Alyx Duncan and Lani-rain Feltham

Alyx’s short-film THE TIDE KEEPER screened in over twenty film festivals world-wide and won numerous awards including FIPRESCI Film Critics’ Choice Award, Best Short Animation at Warsaw, Best International short at Whistler and Best film/director/cinematography at Show Me Shorts. Alyx wrote, directed, produced and self-distributed feature film THE RED HOUSE in 35 cinemas in NZ. In 2015 she was awarded SPADA New Filmmaker of the Year and was one of the recipients of the 2016 Gaylene Preston Directors Award. Alyx recently choreographed Alison Maclean’s THE REHEARSAL and is currently developing feature THE SURROGATE and producing short, MOUSE with Lani-rain Feltham. She is also in early development of THE UNDERWOOD with Michele Powles.


Lani-rain is a filmmaker of Ngati Pikiao, Te Arawa and Pakeha descent. She has written two feature film scripts for Storm Films New York, LE BOMB and THE SAINT OF THE IMPOSSIBLE which is currently in development. Lani-rain has worked in development with award-winning filmmaker Vincent Ward for the last 6 years where she co-wrote his memoir, THE PAST AWAITS (published 2010). Lani-rain has produced numerous documentaries, museum installations and art projects. Lani-rain is currently directing her short film, MOUSE and producing short EACH TO THEIR OWN, with director Maria Ines Manchego. She is also the writer on Paora Joseph’s new film MAUI’S HOOK and producing SPOOKERS directed by Florian Habicht.

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Alex Sutherland & Jake Mahaffy

Alex is an Auckland based screen director and writer, with a Masters in Fine Arts. Having directed numerous award winning music videos, Alex moved to TV commercials, directing for some of Auckland’s most established commercial production companies. In 2007 Alex and Nik Beachman founded Thick as Thieves – a highly boutique visual-content production company, representing a collective of like-minded filmmakers and signature directors. Alex’s short documentary THE JUMP picked up Vimeo ‘Staff Pick’, ‘Short of The Week’ and was selected for a number of international film festivals, as well as featuring on The Atlantic and CNN online. The follow up short film Pelorus premiered at the Auckland International Film Festival.

Jake Mahaffy’s self-produced, micro-budget shorts and features were made single-handedly, featuring untrained actors in rural settings. More recent projects combined with professional actors and crew have also screened internationally. Venues include Sundance (2004/05/06/08/09/15), Venice (2012, 2016 & Orizzonti Prize for Best Film, 2015), and SXSW (2016, Grand Jury Prize, 2008). He founded two new filmmaking programs at two universities as an Associate Professor of Film and Art in the United States and currently coordinates the Screen Production program at Auckland University in New Zealand.


Armagan Ballantyne and Jackie Van Beek

Armagan’s short films have screened and won awards at festivals around the world including Venice, Melbourne, Telluride, London and New York. She developed her debut feature film THE STRENGTH OF WATER at the Sundance Institute, which was selected for competition at the Berlin Film Festival, Rotterdam Film Festival and the Asia Pacific Screen Awards. Armagan directed LILY AND RA a short film for Art for the World for the Human Rights Commission. It had its first official screening for the UN General Assembly in New York and went on to screen in gallery spaces, and festival’s. In 2014 She attended Werner Herzogs Rogue film school and last year she co-directed film excerpts for NGA HAU a large installation for the Wellington Museum.


Jackie is a actor, writer and director in theatre and film. She has made seven award-winning short films produced in New Zealand, Australia and London. Her short films have played at numerous festivals including Berlin, London, Palm Springs and MIFF. Jackie won SPADA New Filmmaker of the Year in 2013 and was awarded first prize in the 2015 WIFT International Shortcase for her short film UPHILL. As an actor she is best known for her role as the eager familiar in WHAT WE DO IN THE SHADOWS and the inept producer, Pauline, in FUNNY GIRLS. She is currently in post-production with her first feature film, THE INLAND ROAD, and in advanced development with another feature, THE BREAKER UPPERERS with co-writer Madeleine Sami.


Chris Dudman

Christopher Dudman’s film-making career started in 1990 when BLACKWATER SUMMER, his graduation film at the Royal College of Art in London, was nominated for a Student Oscar and went on to win numerous international awards. He spent several years directing and editing arts documentaries for television in the UK before moving back to New Zealand. He has written and directed one off documentaries and documentary series for New Zealand television – including the recent, critically acclaimed, THE DAY THAT CHANGED MY LIFE. And on the drama front he has directed two highly awarded NZFC short films – THE GRAFFITI OF MR TUPAIA and CHOICE NIGHT – and also co-wrote and directed the gritty crime series HARRY.


