and when to approach the platform in an efficient way, how their commissioning process works and classic mistakes you should avoid. Producers of all levels, as well as writers and directors developing series and features, will find this webinar useful.

The Stan Originals slate includes the hit series Wolf Like Me, starring Isla Fisher and Josh Gad; The Tourist, starring Jamie Dornan and Danielle Macdonald; Gold, starring Zac Efron; Nitram, directed by Justin Kurzel, starring Caleb Landry Jones, Essie Davis, Judy Davis and Anthony LaPaglia; Bump series 1 & 2, starring Claudia Karvan; RuPaul’s Drag Race Down Under, and many other acclaimed original series and films.

Don’t miss out on this opportunity to hear directly from the Development Executive at Australian streaming platform Stan.

Register for free in advance to secure a spot and to receive the link for the talk. There will be a Q&A at the end of the discussion, questions can be submitted to the moderator when registering or during the discussion.


ABOUT THE PANEL


Rachel Okine

Rachel Okine is the Head of Features & Development Executive for Stan, Australia’s leading national streaming service. After starting her career in acquisitions at FilmFour, Rachel was the first employee of Hopscotch, later becoming the Acquisitions Executive for eOne ANZ and Head of Development for Hopscotch Features. Rachel moved back to Europe in 2015 to become Paris-based VP of International Production and Acquisitions for Studiocanal; and was subsequently appointed VP of International Acquisitions for STX. Returning to Australia in 2020, Rachel was appointed Managing Director of Academy Award-nominated production company Aquarius Films to strategically lead its film and TV operations.

Fraser Brown

Fraser combines a rare blend of creative, business and leadership expertise in his work as a creative producer, co-founder and Creative Director of FluroBlack.
Fraser started his career, more than 20 years ago, as a professional actor working extensively in film, television and theatre. His evolution into creative producer started with award-winning short, Dead Letters (Telluride Film Festival, 2006). Since then he has produced or executive produced nine international feature documentaries, two scripted features, a major international television series and an edgy, award-winning web series.
Continue reading Fraser’s bio here 


This Script to Screen TALK is made possible thanks to generous support from the
New Zealand Film CommissionFoundation North and Images & Sound.
                         

 

Script to Screen welcomes BAFTA and AWGIE winning screenwriter Anthony Mullins to Aotearoa.

Join us as Anthony discusses screenwriting and how writers can explore and excel in telling more complex, intricate, authentic stories. Anthony challenges the conventions of story structure and character arcs, expanding your possibilities as a storyteller.

This is a fantastic opportunity to hear from one of Australia’s leading screenwriters, and author of the book Beyond the Hero’s Journey: Crafting Powerful and Original Character Arcs for the Screen.

Essential for anyone interested in writing scripts for film and TV series, this TALK will take place in both Wellington and Auckland in early May.


ABOUT ANTHONY MULLINS

Anthony is a BAFTA and AWGIE award winning screenwriter, director and script producer. The projects Anthony has written and directed have won numerous international awards including a Primetime Emmy, an International Digital Emmy, two BAFTAs and five Australian Writer’s Guild awards. One of Anthony’s first short films (STOP, 2000) was nominated for the Palme d’Or for short films at the Cannes Film Festival. One of Anthony’s first TV assignments was writing and directing two spin-off web series for the hit US television series LOST, one of which won a Primetime Emmy Award for Best Interactive Television (Dharma Wants You, 2009). In 2022, Anthony’s play, The Norman Mailer Anecdote was a finalist in the Queensland Premier’s Drama Awards. His book Beyond the Hero’s Journey is based in part on his doctorate and was released by New South Publishing (UNSW) in 2021. It has so far been released in Australia, the UK, the United States and will be released in China in 2023.


 

AUCKLAND TALK
Wednesday 3 May 2023

6:30 – 7:30pm  TALK
7:30 – 8:30pm – Cash bar, socialising and pizza
Capitol Cinema, 610 Dominion Road, Balmoral, Auckland

After the TALK, stay and have pizza on Script to Screen. There will be a cash bar and socialising with fellow filmmakers.

$5.75 (incl. GST) for sales via EventBrite to secure your seat


Script to Screen TALKS are made possible thanks to generous support from
New Zealand Film Commission, Foundation North, Te Auaha NZ Institute of Creativity, The Capitol Cinema and White Studios.

