The 2020 South Auckland Short Film Workshop is a two-day workshop to learn the art of making short films. Whether you’re new to filmmaking or have some experience, we are calling everyone who aspires to tell their stories on screen to come and learn what it takes to bring your film to life.
This workshop is intended for people who either live in South Auckland or have a connection with the area.
Over one weekend you will be guided by experienced filmmakers about the principles of how to write a short film, the role of the director, what it takes to get your short film off the ground, and pitching to funders and collaborators. Speakers include Marina McCartney (Milk & Honey, Vai), Todd Karehana (Ahikāroa, My Brother Mitchell) and Nikki Si’ulepa (Same But Different, Mā, Snow in Paradise)
Who it is for: New and emerging creatives from any industry or background with a connection to the South Auckland community who have an interest in short filmmaking.
When: Saturday 31 Oct – Sunday 1 Nov 2020, 9am – 5pm each day
Where: Te Haa o Manukau – Ground Floor, 2 Osterley Way, Manukau.
$5 all-day parking is available at 50 Manukau Station Road – an Auckland Transport carpark next to the bus station which is a short walk to the venue.
Cost: General Admission $5.75 (incl GST). Tickets via Eventbrite.
What to Bring: Pen and paper. Morning and afternoon tea will be provided. Please bring lunch with you or there are plenty of cafes in the area to buy lunch and there is space available to eat your lunch if you bring it with you.
Participants from this workshop will be eligible to apply for Script to Screen’s South Shorts 2021 Mentorship Programme. Read more about South Shorts 2021.
Image: Money Honey written and directed by Isaac Knights-Washbourn. Winner of NZIFF Ngā Whanaunga Māori Pasifika Shorts Best Film Award and Show Me Shorts 2020 Best Director Award.
MARINA MCCARTNEY
Marina was born and raised in Manukau City, New Zealand. From a Geordie Father, Samoan Mother and Cook Islands step-Mother, she is interested in how cultural heritage effects the way we are viewed and how we view others. She holds an MA in Screen Production (First Class Honours) and is an award-winning filmmaker and academic. Her areas of expertise are Pacific Studies, Pacific filmmaking, Pacific representation on screen and of the Pacific woman. She is a PhD candidate and Vice Chancellor’s Doctoral Scholar exploring Pacific filmmaking and is developing a range of projects including her next feature film, The Return.
TODD KAREHANA
Todd Karehana (Ngai Te Rangi, Ngāti Awa, Ngati Ruapani) is an experimental storyteller with a passion for creating new images of minorities. He has five years’ experience in the New Zealand film and television industry with companies such as Kura Productions, Pango Productions, and Piki Films. Alumni of the Masters in Screen Production programme at The University of Auckland, Karehana was the writer and director on several short films such as The Kweenz of Kelston, and My Brother Mitchell – which screened at numerous international film festivals. His recent credits include; storyliner, writer, script editor and Social Media Manager on drama series Ahikāroa, storyliner and writer on children’s animated series The Exceptional Squad, Social Media Manager on animated series Aroha Bridge, and, writing support on feature film Ngā Pouwhenua.
NIKKI SI’ULEPA
Nikki Si’ulepa is an award winning actor, writer, director and camera operator of Samoan heritage from the villages of Sātalo and Solaūa. Nikki’s short films have screened at international film festivals including Berlinale, Tribeca, Sydney, NZIFF, and imagineNATIVE. Her debut NZFC funded short film, Snow in Paradise was shot entirely on location in Aitutaki, Cook Islands and was selected for the Berlinale in 2011 and again for the NATIVe program in 2019. Nikki was one of 250 participants and the only Kiwi/Pacific Islander selected from over 7,000 applicants for the Berlinale Talents program in 2017. Nikki’s self funded her next short film, Ma, and Aroha was one of ten short films in the K’Rd Stories collection. Nikki next short, Counting Cars (post production), was an experiment to test her working relationship with her wife, Rachel Aneta Wills, in anticipation of their romantic comedy feature film Same But Different: A True NZ Love Story. Nikki is currently in post production with short film, This is Your Half Hour Call and is developing a television series and two feature films. Nikki likes vegan Magnum ice-cream.