Florian Habicht

Florian Habicht was born in Berlin, and immigrated with his family to New Zealand in the early eighties. He studied at the Elam School of Fine Arts Auckland and Binger Filmlab in Amsterdam. He is one of our most prolific filmmakers being responsible for some of NZ’s most innovative films, from experimental WOODENHEAD (2003), cult documentaries KAIKOHE DEMOLITION (2004) & RUBBINGS OF A LIVE MAN (2008), to his participatory LOVE STORY (2010) and cinematic homage to  brit-pop band, PULP: A FILM ABOUT LIFE, DEATH & SUPERMARKETS (2014). Florian is currently in post-production with his seventh feature film SPOOKERS, and has two other films in development.

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Himiona Grace

Himiona Grace is the writer/director of the feature film THE PA BOYS (2014) and is co-director of Mai Kapiti, a small video production company based on the Kapiti Coast. With a strong background in writing, music and photography it was always his goal to merge these skills and become a filmmaker. He trained in camera, sound and editing at Pacific Films and was fortunate to be mentored by some of New Zealand’s most iconic film makers including Merata Mita, Barry Barclay, Geoff Murphy and writer Graeme Tetley.

Tusi Tamasese

Tusi Tamasese spent 18 years in his native Samoa, before moving to New Zealand and completing a double major in film and political science. After shooting short Va Tapuia in Samoa with private funding, he directed his debut feature The Orator / O Le Tulafale, filmed entirely in the Samoan language. Tamasese’s tale of an outsider in conflict with his community scored multiple honours at the 2011 Venice Film Festival.


Jesse Griffin

Jesse Griffin comedy director, writer, actor and stand-up comedian returned to New Zealand in 2010 after 15 years working in the UK and Australia. He was a member of The 4 Noels, an Australian based comic trio that from 1997 to 2007. Jesse began performing as comedic character Wilson Dixon in 2004 and has written six festival length live shows, produced two albums and performed in NZ, Australia and UK. Wilson Dixon was commissioned for a 4 part series on BBC Radio 2 in 2009, an hour long comedy special on TVNZ in 2012. As an actor Jesse is known for his roles in television shows LAST MAN STANDING (2005), 800 WORDS (2016) as well as comedy game show 7 DAYS.


Lisa Cherrington

Lisa Cherrington (Ngāti Hine, Ngāpuhi) is a published novelist, scriptwriter and clinical psychologist of Māori, Niuean and Pākehā descent.  In 2004, Lisa had her first novel published, ‘The Peoples faces’ with Huia publishers. In 2013, she completed her Masters in the IIML Creative Writing Scriptwriting course at Victoria University. She won the inaugural Brad McGann Best Film Script Award from Victoria University for her feature length film script. In 2013, Lisa also won the Huia Publishers Pikihuia Award for Best Short Film Script in English for MAITU’S LUCK  Lisa has a number of other writing projects she is continuing to work on including her feature film script ALL MIXED UP, her first play and two short films.

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Nic Gorman

Nic is a writer/director, interested in working in genre but especially attracted to the possibilities for human connections and conflict implicit within those genres. His short film, Here Be Monsters, which he wrote and co-directed was funded in the Fresh Shorts scheme and played at festivals both here and overseas, including Fantastic Fest 2013 – the biggest genre festival in the USA. It won several awards at the Show Me Shorts festival 2013 including best screenplay and was awarded best short film at the 2013 New Zealand Film Awards. Currently his team has a feature in development called Human Traces.


Josephine Stewart-Te Whiu

Josephine Stewart-Te Whiu is a writer and actor. Her play THE BLACK, was named one of Auckland Theatre’s Best Moments of 2015 by The Pantograph Punch. Her most recent play, SEAN PENN IN HIS BOAT, was awarded runner up at the prestigious Adam Play Awards 2016 and is in the process of being developed by Playmarket New Zealand. Josephine is one of eight filmmakers selected to participate in Script to Screen’s 2016 FilmUp Mentorship Programme. She is working alongside her mentor, Mexican filmmaker Dana Rotberg, developing her first feature film script. Josephine has written TITTY & BASH, a short film directed by Awanui Simich-Pene, that is part of a feature length film WARU currently in post-production.

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Nic Gorman

Nic is a screenwriter, director and actor. He has a MA in creative writing from Victoria University’s International Institute of Modern Letters. His short film HERE BE MONSTERS (co-directed with Paul Glubb) won the best short Moa at the 2013 New Zealand Film Awards. His debut feature film HUMAN TRACES premiered at the 2017 New Zealand International Film Festival and has since screened at the Melbourne International Film Festival and the Toronto International Film Festival where it played in the Discovery section.


Maile Daugherty

Maile has worked in film and television for 20 years as a producer and EP, line producer, post/vfx producer, and content developer. Maile trained as a writer gaining an MA in Communication Studies from Auckland University of Technology, majoring in screenwriting in 1998. In this period she wrote two feature film screenplays: Crashed and The Gift. She then went on to write and direct children’s interstitial content for TV3. After much time working in the producing side of the business, two and a half years ago Maile decided to return to her writing roots, writing drafts for the feature scripts Missu Peace (Japanese/NZ co-production) and drama Division, as well as developing the surfing film, Drop.