Script to Screen welcomes BAFTA and AWGIE winning screenwriter Anthony Mullins to Aotearoa.

Join us as Anthony discusses screenwriting and how writers can explore and excel in telling more complex, intricate, authentic stories. Anthony challenges the conventions of story structure and character arcs, expanding your possibilities as a storyteller.

This is a fantastic opportunity to hear from one of Australia’s leading screenwriters, and author of the book Beyond the Hero’s Journey: Crafting Powerful and Original Character Arcs for the Screen.

Essential for anyone interested in writing scripts for film and TV series, this TALK will take place in both Wellington and Auckland in early May.


ABOUT ANTHONY MULLINS

Anthony is a BAFTA and AWGIE award winning screenwriter, director and script producer. The projects Anthony has written and directed have won numerous international awards including a Primetime Emmy, an International Digital Emmy, two BAFTAs and five Australian Writer’s Guild awards. One of Anthony’s first short films (STOP, 2000) was nominated for the Palme d’Or for short films at the Cannes Film Festival. One of Anthony’s first TV assignments was writing and directing two spin-off web series for the hit US television series LOST, one of which won a Primetime Emmy Award for Best Interactive Television (Dharma Wants You, 2009). In 2022, Anthony’s play, The Norman Mailer Anecdote was a finalist in the Queensland Premier’s Drama Awards. His book Beyond the Hero’s Journey is based in part on his doctorate and was released by New South Publishing (UNSW) in 2021. It has so far been released in Australia, the UK, the United States and will be released in China in 2023.


WELLINGTON TALK
Tuesday 2 May 2023

6:30 – 7:30pm  TALK
7:30 – 8:30pm – Cash bar, socialising and pizza
Tapere Iti, Te Auaha NZ Institute of Creativity, 65 Dixon St, Te Aro, Wellington

After the TALK, stay and have pizza on Script to Screen. There will be a cash bar and socialising with fellow filmmakers.

$5.75 (incl. GST) for sales via EventBrite to secure your seat


Script to Screen TALKS are made possible thanks to generous support from
New Zealand Film CommissionTe Auaha NZ Institute of Creativity, The Capitol Cinema and White Studios.

You can now watch this STS TALK online about developing and making TVNZ’s dark comedy series Creamerie. Co-created by Roseanne Liang, Ally Xue, JJ Fong and Perlina Lau from Flat3 Productions and co-produced with Kevin & Co, Creamerie was released in 2021creating a big buzz locally. It went on to be picked up by US platform Hulu and won the prestigious Best Drama Series gong at the 2022 New Zealand Television Awards.

Creamerie is a six-part series set in a post-pandemic world where a contagious virus has decimated 99% of men, presciently conceived pre-COVID-19. Funded by NZ On Air in 2019, Creamerie was shot during the early phase of the pandemic when most of the global industry was locked down.

Co-creator and one of the lead actors in the series, Ally Xue (Flat3 Productions), and producer Bronywnn Bakker (Kevin & Co)  talk about how the concept came to life, the writer’s room, and interesting hurdles on its pathway to release, with moderator Marc Laureano

(more…)

“Programmes like South Shorts are crucial for the creative ecosystem. I can see a real place for my stories that perhaps I didn’t feel I was qualified or valued enough to tell prior. I imagine there are many others out there who know deep down they have stories worth sharing or creating but lack the support and safe space to share it with the world. South Shorts has been that support and safe space for me. I not only feel worthy to share my stories, I can actually see a pathway to making it happen.”
– Jaeman Busby, South Shorts 2021 participant

Applications for the 2022 South Shorts Mentorship Programme are open now.
The South Shorts Mentorship programme supports new and emerging screenwriters from the South Auckland community to develop their short film scripts. Participants are lead through focused script development over a six-month period under the guidance of experienced screenwriting mentor, Briar Grace-Smith. Participants leave the programme with at least one completed short film script and practical tools to develop their own work.

During this six-month programme, the participants will attend a series of one-day hubs and receive mentorship throughout. The hub days involve script read-throughs, writing exercises and hearing from guest speakers about their experiences making films. Each participant will also have individual online script sessions with their mentor between hub days.

This initiative is intended for people who either live in South Auckland or are connected to the South Auckland community – maybe you grew up there, have whānau there, have worked there for years or feel connected to the community in some way.