Saturday 31st October
Sunday 1st November
Script to Screen is delighted to announce the projects and filmmakers awarded places at Story Camp Aotearoa 2020, a residential feature film lab that fosters craft, voice and vision. The lab, which takes place in Port Waikato, is tailored to meet the specific development needs of each project. Nine selected projects with 11 writers and six producers will workshop their feature films over the week with exceptional local advisors, and international advisors who are attending virtually.
This year Script to Screen received an astounding 116 applications. Three experienced independent practitioners went through a rigorous process compiling a shortlist of 19 and ultimately selecting nine projects to be developed at Story Camp in November. We would like to thank all the filmmakers who applied.
“The calibre of applications this year surpassed expectations, making the selection process both tough and rewarding for the selectors. We are delighted with the breadth of exceptional stories selected, and particularly excited to see emerging filmmakers secure places within this highly competitive round” says Story Camp Programme Director Esther Cahill-Chiaroni.
Congratulations to the filmmakers whose feature film projects will be developed at Story Camp Aotearoa 2020:
COVID-19 Update as at 25/08/20.
Covid-19 Level 3 Restrictions in Auckland means Hamish Bennett will no longer be able to travel to Wellington to present this workshop. We are pleased to say that educator and script consultant Gavin McGibbon is stepping in to present a workshop on what it takes to build a screen story that connects with people.This means the Wellington Workshop will go ahead but with some safety precautions in place. There are only a few tickets left so if you no longer wish to attend, please request a refund through Eventbrite to make your place available for someone else. See below for more information and instructions.
Great stories create an umbilical cord between the screen and the audience, where we feel everything that the character does.
This one day workshop will look at the elements we need to consider as writers to build that level of engagement with our own stories, through writing exercises, viewing and discussing scenes. We will look at a wide range of aspects of story and character from how we hook an audience from the first moment they meet our protagonist to ensuring that our stories don’t run out of momentum.
To gain the most out of the workshop, please come with a film concept in mind.
Don’t miss this interactive and practical workshop that will help you navigate through the complexities of writing a feature film.
Sat 29 Aug 2020, 9am – 5pm
Where: Drama 3, Te Whaea National Dance & Drama Centre, 11 Hutchison Road, Newton, Wellington.
Who it is for: All levels of writing experience – emerging to established filmmakers. The workshop will largely refer to the feature film format, but will be valuable to those developing shorts, features and series.
Cost: General Admission $23 (incl. GST). Tickets via Eventbrite.
What to Bring: Pen and paper. Tea and Coffee will be provided. There are plenty of cafes in the area to buy lunch.
ABOUT GAVIN MCGIBBON
Gavin McGibbon until his recent return back to New Zealand, was the Programme Leader of the MA Screenwriting programme at Liverpool John Moores University. He has taught playwriting at Victoria University of Wellington for the International Institute of Modern Letters, where he also worked as an MA Supervisor on Ken Duncum’s MA Scriptwriting Course. Students that Gavin has taught have gone on to win numerous awards for their writing and are currently working on major television shows in the UK.
Gavin has also worked for the New Zealand Film Commission, the New Zealand Film School, Massey University, Victoria Continuing Education and he is a freelance script consultant.
Gavin has a very different take on scriptwriting and what it takes to build a story that connects with people. He doesn’t believe in formula – he believes in craft meeting art, and using that combination to create an engaging, emotional journey for an audience.
As Wellington is at Alert Level 2, there are some important things to note:
Do not attend the workshop if you are feeling unwell, are a confirmed or probable case of COVID-19, waiting for a COVID-19 test result or are self-isolating.
These workshops are made possible thanks to generous support from New Zealand Film Commission, Creative Communities Wellington and our venue sponsor Te Whaea National Dance and Drama Centre.