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Max Currie

Max Currie wrote and directed the 2014 feature EVERYTHING WE LOVED, which played in competition in a slew of festivals, including Palm Springs, Munich, Sāo Paulo, Seattle, St Petersburg and Marrakech, won Best Actress and Best Cinematography at the 2014 NZ Film Awards, Best Actor at St Tropez, and Best Director at VTXIFF 2015 in Texas. EVERYTHING WE LOVED remains the number one most-watched title on NZ Film On Demand. Max now has two features in NZFC development, one set in New Jersey, USA, the other set across Piha and Berlin. Max also writes TV drama, working for five years as a full-time writer on Shortland Street (TV2) then more recently, Step Dave (TV2), as both storyliner and script writer.

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Rochelle Bright

Rochelle Bright is a writer and alumni of Tisch, New York University. She has been a Michael King writer in residence, as well a resident artist with the American Lyric Theatre. Her gig-theatre work DAFFODILS received a Scotsman Fringe First Award while playing at the Traverse Theatre in Edinburgh. In 2017, Rochelle with director David Stubbs (KHF Media) and songwriter Stephanie Brown (LIPS) are adapting DAFFODILS into a feature film script, in development with Libertine Pictures, Transmission Films and NZFC. She is co-director of theatre company Bullet Heart Club with Kitan Petkovski and has two feature scripts in development.

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Kelly Kilgour

Kelly is a writer and producer who has worked in the creative sector for over a decade. After graduating with an MA in Creative writing he began a career writing and producing across theatre, film and television. He currently writes for Songs from the Inside (Maori Television) and is developing a feature film based on the concept, amongst others on his slate.


Michelle Savill and Sophie Henderson

Michelle Savill’s short film ELLEN IS LEAVING won the Best Narrative Short Film Award at SXSW Film Festival and the Golden Gate Award for Best Narrative Short at the San Francisco International Film Festival. Since then it has been screened in prestigious international festivals, which include Clermont-Ferrand, Chicago International and Aspen Shortsfest. Michelle’s other shorts, ELAINE RIDES AGAIN and BETTY BANNED SWEETS have been accepted into several international film festivals including MIFF where she was invited to participate in the festival’s Accelerator programme. In 2011, she was awarded a Script to Screen scholarship in New York working as an intern in the script development department of Killer Films. Michelle currently works as a freelance commercial director and is represented by agency Thick as Thieves.

Sophie is a NZ screenwriter, playwright and actor. Her first screenplay, FANTAIL, in which she also starred, was nominated for 8 NZ Film Awards and had it’s world premiere at Rotterdam Film Festival in 2013. As an actor, Sophie is best known for playing, Cheryl’s lawyer, Bailey Wilson in the final season of OUTRAGEOUS FORTUNE.  As co-general manager Sophie programmed the Basement Theatre for 4 years, developing emerging artists and new work. In 2015 Sophie worked in the script department for the miniseries THE BEAUTIFUL LIE and is now writing on new Australian TV drama, LUCKY CHARMING as well as developing her project MANHUNT as a feature film and as a play with Silo theatre.

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Steven McGregor

Steven McGregor is a writer and director from Darwin in the Northern Territory.  Most recently, Steven co-wrote SWEET COUNTRY, a feature directed by Warwick Thornton and produced by David Jowsey and Greer Simpkin. The film screened in competition at the 2017 Venice Film Festival where it won the Special Jury Prize. Also SWEET COUNTRY won the Platform Prize at the 2017 Toronto International Film Festival, screened in competition at the BFI London Film Festival and has been selected to screen at numerous other international film festivals. PRETTY BOY BLUE, an episode Steven wrote for the drama series REDFERN NOW, won the AACTA award for best screenplay in television in 2013. He wrote four episodes across the two ABC series. Steven also wrote the REDFERN NOW telemovie PROMISE ME, which screened on the ABC to critical acclaim.


Gillian Ashurst

Gillian Ashurst is a Canterbury based writer and director. Her filmmaking career kicked off when her first short film, the sci-fi themed Venus Blue, premiered at the Sundance Film Festival in 1999. This led to a deal by the NZFC and Portman Entertainment to fund her first feature film, the award winning road movie, Snakeskin. After Snakeskin, Gillian took time off to raise her family, but continued to write and direct documentaries. These included Rocketman – the story of Bill Pickering, who headed NASA’s early unmanned space explorations, and Alchemy and Atoms – a three part documentary about Ernest Rutherford. Gillian recently returned to feature film, with several new projects in development.