Applications open: Mon 18th October
Applications close: Monday 29th November, 5pm
Applicants notified of outcome: Monday 17th January 2022


To apply you will need to submit:

The South Shorts Mentorship Programme is made possible thanks to generous support from Foundation North with additional support from the New Zealand Film Commission.

                                   

We’re Looking forward to seeing you at the next Big Screen Symposium on Sat 9 and Sun 10 July 2022 at the ASB Waterfront Theatre, Auckland! Tickets are now on sale. Each ticket gives you access to two days of sessions with local and international speakers, morning tea, lunch, afternoon tea, and our much-loved networking drinks on the Friday night. Industry concessions apply to members of participating organisations.

The WIFT Awards will again be held at the same venue the night before on Fri 8 July to complement the event.

Subscribe to our mailing list here, and follow us on Facebook and Instagram to keep up to date with announcements.

Script to Screen is proud to be partnering with Compton School once again to deliver Strength in Numbers – a programme designed to teach screen practitioners about growing a sustainable and profitable business while doing the work they want to do.

Strength in Numbers offers a unique opportunity for screen practitioners to work together on the building blocks of business models that will sustain their future and ultimately shape the industry itself.  The programme aims to cultivate a super-smart community of businesspeople in the screen industry that support each other over time, which is especially important for filmmakers who often work in isolation.

Run by Script to Screen, and led by Australian screen business expert David Court, Strength in Numbers comprises a series of workshops that arms participants with the tools they need to build a sustainable business in the screen industry.  The programme is for screen practitioners with a slate of projects and a screen industry business already underway and will be delivered over several workshop days held in Auckland and online in the first half of 2022.

Selected participants will be emerging to mid-career, and have a proven track record that demonstrates considerable talent and tenacity in their field.

To encourage screen practitioners from the regions to apply we have support from some of New Zealand’s regional offices: Film Otago SouthlandFilm DunedinFilm Queenstown Lakes and Screen Canterbury.

Past participants of Strength in Numbers are creators behind many of our most loved and successful screen projects Coming Home In The Dark, The Justice of Bunny King, Creamery, Kura, The Panthers, Savage, Bellbird, James & Isey, Reunion, Jojo Rabbit and Loading Docs.

“Strength in Numbers is an exceptional course that dramatically altered the way I look at my business. The programme not only provides great business tools but also shifts mindsets when it comes to growth. I cannot recommend it highly enough.”

– Orlando Stewart producer of Bellbird

What you’ll need to submit: 

  • One paragraph biography about you as a screen practitioner
  • A statement about why Strength in Numbers Growth would be beneficial to you and your business at this time
  • A statement about what you would like to get out of the Programme.
  • A list of two to three projects you have in development along with a one-paragraph synopsis or logline for each project and what stage they are at.
  • Links to prior work (up to your two best)
  • Optional: Your screen CV

Applications Open: Mon 20 Sep 2021
Applications Close: Mon 01 Nov 2021, 1pm.

Dates of delivery:

  • February 21 & 22 – Workshops in Auckland
  • March 22 – 90-min online session
  • April 26 – 90-min online session
  • May 9 – Workshop in Auckland
  • June 27 – Workshop in Auckland
  • One-on-one meetings will be held between the last two workshops.

Travel costs for participants who live outside Auckland are covered.

Preview the Full Application Form

Learn more about previous participants

Strength in Numbers is made possible thanks to generous support from the New Zealand Film Commission and Auckland Council– Regional Arts and Culture Grant.

 

and New Zealand Regional Film Offices; Film Otago SouthlandFilm DunedinScreen Canterbury and Film Queenstown Lakes.

   

Join Script to Screen and the New Zealand Film Commission for a live webinar on Thursday 16 September at 5:30 pm to hear about what’s needed for Whiringa Tauatahi – Stage One and how to make your 2021 Kōpere Hou – Fresh Shorts application shine.

The purpose of the webinar is to give an overview of the application process and guide you through the selection criteria.

Register for the webinar in advance. There will be an opportunity to send questions during the webinar but you can also submit your question ahead of time to help shape the discussion.

The Webinar will be available for you to view on Script to Screen’s YouTube and Facebook afterwards if you are unable to join the discussion live, and for you to refer to afterwards.

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