The South Shorts Mentorship programme returns for 2020 with nine emerging filmmakers selected to take part. Under the leadership and guidance of renowned screenwriter Briar Grace-Smith, participants will develop their short film projects through a script-focused mentorship. Over a sixth-month period, the participants will get individual script notes from their mentor, do group script reads for peer feedback, and hear from experienced filmmakers about their process making short films.
Now in its sixth year, the programme is aimed at guiding emerging South Auckland affiliated talent to develop their short film scripts. The search for South Shorts participants begins with our annual two-day South Auckland Short Film Workshop, after which participants can apply for the mentorship programme.
“This group includes an exciting mix of experiences with participants coming from acting, playwriting, tertiary film courses and filmmaking, as well as those with a passion to tell stories.” says Programme Manager, Eloise Veber “We’re thrilled to find such talented storytellers for our South Shorts Mentorship Programme.”
The nine filmmakers (L – R) selected for South Shorts 2020 are:
Filmmakers who have been through this programme include Vea Mafileo (For My Father’s Kingdom), Jeremiah Tauamiti (Liliu), Hanelle Harris (Sis, Baby Mama’s Club) and Vela Manusaute (The Messiah).
South Shorts is made possible thanks to generous support from Foundation North and New Zealand Film Commission.
“This workshop honestly transformed my thinking about storytelling structures and opened up new possibilities in exciting and practical ways. It incorporated both big ideas thinking and also specific craft tools, which I will begin to use immediately in my writing. The workshop was rich in content and spoke well to many levels, including experienced, working screenwriters. ” – 2019 Melbourne Workshop Participant
We are excited to be bringing script guru Stephen Cleary to New Zealand to present this brilliant 2-day workshop in Auckland and Wellington.
Split into single-gender groups, people tell stories differently. Men often tell stories with all-male characters. Women rarely tell stories with all-female characters. Women together tend to maintain a theme across their stories. Men don’t. Women talk less. Men reveal less about themselves.
Gender variations within storytelling matter. Our understanding of screenwriting mostly comes from work done by men trying to figure out how the stories they told worked. The vast majority of those stories centred on male characters who were powerful or had access to power.
This workshop is about characters who aren’t male and powerful. How do you dramatise their stories, those characters, to make them compulsive? How do you tell stories about people who struggle for power, or who will never have power? Does power work differently for male and female characters (answer: yes)? How? Come to this workshop and find out, and with any luck change how you think about story structure, forever.
READ THE FULL WORKSHOP SCHEDULE
WELLINGTON
7 – 8 NOV 2019
Venue: Hunter Building Lecture Theatre 119 (HULT119),
Victoria University, Kelburn Parade, Wellington
Cost: $250 (+ GST). Tickets available via Eventbrite.
What to Bring: Pen and paper. Morning and afternoon tea will be provided. BYO Lunch.
Prepare for the Workshop: Links to Films and series that will be referenced during the lab are available here.
Presented in partnership with Victoria University of Wellington.
Stephen Cleary is available to do a limited number of assessments while he is in Auckland. To be eligible for one of these assessments you must have booked your ticket to the Power, Gender and New Story Structures workshop and register for an assessment by Friday 22 Nov, 9am.
You will get a one-on-one 90-minute meeting and 2 pages of notes. The script assessment fee is $500 +gst.
If you would like a TV series assessed, Stephen will need either the first episode script plus outline of the rest of the season and an overview of the project, or a synopsis of the story overall and a breakdown of episodes. Each spot is not actually reserved until payment is received.
Payment details:
Account Name: Script to Screen – Te Tari Kupu A Whakaahua
Account Number: 03 0255 0178775-00
Reference: Cleary90min – Your Name
REGISTER FOR A SCRIPT ASSESSMENT
Script to Screen is proud to be partnering with Compton School once again to deliver Strength in Numbers – a program designed to teach screen practitioners about growing a sustainable and profitable business while doing the work you want to do.