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Yamin Tun

Yamin Tun is a writer/director, and a graduate of the University of Oxford in Philosophy, Politics & Economics. She won the Unitec scholarship prize in the 48hour film competition. She is an Asia NZ Foundation Arts Grant recipient for three consecutive years (2011-2014). Yamin’s short films include TWO PRINCES, WAIT and THE DREAM OF THE DRIVER (runner-up, Tropfest 2016). Her feature film script HONG KONG STORY was shortlisted by Sundance Screenwriters Lab 2016. In 2013, Yamin was selected by Film Finances Inc to attend Telluride Film Festival, and meet film industry people in Los Angeles. Yamin has also been shortlisted for the Script to Screen Killer Films internship and the 2016 DDB Showtools New Directors Award.


Yamin Tun

Writer/director Yamin Tun is the New Zealand film industry’s SPADA New Filmmaker of the Year 2016. She won the Madman Entertainment Jury Prize for best short film and the Wallace Filmmaking Achievement Award at the New Zealand International Film Festivals 2016 for her short film WAIT. WAIT also won the NZFC Special Jury Prize at Show Me Shorts 2016. Yamin is currently developing three feature film projects as writer-director. THE TEAK AND THE CLOTH was selected for Story Camp 2016. Yamin has also been selected to international mentorship opportunities, including FilmUp in 2016 with mentor Rolf de Heer, and to Telluride Film Festival by Film Finances Inc in 2013. Yamin is a graduate of the University of Oxford in Philosophy, Politics & Economics and an arthouse cinephile since age six.


Miriam Smith

Miriam is currently developing the original feature script OH MOUNTAIN that began its life at the Binger Film Lab in Amsterdam.
Miriam is also developing a range of dramatic short and feature film projects with filmmaking partner Chris Pryor – together they have formed the film production company Deer Heart Films. Miriam co-directed and produced the critically acclaimed / award-winning feature documentary HOW FAR IS HEAVEN, and is currently producing the upcoming feature documentary THE GROUND WE WON – soon to be theatrically released in New Zealand. A graduate of the University of Auckland, Miriam has a BA in English & Film, where she was awarded the Senior English Prize, and a Masters in Creative & Performing Arts. Miriam has also written for print and BBC radio.


Victor Rodger

Victor Rodger is a New Zealand-born playwright of Samoan and palagi descent. His first play, SONS, won four New Zealand theatre awards, including Best New Play and Best New Writer. His play, MY NAME IS GARY COOPER was this year performed by Kumu Kahua Theatre in Honolulu while his award-winning play BLACK FAGGOT has performed to sell out houses in Melbourne, Brisbane, Edinbrugh and throughout New Zealand. GIRL ON A CORNER debuted to critical acclaim in the 2015 Auckland Fringe Festival and won Best Direction and Best Performance gongs. A long-time writer for SHORTLAND STREET, Victor is currently adapting BLACK FAGGOT for the big screen as well as an original feature film project, TAHITIAN PRINCE.

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Ghazaleh Golbakhsh

Ghazaleh is an Iranian-New Zealand writer and filmmaker and Fulbright scholar who studied post-graduate screenwriting at the University of Southern California in Los Angeles in 2012. She has an MA in Documentary from the University of Auckland where she made an award winning thesis documentary on Iran. It premiered in Israel and won the outstanding student film award in Beijing. Ghazaleh has written various short films and her first feature screenplay was shortlisted twice for the Sundance Screenwriter’s Lab in 2014 and 2015, and also reached the top 10% of the Nicholl’s Fellowship. When younger she wanted to become Michael Jackson. Thankfully now she just wants to continue being a tortured writer and filmmaker.

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Rachel House and Mitch Tawhi Thomas

Ko Ngati Maniapoto te iwi. Mitch has spent most of his life writing stage plays, including award winning HAVE CAR WILL TRAVEL and HUI.
Currently Mitch is developing his screenwriting skills while also working and living in Whangarei, teaching Drama and English at Tikipunga High School.



Rachel has worked as both a director and actor across stage, film and television. As an actor she has featured in many of New Zealand’s most recent successful project including WHALE RIDER, BOY and HOPE AND WIRE. She has an established career as a director of acclaimed plays, including Mitch Tawhi Thomas’s HUI, and the MAORI TROILUS AND CRESSIDA for the Globe Theatre in London. In 2009 she directed the Premiere Shorts funded WINTER BOY. Rachel is also a sought after acting coach for children and teens, working on projects such as FANTAIL, BOY and THE DARK HORSE.

Rachel is an Arts Laureate recipient for her work across many platforms.


Sophie Henderson and Gaysorn Thavat

Sophie is a New Zealand screenwriter, theatre-maker and actor. Her first screenplay, FANTAIL, in which she also starred, was nominated for 8 NZ Film Awards including best actress and best screenplay and had its international premiere at the Rotterdam Film Festival in 2014. FANTAIL was selected for the Melbourne International Film Festival last year where it picked up a People’s Choice Award. Sophie is currently developing her project MANHUNT as a feature film and also as a play with Silo Theatre. She is based in Melbourne, working on Australian mini-series THE BEAUTIFUL LIE in the script department.

Gaysorn worked through the ranks of the camera department and became a 1st AC working on many NZ and overseas productions. It was standing beside cameras for those years, watching directors and actors working that inspired her to move into directing. Since 2005, she has shot commercials in NZ, Australia, Europe and the US, but is most proud of her PSAs for the City Mission, Breast Cancer Foundation and Family Violence. In 2009 she directed her first short film BRAVE DONKEY which much to her surprise was selected for numerous festivals. Gaysorn has been developing THE JUSTICE OF BUNNY KING since 2006 with Greg King, and more recently Sophie Henderson. Gaysorn lives between Auckland and Thames with her partner Ginny Loane.



Mark Albiston and Paul Stanley Ward

Mark Albiston received the Special Distinction award  in the Short Film Section at Cannes for RUN (with Louis Sutherland), winning prizes at a number of other festivals. Mark and Louis won this again in 2009 with their follow up short, THE SIX DOLLAR FIFTY MAN. This gave the duo the distinction of being the first directors to twice win in that category, before going on to win Best International Short at Sundance. Mark and Louis premiered their first feature SHOPPING at Sundance in 2013, which went on to win the Grand Prix at Berlin International Film Festival and seven awards at the New Zealand Film Awards.

Paul Stanley Ward received a Qantas best screenplay award for debut short GRAFFITI OF MR TUPAIA (2008). After an OE that took in an Oxford masters and producing for Discovery Channel, he was writer for NZ TV doco series HERE TO STAY and UNDERCOVER. He scripted 2010 short film festival success CHOICE NIGHT, Venice-selected COLD SNAP (2013) and THE KEEPER (2014). In 2014 digital media project WILD EYES (getting Kiwi kids to go wild) won NZ On Air ‘Kickstart’ funding. He is developing a feature with Mark Albiston (short-listed for the 2015 Sundance Screenwriters Lab). Ward is senior writer for NZ On Screen and in 2013 his Script to Screen FilmUp mentor was Neil Cross.


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Ainsley Gardiner, Briar Grace-Smith, Reikura Kahi & Tearepa Kahi

Ainsley Gardiner (Ngāti Awa, Te Whānau-a-Apanui, Ngāti Pikiao and Whakatōhea) produced Taika Waititi’s short films TWO CARS, ONE NIGHT and TAMA TU and went on to collaborate with him on his first two feature films, EAGLE VS SHARK and BOY. Her first short film as a writer/director, MOKOPUNA, had a successful festival life, winning gold at the Dreamspeaker Indigenous Film Festival. She was one of the nine wāhine māori filmmakers to write and direct for the acclaimed feature film WARU. In 2018 Ainsley was awarded the Mana Wāhine award at the Wairoa Festival and was also made a Member of the New Zealand Order of Merit for her services to film.

Briar Grace-Smith is of Ngā Puhi descent and is a writer of short fiction, stage plays and feature films. Her plays include NGĀ POU WĀHINE, PURAPURAWHETŪ and WHEN SUN AND MOON COLLIDE. She is an inaugural Arts Foundation Laureate and this year received an ONZM for services to film, television and theatre. She has worked as a Development Executive for the New Zealand Film commission, taught ‘Writing for Theatre’ at IIML (2015) and continues to work as a story mentor in New Zealand and overseas. Briar is a Sundance alumni and the writer of the feature films THE STRENGTH OF WATER and horror comedy FRESH MEAT. Her television credits include FISHSKIN SUIT, BEING EVE, KAITANGATA TWITCH and the Australian children’s television series, GRACE BESIDE ME (2017). She was a director and co-writer of the short film, NINE OF HEARTS, and wrote and directed CHARM for the collaborative feature project WARU (2017), which brings together the work of eight Māori women directors. She recently worked with Toi Whakaari’s acting and design students directing KRYSTAL, a short film by Josephine Stewart-Te Whiu.

Reikura Kahi (Tainui, Ngāti Hine, Ngāti Porou, Whānau-a-Apanui) represents the first generation of Kōhanga Reo, Kura Kaupapa Māori and Wharekura graduates in Aotearoa. She is the eldest of the first wave of students through Hoani Waititi Marae and has grown into a wahine who has helped spearhead the development of Te Reo Māori in her whānau, community, kura, kapa haka, iwi and throughout the creative industries of Māori Theatre, Radio, Television and Film. She studied acting under Don Selwyn, was trained in film producing by Merata Mita and is currently producing her second feature film after POI E, entitled HERBS: Songs of Freedom. She has a set of strong values, which reflect the many kaumātua who have educated and guided her since childhood.

Tearepa Kahi (Ngāti Paoa & Waikato) is the Under 12 Vipers Rugby Coach, which is a full time job. When he’s not dealing with unreal expectations of parents and trying to teach kids how to pass, catch and tackle, sometimes all at the same time, he makes films. More recently, MT. ZION, POI E: THE STORY OF OUR SING, MERATA: HOW MUM DECOLONIZED THE SCREEN and HERBS: THE MOVIE – due for release on Waitangi Day, 2019.