Run by Script to Screen, and led by Australian screen business expert David Court, Strength in Numbers Growth comprises a series of workshops that arm participants with the tools they need to build a sustainable business in the screen industry. The programme is for screen practitioners with a slate of projects and a screen industry business already underway and will be delivered over several workshop days held in Auckland January to September 2020.
Strength in Numbers offers a unique opportunity for early to mid-career practitioners in the screen industry to work together on the building blocks of business models that will sustain their future and ultimately shape the industry itself. The Programme aims to cultivate a super-smart community of business people in the screen industry that support each other over time, which is especially important for filmmakers who often work in isolation.
Selected participants will have a proven track record that demonstrates considerable talent and tenacity in their field. They will become part of Script to Screen’s alumni network. This network supports further collaboration and strengthens connections. To encourage screen practitioners from the regions to apply we have support from some of New Zealand’s regional offices: Film Otago Southland, Film Dunedin, Screen Canterbury, Screen Wellington, Tairawhiti TV, Film Bay of Plenty.
Strength in Numbers’ inaugural year saw ten creators of many of our most loved and successful films (including Hunt For The Wilderpeople, Boy, The Dark Horse, Love Story, Three Wise Cousins, Waru, Vai, and Loading Docs) brought together to focus on building sustainable businesses.
Preview the Strength In Numbers Application Form
What you’ll need to submit:
Applications Open: Mon 21 Oct
Applications Close: Sun 1 Dec, midnight
First Workshop: Early Feb 2020
Strength in Numbers is made possible thanks to generous support from the Auckland Council– Regional Arts and Culture Grant, New Zealand Film Commission.
And New Zealand Regional Film Offices; Film Otago Southland, Film Dunedin, Screen Canterbury, Screen Wellington, Tairawhiti TV, Film Bay of Plenty and Waikato Film Hub. Thank you to Screen Auckland for providing our workshop venue.
“This workshop honestly transformed my thinking about storytelling structures and opened up new possibilities in exciting and practical ways. It incorporated both big ideas thinking and also specific craft tools, which I will begin to use immediately in my writing. The workshop was rich in content and spoke well to many levels, including experienced, working screenwriters. ” – 2019 Melbourne Workshop Participant
We are excited to be bringing script guru Stephen Cleary to New Zealand to present this brilliant 2-day workshop in Auckland and Wellington.
Split into single-gender groups, people tell stories differently. Men often tell stories with all-male characters. Women rarely tell stories with all-female characters. Women together tend to maintain a theme across their stories. Men don’t. Women talk less. Men reveal less about themselves.
Gender variations within storytelling matter. Our understanding of screenwriting mostly comes from work done by men trying to figure out how the stories they told worked. The vast majority of those stories centred on male characters who were powerful or had access to power.
This workshop is about characters who aren’t male and powerful. How do you dramatise their stories, those characters, to make them compulsive? How do you tell stories about people who struggle for power, or who will never have power? Does power work differently for male and female characters (answer: yes)? How? Come to this workshop and find out, and with any luck change how you think about story structure, forever.
READ THE FULL WORKSHOP SCHEDULE
AUCKLAND
30 Nov – 1 Dec 2019
Venue: Lecture Theatre WG404, Sir Paul Reeves Building
Auckland University of Technology – City Campus,
2 Gov Fitzroy Place, Auckland City
Cost:$250 (+ GST). Tickets available via Eventbrite.
What to Bring: Pen and paper. Morning and afternoon tea will be provided. BYO Lunch.
There are cafes in the area if you want to buy lunch.
Prepare for the Workshop: Links to Films and series that will be referenced during the lab are available here.
This workshop is presented in partnership with AUT
Stephen Cleary is available to do a limited number of assessments while he is in Auckland. To be eligible for one of these assessments you must have booked your ticket to the Power, Gender and New Story Structures workshop and register for an assessment by Wed 20 Nov, 5pm.