Ainsley, Briar, Reikura & Tearepa are attending the Story Camp Advanced with their project, COUSINS.


Gaysorn Thavat, Sophie Henderson, Emma Slade & Ginny Loane

Gaysorn Thavat began her career as a camera assistant when she was 19 years old. She moved into directing, cutting her teeth on commercials both locally and internationally. Her 2009 short film BRAVE DONKEY starring Cameron Rhodes played in a number of festivals and the same year she won a Gold Film Lion for her Breast Cancer Awareness PSA. More recently Gaysorn has directed episodes on the Warner Bros series FRESH EGGS along with episodes of Lippy Pictures THE GULF. Gaysorn has been in development with Firefly Films developing the feature length project THE JUSTICE OF BUNNY KING which has recently been selected for the NZFC 125 Women Filmmakers Fund.


Sophie Henderson is a screenwriter, theatre-maker and actor. Her first screenplay, FANTAIL, was nominated for 8 NZ Film Awards including best film, actress and screenplay. It had its international premiere at Rotterdam in 2014, and won a People’s Choice Award at Melbourne International Film Festival. A co-general manager of Auckland’s Basement Theatre, Sophie programmed the theatre for four years, developing emerging artist and new work. In 2015 Sophie worked in the script department for Australian miniseries THE BEAUTIFUL LIE and was mentored by show runner and screenwriter Alice Bell through FilmUp. Returning to NZ in 2016, she was nominated for the WIFT Woman to Watch Award and is currently developing her film projects MAN MADE and THE JUSTICE OF BUNNY KING. Her second feature BABY, DONE with Piki Films shoots  this summer (2018-2019).

Emma Slade is a New Zealand producer who spearheads Auckland based film production company Firefly Films. She is currently in postproduction with COME TO DADDY (an NZ/Irish/Canadian coproduction starring Elijah Wood). In 2017, her YA thriller THE CHANGEOVER was in competition at the Alice Nella Citta in Rome and has been sold to Lionsgate UK and other territories worldwide. Emma also produced the first Chinese/NZ co-production, INTO THE RAINBOW (2017) and the Brazilian/NZ feature LITTLE SECRET (nominated as Brazil’s 2017 Oscar entry for Best Foreign Film)Other titles Emma has produced include RAGE, TRACKERSEPARATION CITY, and BRIDE FLIGHT. Emma has several film and television projects in development, including a war drama with Lionsgate UK, a fantasy drama with director Vincent Ward and sixpart TV series directed by Emmy-award winning director, Thomas Robbins. She is currently casting for three features to commence principal photography in 2019: Paul Middleditch’s feature, ONE WINTER, Jackie van Beek’s next feature with director Armagan Ballantyne, and THE JUSTICE OF BUNNY KING.

Ginny Loane began attracting award nominations in 2006 with FOG, one of many short films she has shot that have made a mark overseas. By then Loane had already shot her first feature, dark family tale CHRISTMAS. In 2013 she won praise — and a Moa Award — for another family drama, SHOPPING, the debut feature from Louis Sutherland and Mark Albiston. Loane went on to win two awards from the NZ Cinematographers Society for MAHANA (2016), Lee Tamahori’s first Kiwi feature since ONCE WERE WARRIORS. Her work also includes based on a true story TV movies JEAN AND CONSENT – THE LOUISE NICHOLAS STORY and breakout comedy film of 2018, THE BREAKER UPPERERS.

Gaysorn, Sophie, Emma & Ginny are attending the Story Camp Advanced with their project,THE JUSTICE OF BUNNY KING.


Jan Oliver Lucks, Alex Reed, Alex Behse & Natalie Medlock

Jan Oliver Lucks work plays with documentary conventions, challenging the line between fact and fiction. After completing his BA and MA in filmmaking (University of Otago), Ollie made two short films: THE CHARACTERISTICS OF C-MINOR (for the BBC) and WILBUR FORCE (for Loading Docs). The former screened at 20 international film festivals (including Teheran, Colorado and Byron Bay) and the latter premiered at the 2015 NZIFF while raking up more than a quarter of a million views online. In 2017 Ollie released his first feature WILBUR: THE KING IN THE RING (co-directed with Julia Parnell). He is currently in pre-production with his second film THERE’S NO I IN THREESOME.

Alex Reed is film and television producer and writer and works across drama and factual projects. She has worked in the UK with Ken Loach on five features, produced the New Zealand documentary THE WOMEN OF PIKE RIVER, two of  the landmark historical series DECADES IN COLOUR and apocalyptic teen drama, CUL DE SAC (series 3). Alex has also secured development    funding for numerous film projects and produced award-winning adventure documentary, PADDLE FOR THE NORTH and associate produced feature documentary KIM DOTCOM: CAUGHT IN THE WEB. Under her own company – Bloom Pictures – Alex is currently co-producing social impact web series and feature documentary SILENCE and is gearing up to produce recently funded innovative documentary/drama hybrid THERE’S NO I IN THREESOMEAlex also has several other projects in development with NZFC.

Monsoon Pictures International Ltd (based in Auckland) is the brainchild of German born Alexander Behse, a multi award winning creative producer whose eclectic body of work has resonated across the wider Pacific. From high‐end feature documentaries to celebrated prime­‐time series, Behse’s drive for risk-­taking treatments, engaging subjects and his eye for talent have made him one of the most innovative and prolific producers of indigenous, factual, drama, and adventure programming in the region today. Behse is a member of the Asia Pacific Screen Academy, selector for the APSA Awards and grand jury judge for the NY Film and TV Awards. Feature doc credits include: the top 3 doc of all time: POI-E: THE STORY OF OUR SONG; the iTunes #1 independent doc in the US, Canada, Germany and NZ; KIM DOTCOM:CAUGHT IN THE WEB; MY YEAR WITH HELEN and EVER THE LAND. TV series credits include the Best Factual series RADAR ACROSS THE PACIFIC, Silver award winning RADAR’S CHEQUERED PAST and  DAVEY HUGHES: UNTAMED.

**Natalie Medlock works as a writer, actor and director. She started as an actor having graduated from Toi Whakaari and began her career devising theatre before moving into screen. Most recently Natalie was story producer on NEIGHBOURS. Prior to that she story-lined (season 3) and wrote for 800 WORDS (season 1 and 3), she also wrote for  AGENT ANNA, and has also storylined and written for season 3 of ALMIGHTY JOHNSON’S. Natalie has written on comedy-drama, SHEARING THE LOVE and has the feature film, DAISY CHAIN (produced by Ainsley Gardner) in development with the NZFC. Natalie was short listed (from five hundred applications to six) with her series EXILLIUM for Australian Freemantle’s Blue Sky Initiative and wrote and stared in NZ On Air funded comedy webseries YETI.  Theatrically, Natalie wrote sell-out hit Christmas monologue shows TOYS, and CHRIST ALMIGHTY! She also wrote and directed Michael Hurst’s solo show NO HOLDS BARD and most recently, wrote and directed the critically acclaimed play NEAR DEATH EXPERIENCE.

Ollie, Alex, Alexander and Natalie are attending the Story Camp Advanced with their project, THERE’S NO I IN THREESOME.

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Jane Holland, Michael Bennett & Chloe Smith

Jane Holland is a writer and producer with a strong creative background. In 2015 she founded 10000 Company with Michael Bennett to create and develop projects. Their first production, IN DARK PLACES, screened in July 2018. Jane drove the early development of the NZ/Korea Feature Film THE LOVE SONG (on which she also co-wrote). Jane holds a MA of Creative Writing (Massey) as well as post graduate qualifications in Design and Drama (UoA). Jane brings an intrinsic understanding of the creative process of design and workings of the film set though a long-standing career as costume designer on large and small-scale projects. Her costume work includes such films as WORLD’S FASTEST INDIAN, UNDERWORLD: RISE OF THE LYCANS, 30 DAYS OF NIGHT, SIONE’S WEDDING and MATARIKI as well as the high production-value tv series LEGEND OF THE SEEKER and THE CHRONICLES OF SHANNARA.


Michael Bennett (Ngāti PikiaoNgāti Whakaue) is an award- winning screenwriter, filmmaker and author. Michael’s second feature-length drama, IN DARK PLACES, tells the story of Teina Pora’s imprisonment for 21 years for crimes he did not commit. The television film is based on Michael’s book In Dark Places which won the Ngaio Marsh Award for best non-fiction book. Michael also made an award-winning documentary about Teina’s story. Michael’s short films COW and KEROSENE CREEK screened at numerous film festivals including Cannes, Toronto, Berlin, London and New York. His debut feature MATARIKI premiered at Toronto Film Festival and won awards in New Zealand and internationally. Michael has written and directed for many television drama series. He works as a mentor in communities around New Zealand with Script to Screen, with developing filmmakers through the NZ Film Commission and Nga Aho Whakaari, and is head  of the screenwriting programme at South Seas Film School. Michael’s second book, Helen and the Go – Go Ninjas (a post-apocalyptic time travel graphic novel co-authored with Ant Sang) was published by Penguin Random House June 2018.  He founded 10000 COMPANY with Jane Holland to create and develop original film and television projects .