You will get a one-on-one 90-minute meeting and 2 pages of notes. The script assessment fee is $500 +gst.
If you would like a TV series assessed, Stephen will need either the first episode script plus outline of the rest of the season and an overview of the project, or a synopsis of the story overall and a breakdown of episodes. Each spot is not actually reserved until payment is received.
Payment details:
Account Name: Script to Screen – Te Tari Kupu A Whakaahua
Account Number: 03 0255 0178775-00
Reference: Cleary90min – Your Name
REGISTER FOR A SCRIPT ASSESSMENT
Script to Screen and the New Zealand Film Commission have partnered on the development of 16 short films. The teams behind the films were selected from a very competitive round of 106 applications; and will attend a three-day residential development lab this November as part of the Fresh Shorts initiative.
The Fresh Shorts programme offers grants of up to $15,000 to six new or emerging filmmaker teams to make a short film. The selection also includes experienced filmmakers in new roles. As part of the selection process, each team will attend a three-day development lab in the Auckland region where they will receive tailored script feedback from industry mentors and participate in group workshops to further develop their scripts and strengthen their skills for future projects.
Following the lab and submission of the re-worked projects, six teams will be selected to receive a grant of up to $15,000 to make their short film. An announcement will be made early February 2020.
The 16 selected teams and their projects are (L-R):
Fresh Shorts is a New Zealand Film Commission initiative run in partnership with Script to Screen.
Script to Screen brings a one and a half day workshop on screenwriting to Rotorua. This is your opportunity to learn from IIML’s Master of Scriptwriting programme director, Ken Duncum.
We are excited to be bringing this interactive and practical workshop to the Bay of Plenty aimed at helping you navigate through the complexities of writing a feature film. Over the course of one weekend, Ken Duncum will coach and cajole you through a process of developing your own film idea, giving you tips for finding and building a story that resonates.
Don’t miss this interactive and practical workshop that will help you navigate through the complexities of writing a feature film.
“Ken Duncum is an exceptional teacher. The structure and underlying philosophy of his approach to script writing provides me with the perspective and courage to write more and write better . ”
– 2018 Auckland Workshop participant
When:
Sat 24 Aug, 9am – 4pm
Sun 25 Aug, 10am – 3pm
Where:
Toi Ohomai Institute of Technology
Rotorua Mokoia Campus, Gate 1, G Block – Lecture Theatre G210. The lecture theatre is an accessible space.
Directions: Enter the Campus at Gate 1, drive straight down the driveway until you reach block G. Parking is to the left of the building. After entering the building, come to level 2 via stairs or elevator.
Cost: General Admission $20 (incl. GST). Tickets available via Eventbrite
What to Bring: Pen and paper. Morning and afternoon tea will be provided. BYO Lunch. There are cafes in the area, and the campus is 5mins drive from central Rotorua. There will be space available to eat your lunch if you would like to bring it with you.
Who it is for: This workshop is aimed at emerging to established filmmakers who are writing a feature film. However if you are at the beginning stages of writing a feature film, or are interested in writing a film this workshop will be very beneficial. Suitable for ages 17+.
This workshop is presented in partnership with the Bay of Plenty Film Office, and is made possible with financial support from Rotorua District Creative Communities and the New Zealand Film Commission.
Senior executives, producers, showrunners and writers of internationally acclaimed shows, including American Horror Story, Better Call Saul, Bloodline, Glee, Glitch, Marcella, Please Like Me, Succession and Supergirl, will arrive in New Zealand next week to be advisors in an intensive week-long Series Drama Lab designed to develop strong New Zealand projects for the international and domestic market.
The Series Drama Lab is part of Raupapa Whakaari: Drama to the World, a new initiative from the New Zealand Film Commission and NZ On Air delivered in conjunction with Script to Screen. The initiative supports ten talented New Zealand writer/producer teams to develop distinctive, high-end scripted series with international and domestic appeal.