Chloe Smith has worked in the New Zealand screen production industry for 30+ years and has been involved in the physical production of numerous feature and television dramas including – PALLET ON THE FLOOR, CAME A HOT FRIDAY, SHAKER RUN, QUEEN CITY ROCKER, BRIDGE TO NOWHERE, WORZEL GUMMIDGE DOWN UNDER, USER FRIENDLY, CRUSH, THE PIANO, FOREVER, HERCULES  HERCULES–THE LEGENDARY JOURNEYS , XENA–WARRIOR PRINCESS, COW, A FISH TALE, BOOGEYMAN, KIDNAPPED (on the BBC), SIONE’S WEDDING, 30 DAYS OF NIGHT, LEGEND OF THE SEEKER and SPARTACUS. She also helped set up ASH vs EVIL DEAD and more recently worked on WANTED, as well as IN DARK PLACES with Michael Bennet as the director and Jane Holland as the co-producer. 

Jane, Michael and Chloe are attending the Story Camp Advanced with their project, YEAR OF THE LION.


Matthew Saville & Desray Armstrong

Matthew J. Saville is a director and writer from Auckland where he lives with his two young boys Hector and Rafael. Matthew has a long list of credits to his name, from writing and directing prime time drama, to creating children’s television. His credits include BLUE ROSE, KUNE’S KITCHEN, BOMBSHELL and DEAR MURDERER. Matthew has also achieved success as a short film maker.  His first short film HITCH HIKE screened at some of the most prestigious film festivals in the world. His second film DIVEpremiered at the Telluride Film Festival, won Best Film at Show Me Shorts Film Festival and first prize at the Rhode Island International Film Festival.

Desray Armstrong is an independent producer with a diverse slate of credits and a wealth of physical production experience. She has produced documentaries, factual series, music videos and award-winning short films including MEATHEAD by Sam Holst, ELLEN IS LEAVING and BATS by Michelle Savill, SNOWMEN by Jonathan Brough and recently completed Jessica Sanderson’s debut short WAYS TO SEE. She produced Dustin Feneley’s independent feature, STRAY, which premiered competition at the 2018 Moscow International Film Festival and won Best Actor. She was awarded WIFT Woman to Watch in 2016 and won 2018 SPADA Independent Producer of the Year.

Desray and Matthew are attending the Story Camp Advanced with their project, JUNIPER.


Michelle Savill, Eli Kent, Desray Armstrong & Andrew Stroud

Michelle Saville tells cinematic stories about the human condition, mining reality for humour, with a touch of magic. Her short ELLEN IS LEAVING won Best Narrative Short Film at SXSW Film Festival and San Francisco Film Festival. Her earlier shorts screened at Aspen, Rotterdam, Sydney, Edinburgh, Clermont – Ferrand and Melbourne where she attended the MIFF Accelerator Programme. She has attended the Berlinale Talent Lab and won a script development placement at Killer Films in New York through Script to Screen. Recently, Michelle has hit record on youth culture for Vice, Catalogue Magazine and Nike. Currently, Michelle works as a commercials director for Goodoil Films.


Eli Kent is a writer, director and performer for stage and screen. He is a recipient of multiple accolades, including the Bruce Mason Award for emerging playwrights and the New Zealand Arts Foundation New Generation Award. In 2010 he completed his Masters in Scriptwriting at Victoria University’s International Institute of Modern Letters. Recently he wrote and acted in The Playground Collective’s All Your Wants and Needs Fulfilled Forever, which played at London’s Vault Festival following successful runs in Auckland and New York. His most recent play was ‘Peer Gynt [recycled]’ for Auckland Theatre Company. He is currently developing numerous projects in theatre and film.


Desray Armstrong is an independent producer with a diverse slate of credits and a wealth of physical production experience. She has produced documentaries, factual series, music videos and award-winning short films including MEATHEAD by Sam Holst, ELLEN IS LEAVING and BATS by Michelle Savill, SNOWMEN by Jonathan Brough and recently completed Jessica Sanderson’s debut short WAYS TO SEE. She produced Dustin Feneley’s independent feature, STRAY, which premiered competition at the 2018 Moscow International Film Festival and won Best Actor. She was awarded WIFT Woman to Watch in 2016 and won 2018 SPADA Independent Producer of the Year.


Andrew Stroud is a Canadian born New Zealand based cinematographer who has been a freelance cinematographer since 2008.  He works predominately as a commercial cinematographer and is currently shooting projects throughout Asia, Australia and New Zealand for various commercial companies. In 2013 he shot music video Royals – Lorde which went onto gain 55 million hits on YouTube and won MTV VMA award for best video. In 2016 he shot his debut feature film, supernatural thriller THE CHANGEOVER. Andrew has also shot a number of short films including +/- (2015), ECHOES (2013), 43,000 FEET (2012) and ELLEN IS LEAVING (2012) which went onto screen and win awards at numerous festivals around the world including SXSW (Best Narrative Short 2013), San Francisco Film Festival 2013, Sydney Film Festival 2013, Nantucket Film Festival 2013 amd NZFF 2012.

Michelle, Eli, Desray and Andrew are attending the Story Camp Advanced with their project, MILLIE LIES LOW.