The advisor line-up includes Caitlin Parrish creator, writer and producer (The Red Line, Supergirl); Chris Loveall Vice President, International Programming for AMC, SundanceTV and BBC America (EP Fortitude, Please Like Me); Chris Oliver-Taylor CEO of Fremantle Media Australia; Christine Bartlett a writer, creator and producer (Five Bedrooms , The Wrong Girl); multiple Emmy award winning producer Dante Di Loreto (Temple Grandin, American Horror Story, Glee); Jonathan Glatzer writer, producer, director (Succession, Better Call Saul, Bloodline); Louise Fox co-creator, writer, producer (Glitch, Broadchurch); Nicola Larder co-creator, executive producer (Marcella).
Annabelle Sheehan, CEO of the New Zealand Film Commission, said, “The excellence and high profile credits of the international advisors will provide significant inspiration for our New Zealand creative teams regarding their work with the global marketplace. The week focuses on the commercial and creative drivers for producers and showrunners and will help shape the next wave of New Zealand series drama for New Zealand and the rest of the world.”
NZ On Air CEO, Jane Wrightson said, “The combined brainpower of a stellar lineup of international advisors with outstanding local talent and their ideas has great promise – we are very much looking forward to seeing the next stage of these Raupapa Whakaari projects. ”
Script to Screen Executive Director Jackie Dennis said, “This hasn’t happened in New Zealand before. The writers and producers coming to the Series Drama Lab will develop their projects with advisors who have worked on exceptional shows that have found dedicated audiences all around the world. I can’t wait to see the results.”
The international advisors will take part in panels, conversations and case studies and provide feedback on participating teams’ series drama concepts in story and market meetings.
The ten teams have received initial development of $10,000. Following the Series Drama Lab and submission of the re-worked projects, four teams will be selected to receive additional development funding of up to $80,000 each.
The ten Stage 1 projects selected for Series Drama Lab in 2019:
(*Not Her Real Name)
Pip Hall / Carmen J Leonard / Deborah Cope
All of Me
Daniel Musgrove / Natalie Medlock / Shoshana McCallum / Peter Salmon
Chasing Pure
Carey James Carter / Gavin Strawhan / Rachel Lang / Steven Ivan Zanoski
Dreamhunter
Roxane Gajadhar / Angela Littlejohn
Drunk Poetry
Briar Grace-Smith / Victor Roger / Desray Armstrong
O
Donna Malane / Paula Boock / Carthew Neal
Rockburn
Hannah Marshall / David de Lautour / Gareth Williams / Kelly Martin
Ruatoria
Kath Akuhuta-Brown / Greg McGee / Philippa Rennie / Robin Scholes / Lee Tamahori
The Different Girl
Alison Maclean / Philippa Campbell
The Harder They Fall
Matthew Saville / Luke Sharpe / Gerard Johnstone
The four projects selected for Stage 2 further development funding:
All Of Me – Shoshana McCallum, Natalie Medlock, Dan Musgrove, Peter Salmon
Depressed and ready to end it all, Lauren orders an illegal clone to replace her. But when she messes up the process and gets three unsatisfactory duplicates, she is forced to stick around and deal with herselves.
Ashes and Prophets – Kath Akuhata-Brown, Greg McGee, Philippa Rennie, Robin Scholes, Lee Tamahori
Arson, kidnapping and murder engulf a small New Zealand town, as a Māori rastafarian sect exacts revenge for historical land theft.
Rockburn – Hannah Marshall, Gareth Williams, David de Lautour, Kelly Martin
Trauma experienced as a teenager on her family farm, Rockburn, reverberates throughout three distinct ages of Celia Ray’s life. Now, a social worker in her 50s, she must confront her past to save a young girl’s future.
Drunk Poetry – Briar Grace-Smith, Desray Armstrong, Victor Rodger
Newly separated and in her forties, Lizzie discovers she has the emotional brain of a fourteen-year-old. Now she has to grow up all over again.